EL FICTICIO Lyrics – El Goldo

“EL FICTICIO” Lyrics by El Goldo is a latest Spanish song in the voice of El Goldo. Its music too is composed by singer while brand new “EL FICTICIO” song lyrics are also written by El Goldo. This is a popular song among the people of United States of America. The song is basically a heated diss where the artist talks tough, calls out rivals for being fake, and claims they aren’t really from the streets. He brags about his own credibility, mocks their careers, and says he’s the real threat while others just pretend.

Letra de EL FICTICIO – El Goldo

[Letra de “EL FICTICIO”]

[Intro]
No se te ocurra despertarlo, si te atreves quizá ese terrible androide nos pueda matar
Androide Pi, Pirlo, jeje
Te han pirateado el álbum (Todo un fracaso, no lo vayan a despertar)
Te han menospreciado
Te han cerrado las puertas en la industria (No lo hagas, no)
¿Y ahora te bajan los temas de las plataformas?
Jajaja
¿Será que eres el terror?
Quiero decirte que no importa qué tan fuerte seas
Porque nosotros los androides somos totalmente invencibles, es todo
Jeje

Les voy a hablar re clásico, vo’a hacerlo brevecito
Los vo’a recoger en un dos por tre’, sin meter terceros (¿Pero y ese bochinche, mijo?)
Sin familiares, sin nada, a ustedes directamente (Estamo’ en la calle)
Sus familias hasta serán de bien, ustedes son unas cacotas
Todos vienen de buena familia, que es lo peor, ninguno es calle, jaja

[Verso 1]
Vamo’ a hacer que el pe’o estalle
Vamo’ a hablar con argumento’ y detalles
Que sepan la real los niños rata y los que son calle (Ah)
Yo no copio de chavos, ni de power, es mejor que guayen
Yo soy el terror de todo’ ustedes, tírense pa’l Valle (Plo-plo)
Uno por uno, yo sólito contra todo’
¿Según ustedes, a quién van a engañar cantando trap? Pedazo ‘e bobo’ (Eh)
Este verso va a rocearse en todo el globo
Estos querían caperucear, pero se dejan dar del lobo
Esto pa’ mí es sencillo y fácil, les tengo el piso temblando
Yo sí tengo dignidad, no soy un títere mamando (Cali Cartel)
Yo soy calle de verdad y estoy fronteando (Uste’ lo saben)
Primero fueron fanes de mi flow (Eh), después me están odiando (Eh)
Okey, entiendo, saben bien que están caído’
Y para arreglar ese mierdero, vo’a meter todos unido’
En la pista yo camino con bandido’
Hablarme a mí de sapo cuando nunca un Chococono tú has vendido (Jaja)
Bobo, estúpido, ustedes vendían dulce’, yo podere’

¿Yo qué culpa tengo de que se le claven las mujere’?
Regálale leche a Quico que él la quiere
Ellos tiran partie’ en Medallo flow Puff Daddy, extraños sere’
Están celoso’ porque nunca les firmamo’
Yo les meto infancia en Barrio Antioquía si me cuadro la de Thano’ (Eh)
¿Qué va a hablar de calle usted, cuerpo ‘e banano?
El otro vio que yo canté de tussi, copia y pegue, qué bacano

[Interludio]
Jaja, qué chimba, gonorrea

[Verso 2]
So, ficticio, hablando en trap, tú no estás en mi piso
Y los que te robaron son tu misma gente de servicio
Vos pensando que era yo, el avión se te estrelló
Cuando arreglaste con la KK, sea serio, coja oficio
Yo fui a ti el que te ayudó, tú no cantabas trap jamás
Vos ni sos de Medellín, baboso, sos de Bogotá
El blandito, el que perdió la identidad
Manicomio y Cojo Crazy lo cascaron fue por no saber rimar
Después cogió poder y tiene odio, se quiere vengar
Estás enfermo de la mía, el mango se te va a explotar
Usted es el que mantiene con la ESMAD
Bajó quinientos tombos al pedazo pa’ grabar un comercial

[Interludio]
Je, en San Antonio, no se le olvide (Uy, Dios mío santo)
Que bajó con toda la ley (Recoja, vamo’ de nueva)
Ja (Vamo’ a darle, pues)
Vamo’ a darle ráfaga
Cali Cartel, yeah
Cámbiame el ritmo que lo voy a detonar horrible (Ah)

