KOUWE OUWE (First Day Out) Lyrics – Kolja Goldstein

KOUWE OUWE (First Day Out) Lyrics Meaning

[Intro]
The intro is Kolja Goldstein announcing his return, implying that things are about to get wild and intense again.

[Part]
Kolja Goldstein paints a vivid picture of his high-risk lifestyle filled with luxury, drügs, and violence. He mentions wearing high-end coats and mixing dangerous substances like Proca (a drug) and Boli (likely another form of drug), sending it across Europe. He is sitting on a Vespa in Zuid (a district), smelling acid and salt, which reflects his connection to the underground world of drügs. He talks about mixing ammonia with plastic, referring to dangerous, illegal activities.

He proudly acknowledges his violent side, declaring himself and his crew as killers always ready to strike. The voices on the phone seem to represent people in the underworld, distant but still impactful, shaking with fear. The line “Who is really out there?” suggests his paranoia, asking who can truly be trusted in his dangerous circle. He mentions that his team operates with motorcycles, helmets, and latex gloves, hinting at their readiness for any situation.

Kolja speaks about loyalty and his dangerous circle, where people close to him, like “Jos,” are the best at what they do. He also shares that someone tried to murder his brother, but the shooter is now dead, showing the violent consequences of betrayal. He doesn’t drink but hints that the violence in his life can drive him to numb the pain in other ways. The ” Auftraggeber” (the person who gave orders) has to go into hiding, as things are getting riskier. He reflects on the violence that happens in broad daylight and wonders about the fate of others, like Lao, who got shot in a dispute.

Despite all the money he has, Kolja remains unchanged, still deeply involved in the drug trade, stamping bricks (likely referring to kilos of drügs), and using expensive luxury cars and tech. He continues to associate with people like Kana and Richard, showing that his relationships are still business-focused. He stands above others in the food chain, looking down on rappers who are still stuck on street corners, dealing with smaller-scale drug operations.

He mentions various places and people in the drug trade, hinting at international connections and the floods of drügs that have taken over territories. The mention of “Ermittlungsverfahr’n” refers to the complicated investigations by the police, who are always on his trail, but Kolja remains elusive, speaking of high-end locations like the Fairmont in Tanger, a luxury hotel, and places like the Port of Balboa. He hints at using his wealth and status to manipulate and avoid the law.

Kolja mentions being constantly under surveillance by the police, but even when the “Mordkommission” (homicide division) comes for him, he stays untouchable. The image of drying bricks (probably coc*ine) in the microwave reflects the rough and shady ways he continues to operate. He acknowledges that his life is full of movement and change, constantly adapting to survive.

In his narcissistic attitude, Kolja doesn’t care about being kind or friendly, seeing it as a weakness. He emphasizes separating business from friendship, living in luxury homes and ruling his world. He reflects on the power he has, controlling situations and people. He also talks about influencing witnesses and bending the law to his will, always staying ahead of the game.

The mention of containers with “Taş” (which might refer to another drug or commodity) and his unwillingness to go to jail shows how deeply involved he is in these shady operations. Kolja asserts that he won’t get caught, even if the law is on his tail. He talks about picking cocoa (likely coc*ine) in fields and working with chemicals like Proca, with a sharp focus on evading the singerities.

The final part of the song reveals Kolja’s determination to move differently, always coming back stronger and unpredictable, making sure his presence is felt every time he returns.