NOVIEMBRE II Lyrics – Oney1

NOVIEMBRE II Lyrics Meaning

[Intro]
It just sets the mood. A simple “Yeah” to kick things off, like he’s taking a deep breath before opening up.

[Verso 1]
He starts by admitting something tough—he realizes the other person was right in the end. Whatever they warned him about came true. He got addicted to something, maybe the feeling or the relationship itself, and ended up falling for temptation. They started talking again for a bit, but the other person didn’t want songs written about them. Still, he couldn’t help himself—this one’s coming straight from the heart, not just something he scribbled down.

He’s really struggling to move on. He’s tried everything, but nothing helps. Love just throws him off. When he’s with his friends, he feels like he can handle life, act strong, have fun—but once he’s alone, especially at night, reality hits and nothing can distract him from that emptiness. He feels like he’s failing, like he’s losing at life. He even wishes someone close to him would just slap some sense into him.

He talks about how people act like they own the world, referencing Tony Montana from *Scarface*, but for him, this one person *was* his whole world—and it’s been forever since he last hugged them. There’s one specific moment he remembers, when he touched their skin, and that memory haunts him. He wishes he had known how cold or cruel they could be. He’s blaming himself for not being okay, for believing them when they said they’d changed.

He tries to block out their thoughts by closing his eyes, but they show up everywhere. Their relationship went from love to hate, from wanting to be together to needing to forget each other, from not wanting to hurt each other to now going months without speaking. He pours all this out to the wind, like talking to no one. He compares the person to a beautiful train line, the Línea Urquiza—maybe a way of saying they were part of his everyday life or had a beauty he admired from a distance.

He’s even been seeing a therapist, and they’ve noticed that he hasn’t really smiled since the breakup. Still, he’s not angry. He even admits he still looks at them and feels something—laughs, gets nervous, remembers their eyes, especially when they were red from crying or something deeper. He’s even talked to God about it, asking to be freed from everything, but not from his voice—maybe meaning his ability to express all this through music. And he remembers that they once wanted a whole music saga dedicated to them—and now they’ve got it: this song, Noviembre II.

[Interludio]
He’s saying the person finally got what they wanted—a song just for them, part two of a story.

[Verso 2]
He’s not sleeping at night or during the day. He keeps asking himself why he ever fell in love, and blames himself for trusting someone who acted warm but turned out to be cold. He says he can’t fake emotions—he’s too real to hide how he feels.

[Outro]
He wonders how many souls he can help or save with his music. He’s asking who’s willing to join him on his journey. The only things he stands for are family and respect—that’s the deal. C.A.P.S. is his code or crew. Their soul, his music—that’s how the story ends.