LA 125 Lyrics by Quevedo, Yung Beef is a latest Spanish song in the voices of Quevedo, Yung Beef. Its music too is composed by singer while brand new La 125 song lyrics are also written by Quevedo, Yung Beef. This is a popular song among the people of United States of America. It and Yung Beef is a catchy, playful song about a rebellious romance. The lyrics tell the story of a couple sneaking around, with the girl’s parents not allowing her to go out, and the guy not being allowed to enter her house. They come up with clever ways to meet, like pretending she’s asleep and sneaking out through a window. The song features themes of youthful defiance, secret relationships, and passionate encounters, with references to motorcycles, luxury cars, and the thrill of breaking the rules. It has a fun, flirtatious vibe throughout.
LA 125 Lyrics
[Letra de “LA 125”]
[Estribillo: Quevedo]
Tus padres no te dejan salir (Dale)
A mí no me dejan entrar (Uh)
¿Entonces qué hacemo’, ey? (¿Qué hacemo’?)
Finge que te duerme’ y tal
Y pon cojine’ en tu sitio en la cama
Y cuando te tire piedrita’ en la ventana
Ahí puedes bajar (Ahí puede’ bajar), mami
Ahí puedes bajar (Ah)
[Verso 1: Quevedo]
Tus padre’ no me soportan porque me vieron haciendo wheelie
Por la GC-1 con la 125, ey, tu mai es una milipili
Si se entera de toda’ las vece’ que te singo
Por semana son mínimo cinco
Te recojo de la uni para hacerlo lejo’, pero a vece’ te apetece hasta allí mismo
Sé que ya yo te caché desde que escuché tus gemido’, y sé (Oh, oh)
Que yo también te gusté, y tú a mí también, lo admito, touché
Sé que somo’ dos bellaco’, no podemo’ evitarlo, mami, ¿qué le vamo’ a hacer? Ey
Solo podemo’ hacerlo, la pongo a rebotar en el capó de la Benz
Te jalo de las trenza’ y voalà (Voalà)
Mami, está’ desnivelá’ de liga para compararte
Ma-ma-mala (Uh), baby, a decir verdad
Yo estaba loco por chingarte, hasta que te lo di, yeah
Ese culito está catchy como mi melody (-dy), ey
Y aunque tus padre’ se quejen, bebé, no te deje’, mmm, tú llama cuando quiera’
[Estribillo: Quevedo]
Tus padres no te dejan salir (Ey)
A mí no me dejan entrar (Uh)
¿Entonces qué hacemos, ey? (¿Entonce’ qué hacemo’?)
Finge que te duermes y tal (Ah-ah)
Y pon cojine’ en tu sitio en la cama
Y cuando te tire piedrita’ en la ventana
Ahí puedes bajar (Ahí puede’ bajar), mami
Ahí puedes bajar (Ah)
[Post-Estribillo: Quevedo]
Sé que yo ya te caché—
[Verso 2: Yung Beef]
Amor de colegio como Héctor (Como Héctor), woah
Desde que estaba en los proyecto’ (Ah-ah)
A tus viejo’ le falto el respeto (El respeto)
Cada vez que te lo meto
Tengo muchos cuero’, no estoy quieto (No-o)
Mami, tengo muchos cuero, no te miento (No)
Y yo sé que tú quiere’ dinero
Que tanto “te quiero” se lo llevó el viento
Damn, en las casa’ ya no hay cucaracha’
Woah, te ves bien guillá’ si te agacha’
Y ese puerco no se merece tu cuerpo
Sé que yo ya te enganché
Desde que escuché tus gemido’, y que
Que yo también te gusté
Tú a mí me gustaste, lo admito, touché, damn
Zorra, en el cuello tu chain (Tu chain)
B!tch, te mando paquete’ del SHEIN (B!tch)
Perdimo’ el control hace tiempo haciéndolo así
[Estribillo: Yung Beef]
Tus pae’ no te dejan salir (B!tch)
Y a mí no me dejan entrar, woah
¿Entonces qué hacemo’? (¿Nos matamo’?)
