BICURY Lyrics – Daylyt

BICURY Lyrics Meaning

This verse from “BICURY” by Daylyt is filled with deep meanings, wordplay, and metaphors that touch on success, struggle, deception, and the harsh realities of life.

He starts by saying collard greens helped a lot of dreams, which could mean both food as a survival tool and money as a means to success. He refers to himself as a hip-hop savior but says he shells (spits bars) without seeing the policy, meaning he doesn’t conform to industry rules. There’s also a wordplay on “sea” and “policy,” possibly hinting at deeper, hidden controls in the music world.

When he mentions a policy with a lot of keys unlocking what they adore (or “a door”), he could be talking about knowledge, power, or even drug trade connections. A room filled with trees might symbolize wisdom, success, or even weed, a common reference in hip-hop. He then says he follows God’s word and doesn’t try to leave, reinforcing his commitment to staying true to his beliefs despite temptations. He brings in the Garden of Eden and Eve, possibly referencing how corruption and deception enter pure spaces.

He talks about battling demons and putting them in Hell (or “inhale”), suggesting he fights negativity but refuses to let it consume him. The word “inhale” also connects to drug use or breathing in toxic energy. Then he plays with the word “lead/led,” saying even being in a war-like environment wouldn’t help someone’s “buzz,” meaning fame or influence. He’s implying that violence and conflict don’t truly benefit anyone.

Next, he says he’s not appeased (“a peas”) and will box devils without Wallabies. This could mean he refuses to be satisfied with fake success and fights against corruption without even needing the usual tools or strategies. He warns against shaking hands with people who have rotten sleeves, meaning those who are deceitful and can’t be trusted. Then he brings up the Harlem Globetrotters, known for their flashy basketball tricks, using them as a metaphor for dishonest people who manipulate situations.

He describes grief and survival, moving into street life references. He mentions a “pot of steaming; hard rock,” referring to cooking crack coc*ine. “Cottage cheese” describes its texture, and “freezing it” could mean trying to slow down or control the drug trade. Then he brings up “Frieza crop,” playing on the Dragon Ball Z villain Frieza while also referencing selling drügs to powerful buyers. The phrase “cream of the crop” is twisted to refer to top criminals controlling the streets.

Weapons and survival come into play as he talks about Glocks and Beamers inside a Beamer (gun violence in luxury cars). He also mentions someone fighting for their life in a locker, possibly representing prison or a deadly situation. He moves into discussing time, materialism, and how people value Rolex watches, but he calls it an “awkward feature,” suggesting that wealth isn’t always what it seems.

He critiques how money and clout can’t stop leeches, meaning fake friends and opportunists always come around when someone is successful. He also brings up religious figures like preachers and pastors, hinting that even they can be involved in corruption. He speaks on young people dying early, referencing “youth fountain leaking,” which paints an image of wasted potential.

The next lines take us deeper into street dangers—gun violence, police raids, and the justice system. He talks about cops surrounding people with dogs and enforcing laws while referencing adrenochrome and the Silk Road, alluding to conspiracy theories about hidden crimes by powerful people. He reflects on his upbringing, saying a broken home pushed him into thug life, and even the “beef” he’s involved in might be fake, much like genetically modified food (GMO).

He brings in spiritual ideas, mentioning a Ouija board to free the soul, possibly saying he’s searching for deeper meaning beyond the streets. Clouds “breaching out of reaches” could symbolize something greater than himself coming into play. The phrase “eagle/he go high, eagle/he go low” might reference choosing between rising above struggles or getting dragged down.

Towards the end, he talks about recovering lost identities and facing detours in life. He mentions “Al B. Sure,” a reference to the R&B singer, but uses it to describe people being exposed as fake. He closes by asserting his dominance, saying “Lyt came in and out to reset,” meaning he’s here to change the game. He believes he’s one of the greatest even without an album, demanding respect in an industry full of fakeness.