Malandrito (Remix) Lyrics – Junior Caldera

Malandrito (Remix) Lyrics Meaning

[Agua, agua]
This part sets the mood with a catchy, repeated phrase. It kicks off by saying the girl likes bad boys—the kind who pull her hair and aren’t afraid of anything. She was basically born fearless and is drawn to wild, rebellious energy. The guy can tell by her vibe that she’s into rough and bold guys, and he’s watching her closely, picking up on her flirtatious signals. He knows her games, and her current boyfriend, who tries to be romantic like Romeo, just can’t compete. The guy speaking grew up in a tough environment, surrounded by violence and danger, and that’s exactly the kind of energy she craves.

[A-a ti te gustan como yo, malandrito’]
Here, the chorus repeats the idea that she likes guys like him—“malandritos”—which means tough, street-style guys who might carry weapons and live on the edge. She got tired of her ex, who wasn’t good in bed, and kicked him out. Now she wants something more intense and passionate. The song uses a sound effect “plo-plo-plo” to suggest how things heat up when they’re together, almost like a rhythm that reflects their wild chemistry.

[Ese kulo le hace: “plo”]
This section just doubles down on that same rhythm—“plo”—which symbolizes how much she’s physically enjoying herself. It’s repetitive and catchy, keeping the energy and beat going, kind of like a chant that emphasizes her confidence and physical power.

[Yo soy su títerito 24/7…]
Now the guy says he’s always available for her, like her little puppet on call 24/7. She might have someone else, but she comes to him for fun. He likes girls with big curves and wants them to challenge him so he can dominate. When she texts asking where he is, he says he’s on the way, all hyped up and ready. He’s not holding back when they’re together and even throws shade at her ex, daring him to speak up if he has a problem. He’s bold, raw, and not afraid of stirring things up.

[A-a-a ti te gustan como yo, títerito]
The chorus returns but this time he calls himself “títerito,” meaning a street-smart guy or even a small-time thug. She’s into his tough vibe. Her ex messed up, probably cheated, and now she’s replacing him with someone who’s rough and real. Again, the “plo-plo” rhythm makes a comeback, almost like a musical signature for the wild and raw energy between them.

[Co-como una pistola…]
Here he compares their passion to a gun—if you take it out, you better use it. He describes her physical features and says she’s like Karol G’s “bichota” style, meaning a strong, boss woman who’s done with heartbreak. She’s living fast, and that’s why she vibes with him. He calls out fake guys who pretend to be like him but aren’t. He’s got his weapon ready, and if they go out to party, he’s ready to turn up hard. They’re not quiet or sneaky—they make noise, make moves, and live boldly. He says the stories people believe are kind of confusing, and even though she looks like a soft girl (“fresa”), she clearly wants someone like him.

[Ella me saca la pistola…]
This part gets more intense and s*xual. She’s confident and playful, even holding his gun in a flirty way. She asks him to take pictures of her, showing she wants to be remembered and admired. She waits for him at home when he’s out doing shady deals. He calls himself a “bandido”—a street criminal—who lives fast, gets money quickly, and doesn’t play around. Her current boyfriend is obsessed, watching his social media hoping to catch a glimpse of her, clearly jealous and insecure.

[Ese kulo yo lo fluyo…]
He says he’s got full control when they’re together, even taking her out on his Banshee (a type of ATV), and she’s not even wearing underwear, showing she came ready. He calls her a movie star, someone who’s got attention like she’s auditioning for roles. With him, she lets go of her good girl image and gets wild. They don’t use protection, and he’s completely into her. He’s used to hearing gunshots, so he doesn’t panic, and even compares her body’s rhythm to gunfire sounds. She used to act like she was hard to get, but now she’s all his, and he doesn’t forget the intimate moments they’ve shared. To him, she’s everything he wants—powerful, s*xy, and exciting like a fully loaded weapon.

[A-a-a ti te gustan como yo, malandrito’]
This part repeats the main chorus again. It emphasizes how she dumped her last guy because he wasn’t satisfying her and now she’s into dangerous, passionate guys like him. The energy stays high with the repeating “plo-plo” sound keeping the beat going.

[A ti te gustan malandrito’]
Here he gets more vivid. She likes being picked up on a motorcycle that does wheelies, loves reggaetón dancing, and isn’t afraid of things getting intense. He says soft, fancy boys (“sifrinito”) don’t match her style. She needs someone who can handle her s*xually and emotionally. He calls her “beta,” like a tough version of a girl who’s not basic. He wants her to move her body and look s*xy while he’s lighting up a joint. She wants someone to grab her hair and take control. He even mocks her ex with a machine-gun sound and says the guys who talk big don’t actually do anything. It’s all just talk—“bla-bla-bla.”

[Yo-yo-yo-yo te quiero partir…]
Here he gets straight to the point—he wants to go all out with her. The phrase “saca la perra a pasear” is a wild way of saying he wants to bring out her wild side. It’s raw, animalistic, and passionate.

[A ti te gustan como yo, malandrito’]
The chorus comes back again, hammering home that she’s into bad boys. She got rid of the guy who didn’t satisfy her and now wants real intensity. Her body reacts to the thrill, and the “plo-plo” sound keeps echoing, like a signal of their heated connection.

[Ah…]
The song ends with a last punchy line saying her body reacts that way because of what he did to her. Then it cuts off with an insult and the record label tag. It leaves on a bold, in-your-face note, staying true to the wild and raw style of the whole song.