Finge que te duermes y tal (Hm-hm)
Y pon cojine’ en tu sitio en la cama
Cuando te tire piedrita’ en la ventana
Ahí tú puedes bajar, yeah, ahí tú puedes bajar (Ah)
[Outro: Quevedo & Yung Beef]
(Sé que ya yo te caché desde que escuché tu gemido, y sé)
Ey, uh
Ey, buenas noche’
(Que yo también te gusté, y tú a mí también, lo admito, touché)
Buena’ noche’, mami, ey
(Sé que ya yo te caché desde que escuché tu gemido, y sé)
Mm-mm
Buena’ noche’, ey
(Que yo también te gusté, y tú a mí también, lo admito, touché)
Buena’ noche’
Quevedo Songs
- LOS DÍAS CONTADOS (English Translation)
- LOS DÍAS CONTADOS
- QUÉ ASCO DE TODO (English Translation)
- QUÉ ASCO DE TODO
- NOEMÚ (English Translation)
LA 125 Lyrics Meaning
[Estribillo (Quevedo)]
In this part, Quevedo sings about a secret relationship where the girl’s parents don’t allow her to go out, and his presence is also unwelcome. He suggests that they find ways to meet up, like pretending she’s asleep and using pillows to cover her absence. He’ll throw stones at her window to signal her to come out, and when she does, they can be together away from prying eyes. It’s a playful and rebellious approach to sneaking around.
[Verso 1 (Quevedo)]
Quevedo talks about the rebellious nature of his relationship with this girl. Her parents don’t like him because they saw him performing stunts on his motorcycle, a 125cc, and think he’s trouble. He admits to seeing the girl regularly, and their relationship is more than casual, hinting at frequent intimate encounters. He enjoys the thrill of sneaking around and the chemistry between them. He describes wild moments, like her being excited by their secretive and passionate interactions. Despite her parents’ complaints, he’s confident in their attraction and how they can’t resist each other.
[Estribillo (Quevedo)]
This part repeats the same situation as the first chorus, emphasizing the girl’s struggle to sneak out while her parents are unaware. Quevedo still suggests she pretend to sleep, use pillows as decoys, and wait for his signals to sneak out when he throws stones at her window. It’s all about finding a way to be together despite the restrictions, keeping the tone light and mischievous.
[Post-Estribillo (Quevedo)]
Quevedo briefly mentions that he already caught on to her hidden feelings, especially after hearing her reactions to their private moments. It’s an acknowledgment of their mutual attraction and connection.
[Verso 2 (Yung Beef)]
Yung Beef continues the rebellious and confident tone, describing the kind of relationship they share, comparing it to young love with a sense of defiance. He implies that he’s been through rougher circumstances (growing up in the projects), which adds to his tough persona. He acknowledges the girl might be after money but feels that their relationship is based on raw chemistry rather than romance. He teases her about wanting material things but claims his attraction is deeper. He also brags about his success, sending her gifts from places like SHEIN, and admits they’ve lost control when it comes to their passion.
[Estribillo (Yung Beef)]
Yung Beef repeats the same chorus, emphasizing the secrecy of their relationship. He, like Quevedo, suggests the girl pretend to sleep and use a pillow trick, signaling that when he throws stones at her window, she should sneak out. The tone here stays playful but with an edge of rebellion, focusing on their connection despite the obstacles.
[Outro (Quevedo & Yung Beef)]
The outro is a closing, casual conversation between Quevedo and Yung Beef. They both acknowledge the mutual attraction that sparked between them and the girl. There’s a light, flirtatious vibe as they greet her with “good night,” playfully reflecting on how they both knew they were into each other since the beginning. It’s a smooth and cheeky ending to the song, continuing the theme of a secret but intense connection.
FAQs
Q. Who has sung LA 125 song?
A. LA 125 song is sung by Quevedo, Yung Beef.
Q. Who wrote LA 125 lyrics?
A. LA 125 lyrics are penned by Quevedo, Yung Beef.
Q. Who has given the music of LA 125 song?
A. LA 125 music is composed and produced by Quevedo, Yung Beef.
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