[Verso 3]
Yo no entiendo, todo’ me coreaban en su tiempo
Kris R. fue el primero que me estaba presumiendo (Ey)
Después pasaron mese’ y bendito, yo no entiendo
Se volvieron malos después que les di Nintendo (Ay)
Y no entienden, que yo siempre he estado con rebelde’
Porque yo nunca firmé con Jara, eso les muerde (Jaja)
WestCOL cree que posee to’ los verde’
Ese si camina un bosque, de pronto se pierde (Plo)
Y el Bendito, sé que no tener ni flow te duele
Porque usted es un bobo con papele’
Tú no tiene’ punchline ni delivery, se lo roba de Kris R
Y ese entrega el culo cuando huele (Oh)
Siga recogiendo leche de La Sele o hago que los desmantele
¿Tú meterle así? Jamás, manín, si vos sos un pelele
Tú come’ travestis en motele’
Usted mismo fue el que nos advirtió por donde fue que— (Hm)
A este los manes le encantan, ¿o te acuerdo de Samantha?
La que te peló el banano y te lo puso en la garganta
Oye, oye, después de esta nadie te levanta
Ponerse a improvisar comiendo manes cuando se le botan tanta’

[Interludio: Pirlo & Blessd]
Tiene que dejarse clavar
Y aquí hay que aprender a dejarse pichar
Entonces usted verá, si se lo picha un negro de seis metros
O se lo picha un japonés de treinta centímetros
Pero usted clavado, va
Por donde vaya, va clavado
Usted sabe que nosotros tenemos que sacarnos el chip de la calle
Párense duro, papi, conmigo
Siempre fui el terror de ustede’
Ve, WestierCOL, jeje
Cali Cartel, dame un chorro de champaña, eh
Pedazo de estúpido
Pa’ darles suave, porque donde me dé un pase los mato, ah
Kris R, por ahí hay como cuatrocientos clip suyo’ hablando de que (Eh, usted es mi hijo, bro ¿qué está pasando?)
Yo soy el artista favorito suyo, ¿qué pasó? (Quico, usted no puede)
Vamo’ de nuevo (Usted, jaja)

[Verso 4]
Oye, WestierCOL, tú eres un pendejo milloneta
Que frontea con prenda’ y camioneta’ (Jaja)
Aida ya lo dijo, eso era pantalla, pura feka
Y yo le creo porque tú eres una mierda
Desgraciado, usted es un infeliz vacío que aparenta
Usted se mete leche y carne al culo, en lo que yo me meto fenta
Monte un party suyo con los temas de travesti, aumenta
Y perrealos con Blessd y Cris Bareta
Ah, el papá
El gusano le sacó la tinta al gordo pa’ hacerlo encanar, ah (Jaja)
¿Por qué será? Porque vio que no firmé y porque vio que no me pudo vacunar
Ah, y otra más, par de años atrás usted fue el que me abrió allá en el Pascual
Otra, otra y ya
Por borracho irrespetuoso en el mundial, el FERXXO lo puso a llorar (No, FERXXO, no, FERXXO)

[Outro]
Por irrespetuoso y por tibio
Una por irrespetuoso y la otra por el tibio
Así fue que lo cogió el FERXXO, ja
Cali Cartel, 420
Estamos haciéndolo de gratis, yo sé que usted no me va a responder
Si yo fui el que le escribí y le enseñé a hacer trap
Mande a los títere’ suyos a ver si se atreven a montarse en un ritmo
Igual tengo tiempo pa’ todos
Esto es Cali Cartel, estoy con el Dogor, estoy con G’s, con Van
Vamos a salir a hacer un mierdero, a la hora que usted quiera formar el mierdero, bestia
Lo vamos a hacer real, usted sabe que lo que estoy con un poco de androide’
Usted la calle no se la ha vivido nunca, mi rey
Si yo fui el que le enseñe eso, so, payaso (Creen que a mí van a tocarme así de breve, bro)
Póngase a estudiar mejor, hombre, payaso
Plo
Me tocan y se muere un poco de gente, estúpido

EL FICTICIO Video

El Goldo Songs

EL FICTICIO Lyrics Meaning

[Intro]
In the intro, the artist immediately sets a dark, threatening, and confident tone. He talks about a powerful “android” that should not be awakened, showing that he and his crew are untouchable and that challenging them would be dangerous. He reflects on how rivals have tried to sabotage him, whether by pirating his music, downplaying his talent, or closing doors in the music industry, but he portrays himself as invincible, saying none of it affects him. The mention of rivals being from privileged or “good” families emphasizes that they have never really experienced the streets, which is a central point in his argument about authenticity. He mocks their lack of street credibility while highlighting his own, presenting himself as both clever and dangerous. He also stresses that he can deal with his enemies directly, without involving third parties, reinforcing the idea that he doesn’t need help to maintain his dominance. Humor is interwoven with threats, making the tone playful yet menacing. Overall, the intro shows him as confident, aware of his power, and ready to confront anyone who tries to challenge him, while also teasing the audience with his swagger and street smarts.

