Vengeance 32.35 Lyrics – Scru Face Jean

Vengeance 32.35 Lyrics Meaning

[Intro]
Aw, man
— Something’s about to go down.

[Verse]
He kicks things off with something personal — his mom telling him not to worry, that they’ll drown him in love. It’s like his foundation is family and love, something that keeps him strong through all the mess. Even though he’s not super religious, he still respects her prayers. He knows that life hits hard, like karma pulling up unexpectedly, so her prayers are kind of like armor for him.

Then he starts reflecting on how far he’s come, especially considering where he started from. He’s made it through some real struggles, and now people want him gone just because he’s doing well. He calls out their weak tactics — lies and fake drama — saying that stuff isn’t enough to take him down. To him, it’s all silly and fake.

Now he’s talking about fake beefs and people pretending to have problems with him, usually online. He’s saying these arguments are about as fake as those random, dumb tweets you see all the time. People keep throwing the same stuff at him, like a broken record — kind of like getting hit over the head with a beat that won’t stop playing.

He clowns people who talk tough online, saying they’re just internet nerds. There’s so much drama and dirt around their names that it’s hard to even tell what’s true anymore. It’s a mess, and he’s not impressed by any of it.

He brings up how some folks judge others in the Black community based on whether they’re “street” or not, which he calls out as nonsense. He says it’s messed up when people only pay attention to Blackness when it’s being represented by mainstream stars like Drake. Basically, he’s saying, “Don’t try to define me — I know who I am.”

He’s still respected in his hometown, but warns that things aren’t sweet for outsiders. He calls out people who scam or steal, saying real ones will come check you about it, and it won’t end nicely. The streets have consequences, and not everyone is built for it.

He touches on how people — especially women in this line — keep twisting stories and adding noise. But he points out that the real issue is protecting those who’ve actually been through trauma. It’s not about fake drama — it’s about standing up for real people.

He then mentions some old YouTube buddies he used to vibe with but now totally cut off. They ghosted him, probably thinking it would sting, but he’s not sweating it. He doesn’t need fake apologies, especially when the truth already came out.

Things heat up as he talks about being in a serious kind of war, not just lyrical battles. He throws shade at someone he calls “man in the yellow hat,” comparing him to Curious George, which basically means he’s calling the dude goofy and fake. He’s saying, “You don’t even know the full story, but I do.”

He’s ready to take the fight to whoever wants it. Even if they bring backup, he’s saying he’ll take out the puppets *and* the puppet master. Once you bring family into it, things get real, and he’s got his people ready to ride too.

He warns that if anyone keeps acting up, they might just catch some heat. People around town know what he’s about — they’re not playing, and neither is he. He’s deep in his zone now, and vengeance is all he’s focused on.

He clears up that his beef was with one guy — not his people, not his copycats. And since he’s different — almost alien to them — they try to box him in or frame him ‘cause they can’t compete. He brings up Batman and Bane, showing he’s got that same dual energy: calm on the outside, but dangerous when the mask comes on.

He references the line “Vengeance is mine, said the Lord,” and says he heard that with a smirk. It’s like, “Yeah, I’m claiming that too.” The next few lines are packed with cultural references — from movies like *Juice* and *Boyz n the Hood* to *Scarface* — showing that he’s rooted in a culture that shaped him. And he’s proud of it, no matter who’s watching.

He’s not begging for acceptance either. Whether you love him or not, he’s still standing. He compares himself to characters that take hits but bounce right back, walk through the fire, and face their enemies head-on.

Then he drops a heavy line — some folks are hiding dark stuff, acting like they’re waiting to confess or face judgment. He laughs it off but keeps it moving, saying nobody’s putting him in a casket any time soon.

He dodged all the traps that were meant to catch him early. He’s not easily fooled. Then he shifts to encouraging people to just enjoy what they enjoy and stop overthinking it. He compares himself to someone taking on Mike Tyson in his prime — a wild gamble, but he’s built for it.

He remembers a friend, Curtiss, saying it’s gonna be a spiritual war. Back then, he thought that sounded dramatic, but now it all makes sense. Things have moved beyond rap beef — it’s turning into something deeper and more personal.

He makes it clear that no washed-up, broke, or irrelevant dude is going to intimidate him. He’s not the one to play with. There’s a bunch of shady, sneaky types out here, hiding in plain sight and throwing around big titles like “Grand Wizard,” which links to the KKK. That’s a huge red flag, and he’s basically saying, “You clearly don’t get what this culture means.”

He treats these fake dudes like joke reactions — they break down fast under pressure. And now the scene is full of bad faith actors, people trying to show face in the culture but not really respecting it. He compares them to gift shop items — shiny but not authentic.

He keeps that energy going by threatening to go all-in on the opposition. He says he’s got the energy and skill to go full Chris Rock on them — which could be a metaphor for delivering clean, hard punches or words that sting. And if they’re not from hip hop, they better not play like they are.

He calls out bots and fake accounts, probably referring to fake fans or manipulated engagement. Says they can catch a whole clip — 76 shots — like a full-on assault. He mentions Tyronn Lue getting stepped over in a game, using that as a metaphor for how he’s going to handle disrespect.

He tells internet trolls and angry loners to stop lying and acting tough. He’s coming in hot — dropping bars that sting like a hot cup of coffee spilled in your lap. This isn’t just music; it’s personal.

He shouts out “Green,” possibly someone from his circle, and says he’s marching with the real ones. He’s been through some serious life-and-death situations, and he’s still standing with a target on his back. But there’s no fear in him.

He finishes off by saying he’s even ready to go toe-to-toe with the devil himself. He’ll walk into the danger with a weapon and confidence, like a tough interviewer asking hard questions. He’s not backing down from anyone mocking the culture he loves.

Then he brings it back to Biggie’s classic line — more money, more problems — saying, “Yeah, I get it, and I’m still here.” If there’s tension or enemies around, that’s where he thrives. He repeats the line, just to drive it home: he’s built for the chaos. That’s where he shines.