Camion de glace Lyrics by Ziak is a latest French song in the voice of Ziak. Its music too is composed by singer while brand new Camion De Glace song lyrics are also written by Ziak. This is a popular song among the people of United States of America. Camion de Glace by Ziak portrays the gritty and raw reality of street life, blending themes of struggle, betrayal, and survival. The artist reflects on the harshness of his environment, facing constant challenges while navigating dangerous situations, like dealing with the law and hustling. The song highlights the tensions between staying true to oneself and getting caught up in destructive habits. Ziak’s lyrics also show a sense of loyalty to his friends and community, despite the chaos surrounding him. The track is a reflection of the harsh realities, where survival and street codes define life.
Camion de glace Lyrics
[Couplet 1 : Ziak]
J’pète mon teh, j’guette le ciel, j’m’imagine seul en mer
Même si elle durait qu’une année, l’homme foutra sa vie en l’air (Majeur en l’air)
Entre tous les efforts que j’fais pour pas t’plaire
J’ai tout baisé, les choses à moitié, on sait pas faire
Y a pas d’département où on peut croiser aucun faible (Si l’Essonne)
Ici, y a pas d’flemme pour recompter les sommes (Merci les hommes)
La gadji porte une jupe courte de pom-pom
Elle veut qu’j’l’emmène voir un movie, ma queue dans le popcorn
Stup’, Glock, pots d’échappements, igo, c’est le folklore (Folklore)
J’l’ai baisé, j’lui ai vendu des fausses clopes
Pourquoi ils viennent nous casser les couilles ? On sait qu’ils ont pas d’opps
Sur un texte, j’laisse pas d’corps, j’ai fait ça propre
Fallait juste mailler depuis le début, j’ai qu’un plan
Chez nous, on a plein de drapeaux mais on n’a aucun blanc
C’est Fleury, la Santé, Fresnes, j’te parle pas d’Azkaban
Yo, c’est fini la santé, frère, on souhaite que de l’argent
Tu peux très bien te planter quand tu connais le circuit
Le problème avec le four, tu t’en sors que quand t’es cuit
J’peux pas imiter cette vie, je la connais comme une sœur
Y avait d’la drogue dans la (??), j’ai vendu gros, j’avais un cœur
J’suis dans des bails sales mais si c’est trop, elle peut partir
J’conduis mieux quand j’suis défoncé mais ça, il faut pas l’dire
J’suis dans des bails flous comme ta tête, j’touche bénéfice net comme (??) (J’suis comme l’avenir, s’il est trouble (??))
Mon cœur est noir cuir, convoque la pookie, fais-la v’nir
J’vendais dans ta main, j’avais pas d’site
J’suis un parasite, j’suis un handicap
Face aux paparazzis, j’suis en niqab
J’écris mon histoire, un shlass comme marque-page
Dernière fois qu’j’te fais la passe et qu’tu marques pas
Le ghetto m’accueille comme le camion d’glace (On s’gare)
[Pont : Jolagreen23]
Camion, camion d’glace
[Couplet 2 : Jolagreen23]
J’ai marché à côté des cafards et des scarabées, il était censé m’call-back mais il a pas rappelé
J’ai serré l’tissu entre mes dents, mets-moi l’cool-al sur la plaie, donne-moi la clé, donnez-la moi
Do-donne-moi les keys, il a fini d’visser, okay, il retourne à l’église
Il a fini d’visser, okay, il retourne à la mosquée, mille oiseaux d’Sasuke
J’arrive dans sa citée, wallah fu*k, mon rebeu, j’suis dans l’réel, j’t’ai dit, c’est pas un prank (Grah)
J’remets de l’ancre, t’sais qu’on reste qu’entre frères
Les b!tchs restent qu’entre b!tchs, ils attendent pas qu’j’le dise
Si Moha est high, me donne les conseils quand je vise
C’est dans la Nécrolimbe qu’j’vais faire ma release party
J’t’ai dit, j’écoutais Skepta, JME, tu vas en voyage, t’es la (??), j’te dis okay, baby
Slim Shady, mon big bro d’puis l’bendo, le ghetto m’accueil comme si c’était moi le Duc d’Ango (??)
J’suis sous Nike, pas sous Artengo, le client sait qu’la devise dans la caille, c’est “Grab and go”, “Grab and go”, “Grab and go”
Star-fu*keuse veut que j’l’emmène danser l’flamenco mais c’est mort
En tant qu’boss du village, j’me dois d’conserver mon image
Et pour tous ceux qui viennent en Europe à la nage, j’me dois d’le faire
On fume de l’herbe, on contamine l’air mais t’sais qu’on—, quoi ?
On fume de l’herbe, on contamine l’air mais t’sais qu’on prospère
D’vant l’OPJ, t’inquiète pas qu’le p’tit reuf sait qu’il doit s’taire (Sait qu’il doit s’taire)
Dans l’monastère pour mon départ donc wesh, wesh, wesh, c’est comme ça dans l’jargon ? Ah bon ?