[Verso 1]
In the first verse, the artist continues to assert his dominance and sets the stage for confrontation. He wants to shake things up and reveal the truth to those who pretend to be “street” or act tough online, especially the so-called kids who think they know the game. He makes it clear that he doesn’t copy anyone and that he’s the original, establishing his credibility and uniqueness in the trap scene. He brags about being feared and respected, ready to face rivals alone, and mocks anyone trying to act more experienced or powerful than him. He highlights his dignity and authenticity, contrasting himself with fake competitors who are “puppets” or unworthy of respect. The artist recalls how some people were once fans of his style but later turned against him once he achieved success, showing how jealousy and betrayal can change relationships. He criticizes rivals for being inexperienced, unprepared, and superficial, pointing out that they have never truly faced challenges on the streets. By mocking their fake behavior and attempts to copy his style, he asserts that their success is undeserved. He also threatens to disrupt their credibility publicly, emphasizing that he controls the narrative and that his skill and street knowledge put him far above them. This verse mixes playful insults, personal anecdotes, and warnings, highlighting his confidence and singerity in the trap scene.

[Interludio]
Just an expression of hype and excitement, adding energy.

[Verso 2]
In this verse, the artist directly addresses a rival he considers fake and exposed. He points out that the rival has been betrayed even by his own team, showing how weak and untrustworthy his circle is. The artist reminds the rival that he helped him get started in trap, showing that the rival owes his current position to him. He calls out the rival for pretending to be from the streets when he’s not, and contrasts his own authenticity with the rival’s fake image. He highlights past mistakes where the rival was punished or failed due to lack of talent, while also pointing out the rival’s resentment and desire for revenge. He mentions the rival’s connections to singerity, suggesting that the rival relies on external power rather than real skill, credibility, or respect. The tone is aggressive, mixing personal history, street criticism, and warnings, making it clear that the rival has no real chance against him.

[Interludio]
The artist builds energy and signals he is ready to attack again, setting up tension for the next verse.

[Verso 3]
Here, the artist talks about how people once supported him but turned against him despite his help, generosity, and influence. He mentions giving others tools, guidance, or inspiration, but some turned on him, showing that envy and betrayal are common. He criticizes rivals for claiming singerity in the scene while lacking talent, originality, or authenticity. He mocks their attempts to copy others, exposing them as insecure and fake. The artist also highlights strange or embarrassing behavior from rivals, showing how ridiculous they are compared to him. He uses personal anecdotes and real-life examples to emphasize his credibility and long-standing influence, showing he has always been connected to the streets and the music. The verse is both aggressive and playful, mixing insults with reminders of his skill, experience, and superiority. It reinforces that his rivals are imposters, and only he can claim real respect in the trap scene.

[Interludio: Pirlo & Blessd]
In this section, the artist delivers direct threats and reminders of his power. He says rivals will face consequences if they challenge him, no matter who they are or where they come from. He stresses the need to stay strong, united, and aware of street rules, showing his leadership and command over the scene. He boasts about being feared, supported by loyal allies, and never backing down. The interlude also reinforces his past support for rivals who have now betrayed him, highlighting their ingratitude. Overall, it’s a mix of intimidation, pride, and loyalty, showing that he’s untouchable and in control.

[Verso 4]
Here, the artist specifically targets WestierCOL, mocking his wealth, appearance, and fake behavior. He points out that the rival pretends to be powerful and respected, but in reality, he is shallow and hollow. He compares the rival’s fake bravado with his own real struggles and authenticity, emphasizing that he has true street credibility. The artist recalls moments where he helped or challenged the rival, showing that the rival’s current status is undeserved. He also references specific events, parties, and encounters, reinforcing his influence and history in the scene. The verse mixes insults, personal storytelling, and displays of dominance, portraying the rival as weak, fake, and inferior to him.

[Outro]
In the outro, the artist continues to confront rivals who have shown disrespect or fakeness. He emphasizes that he taught others how to perform in trap and that his skills and experience put him above anyone trying to challenge him. He warns that anyone attempting to confront him or his crew will face serious consequences, asserting his power and control. He also highlights the strength and loyalty of his crew, showing that he is backed by trusted allies. The artist criticizes those who act tough without living real street life, pointing out that they lack credibility and experience. He mixes humor, threats, and pride, reinforcing his dominance in the trap scene. The outro is a final statement of his singerity, warning rivals, and celebrating his own influence, skill, and authenticity while exposing others as fake, weak, and undeserving.

FAQs

Q. Who has sung EL FICTICIO song?
A. EL FICTICIO song is sung by El Goldo.

Q. Who wrote EL FICTICIO lyrics?
A. EL FICTICIO lyrics are penned by El Goldo.

Q. Who has given the music of EL FICTICIO song?
A. EL FICTICIO music is composed and produced by El Goldo.

“This concludes the lyrics of EL FICTICIO” by El Goldo. If you like this song please share it with your friends and family in USA. If you find any errors in it, please feel free to submit the correct version via the Contact Us section.