Malandrito (Remix) Lyrics (English Translation) – Junior Caldera

Malandrito (Remix) (English Translation) Lyrics Meaning

[Water, water]
This part kicks off with a kind of catchy chant, “water, water,” which seems to act like a hype phrase or rhythm filler. Then it dives straight into the story. The singer’s talking about a girl who’s attracted to rough, rebellious guys — the kind who don’t follow rules, maybe even dangerous. She likes a guy who’s bold enough to pull her hair, which is his way of showing dominance. She’s fearless and seems to enjoy that wild energy. She’s not into sweet, gentle guys like “Romeo.” Where he’s from, life is rough and violent — people grow up around guns and danger. And in that world, he feels like exactly the kind of guy she wants.

[Y-you like them like me, thug]
Here, the guy’s bragging a bit. He’s saying she prefers guys like him — street-smart, bold, probably armed with a gun. The phrase “load a Glock” keeps popping up, which gives off this aggressive, fearless vibe. The girl used to have a boyfriend, but he wasn’t dangerous enough for her. She thought she was the bad one in that relationship, but now she’s flipped. She got tired of being the sweet girl and wanted something more exciting. The repeated “plo-plo-plo” kind of mimics gunshots, which plays into the song’s whole dangerous, edgy atmosphere.

[That dude goes: “plo”]
This part just keeps repeating that “plo” sound, like gunfire in rhythm form. It’s more about energy than meaning — hyping the vibe and reinforcing that “tough guy” feel. It’s not meant to say a lot, but it builds up that intense, aggressive mood the song is going for.

[I’m his puppet 24/7… Come on, baby.]
Now it shifts to someone talking about being totally hooked — like they’re always available, like a puppet. They’re saying the guy is fun, lets her be wild, and she likes playing along. She says she likes big, strong guys and doesn’t back down from a challenge. There’s a back-and-forth between them — he asks where she is, she says she’s on the way, ready for something intense. There’s also some really explicit, s*xual stuff here where she talks about his reaction to her and says crude things about her ex. It’s raw, emotional, and full of power play. She’s not shy about what she wants, and she wants a guy who dominates.

[Y-y-you like them like me, puppet]
This part repeats the theme — she likes bad boys, the kind who aren’t afraid to get rough. The “puppet” part may mean she’s totally under his spell. Her last guy is now out of the picture — either ignored or dumped. He’s referred to in a mocking way, as if he couldn’t keep up. And again, the “plo-plo-plo” returns, driving home that loud, no-apologies energy.

[L-like a gun, if he takes it out on me… looking for me? (Water, water)]
Now, there’s more gun talk — saying that if this guy brings out his gun, he’s going to use it. It’s like a metaphor for how serious and dangerous he is. Then the focus shifts to the girl — she’s s*xy and confident, has a bold body, doesn’t party like before, and is now fully drawn to this thug lifestyle. The guy feels like he’s real — not fake or soft — and that’s why she’s with him. He’s ready to party, to dance, to go out, and if they’re in the club, it’s going to get loud and wild. He can tell she’s got mixed emotions, but also sees how beautiful and drawn she is to his world.

[She pulls out her gun… sees you in my yard]
This time, it’s about her being just as bold — she’s got a gun too, and she’s proud of it. She wants him to take her picture, and he does — more than one. She waits for him when he’s out “maneuvering,” which probably means handling risky business or criminal activity. He calls himself a bandit, someone who plays in the big leagues, doing things quickly and without following the law. He’s rich, throwing around cash like it’s nothing. Her ex is still watching him from the sidelines, like a fan trying to figure out if she’s with him now.

[That dude, I’ll I flow… if I squeeze you there, it’s because I used you]
Now he’s bragging about his style and how flashy he is — riding fast bikes, talking about how the girl came out with no underwear, turning everything into a wild, s*xual movie scene. He says she acts classy but becomes a whole different person around him — bold, intense, even nasty in bed. He’s obsessed with her and everything she does. He doesn’t want her to freak out if things get dangerous — gunshots might happen. He talks about her turning out to be a wild one, even though she acted like she was hard to get. Now she’s his, and she’s marked — like he owns her. He sees her as the full package, and yeah, the language gets pretty explicit here again.

[Y-y-you like them like me, thug]
Back again to the same theme — she’s ditched the nice guy because he wasn’t thrilling enough. She wants a guy like him, someone bad, someone rough, someone who knows how to handle her the way she craves. And again, we get the “plo-plo-plo,” reminding us this song is all about that tough, gun-toting image.

[You like them, thug… Pure “blah-blah-blah”]
This verse is wild — he wants to pick her up on a motorcycle and pull off tricks just to impress her. He dances reggaeton and wants her to shake her ass. He makes fun of rich, snobby guys, saying she doesn’t belong with them — she belongs with someone real. He says she wants to be rich, so he tells her to go all in. Then it gets rough again: talking about pulling her hair, messing around s*xually, and warning her ex not to mess with him — he’s got a machine gun for him. The insults fly, and he mocks the people talking about him, calling it all just “blah-blah-blah” — they’re not a threat.

[I-I-I-I want to break you… take the b!tch out for a walk]
This part gets very aggressive. He’s not hiding his intentions — he wants to dominate, to be rough, and he doesn’t care what others think. It’s all about control and wild energy.

[You like them like me, you little rascal… Zingales records]
At the end, it circles back to the core idea. She dumped her ex for someone who could handle her rough side. She likes bad guys, dangerous guys, the kind who load up a Glock and come with fire. The sound “plo-plo-plo” ends things off, like a gunshot echo, as the song fades out on that signature beat.