En tant qu’boss du village, j’me dois d’conserver mon image
Et pour tous ceux qui viennent en Europe à la nage, j’me dois d’le faire
On fume de l’herbe, on contamine l’air mais t’sais qu’on prospère, ay
[Outro : Jolagreen23 & Ziak]
Oh, c’était ma Sakura, ma baby girl, j’lui ai dit “La vie d’artiste”
Trop l’impression qu’c’est mon l’captain, j’dois m’per-ta pour les frères, les (??)
Dans le studio, on work comme à l’usine, dans le studio, on work, j’dis vrai
J’vois toujours les shmits passer à fond
Beaucoup de grands garçons ne retiennent pas la leçon
Sortir du piège, j’le vois mordre à l’hameçon, sortir du piège, j’dis vrai
Com—, combien d’me-cri dans l’année ? (Combien ? Combien ?)
La revente de celle qui fait planer (Uh-uh)
Comme samouraï Japonais, la lame sur lui au cas ou tu veux déconner
J’vois toujours les shmits passer à fond (Uh-uh)
Beaucoup de grands garçons ne retiennent pas la leçon
Sortir du piège, j’le vois mordre à l’hameçon, sortir du piège, ay
Ziak Songs
Camion de glace Lyrics Meaning
[Couplet 1:]
In the first verse, Ziak expresses feelings of isolation and disillusionment with life, using imagery of being alone at sea, highlighting a sense of detachment. He talks about how even a brief moment of happiness or success can lead to destructive decisions, emphasizing how fleeting joy can cause chaos. Ziak also mentions putting little effort into trying to please others, focusing instead on his own survival. He critiques the world around him, noting that weakness is hard to find in his area, and there’s no time for laziness when counting money. He speaks about a shallow relationship with a woman, where she’s more interested in casual fun than anything serious, symbolized by a suggestive reference to a movie date. Ziak doesn’t shy away from the gritty side of life, mentioning things like drügs, guns, and counterfeit products. He portrays a cynical view of singerity, expressing frustration with those who try to control them, knowing they don’t really have any power. The verse then shifts to the streets, where he discusses his roots in tough neighborhoods, referencing notorious French prisons. Ziak makes it clear that he’s not interested in moral redemption; instead, he focuses on the pursuit of money. He reflects on the risks of living in this world, where survival depends on being “cooked” by experiences. Ziak acknowledges the darkness in his heart and the toxic nature of his environment but also seems to accept it as part of who he is. He reflects on the paradox of doing dirty work for survival while admitting that it’s a part of his reality.
[Pont:]
In this short bridge, the phrase “Camion, camion d’glace” (Ice truck) serves as a metaphor. It likely refers to the cold, harsh nature of the streets or the way life has been numbingly difficult and unfeeling, much like the coldness of an ice truck. The phrase is repeated to emphasize this cold, detached outlook.
[Couplet 2:]
In the second verse, Ziak continues to reflect on the harshness of his environment. He talks about walking alongside “cockroaches and beetles,” symbolizing the lowest, most grim aspects of life. There’s a sense of betrayal as someone he expected to reach out doesn’t call him back. He describes holding fabric between his teeth, a metaphor for enduring pain and struggling to cope. Ziak also seeks something that will ease his struggles, asking for the “keys,” possibly referring to control or a way out of his situation. He mentions the cycle of religious devotion and distractions, showing how people in his circle are caught in repetitive behaviors, trying to find solace in faith but ultimately feeling disconnected from true meaning. The mention of “Sasuke” refers to a character from the anime Naruto, hinting at the chaotic and dangerous world Ziak feels trapped in. He continues by expressing his loyalty to his close circle, saying that he stays loyal to his brothers, while the women in his life are less important to him, serving only temporary interests. Ziak reflects on the reality of the streets, where quick transactions (“grab and go”) are the norm, symbolizing a life of survival and opportunism. He also touches on his role as the “boss of the village,” meaning that he must maintain a tough exterior and reputation. He ends by reiterating his stance on drügs, the risks of getting caught by singerities, and the necessity of silence when dealing with the law. In this verse, he paints a picture of an environment where loyalty, survival, and tough choices define existence.
[Outro:]
In the outro, Ziak reflects on a woman he calls “Sakura,” symbolizing a girl he’s involved with. He talks about how he presents his life as an artist, though it’s filled with struggles and dangers. There’s a sense of needing to look after his crew, trying to protect those closest to him. He mentions the hard work involved in studio life, likening it to an industrial, repetitive grind. Ziak observes how people, especially those around him, often don’t learn from their mistakes, falling into traps they can’t escape. He describes how people get caught in the cycle, either through the allure of crime or the ease of quick money. He uses the metaphor of a samurai’s sword to represent being prepared for danger and conflict. Ziak further reflects on how people remain stuck in their ways, with no clear escape from the trap of street life. Through it all, there’s a cold detachment as Ziak moves through life, witnessing the struggles of those around him but accepting that this is the only reality he knows.
FAQs
Q. Who has sung Camion de glace song?
A. Camion de glace song is sung by Ziak.
Q. Who wrote Camion de glace lyrics?
A. Camion de glace lyrics are penned by Ziak.
Q. Who has given the music of Camion de glace song?
A. Camion de glace music is composed and produced by Ziak.
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