ESO ES POR MI Lyrics – Kendo Kaponi

ESO ES POR MI Lyrics Meaning

[Coro]
Here Kendo is saying that everything people know about the streets and tough life comes from him. He sees himself as the one who set the trend for malianteo, the aggressive style that others try to copy. He points out that even when women ask for that street energy in music, or when gangs want to start conflicts, it’s all because of his influence. From flashy cars to the struggles in the housing projects, he makes it clear his name is behind it all.

[Verso 1]
In this part, Kendo presents himself as someone whose style never fades. He brags that there are no new themes in the streets because he already set the standard. He uses sharp comparisons, like a barber with blades, to show how dangerous and precise he can be. He says if people get hurt, it’s like their own reflection did it, stressing his dominance. He laughs at those who think they’re unstoppable, mocking them with crude humor. He also mentions killers, drug dealers, and wild spending to highlight the violent and flashy lifestyle around him. Just like death itself, he moves past people and they can’t touch him. It’s his way of saying he’s untouchable and always ahead in the street game.

[Coro]
Here the hook repeats with the same confidence, reminding everyone that the culture, the violence, and the fame in the streets trace back to him. He insists that when people ride around with tough music blasting, when conflicts break out in neighborhoods, or when gangsters hype themselves up, it’s all because of the path he opened. The repetition strengthens the message: he is the source of the malianteo style and its power.

[Verso 2]
Kendo looks back on his past, pointing out the fashion, sneakers, and style that were popular when he was already shaping the scene. He calls himself “El Demonio de la Tinta,” the demon of the pen, meaning his lyrics are sharp and filled with punchlines every few bars. He says he handed the streets to others through his influence and fought battles that all had purpose. Jail was always a risk, but he never lost when he took the lead. He talks about sneaking weapons into airports and using violent imagery to show his fearlessness. The “demon is loose,” meaning he’s unstoppable when he unleashes himself. He contrasts expensive cars like Jordans and Aventadors, showing the difference between his level and others’. Finally, he claims even putting names on gun magazines is because of him, showing how deep his mark runs in both culture and the streets.

[Coro]
The chorus comes back again, reinforcing the idea that every move in the streets and every piece of the malianteo lifestyle connects back to him. From the way people show off in cars, to the conflicts that rise in the housing projects, he’s saying he’s the origin of it all. It’s a reminder to anyone listening that his name is tied to the very roots of the tough and rebellious energy in the music.

[Outro]
Here Kendo closes by comparing how things changed from small pistols to bigger, stronger weapons, claiming he influenced that evolution. He says people made names and won wars thanks to him. He shouts out producers and collaborators, laughing as he insists that everything others do is still tied to his legacy. He drops a sharp line, saying that copying someone else makes you a nobody. He reminds everyone he comes from a place where friends end up as pictures on walls, pointing at the harsh reality of losing people to violence. He declares the return of malianteo, telling listeners to face the mirror and say they’re like him, “El Demon.” He honors someone who passed, shows respect to his circle, and ends by saying the new movement is already being heard, leaving no doubt that his presence is alive and strong.