SISAS NADA (Remix) Lyrics (English Translation) – Tury, Ryan Castro, Blessd

SISAS NADA (Remix) (English Translation) Lyrics Meaning

[Intro]
The intro sets the tone for the song with a bold, almost taunting energy. The artists are flexing their dominance and dismissing their competition, calling them weak and implying they can’t keep up. The reference to Ibiza and the stolen Hugo Boss suggests a lavish, carefree lifestyle, where they take what they want and leave others behind. The repeated “gas, gas” is a slang term often used to hype up the energy, reinforcing the song’s brash and confident vibe.

[Verse 1]
This verse is packed with flashy imagery, wealth, and status. The “ten from Brazil” likely refers to a high-value woman or an expensive item. “Hugo Vaca” seems to be a play on designer brands, reinforcing luxury. The mention of drügs like “flour” (coc*ine) and “exotic” (high-quality weed) paints a picture of a wild party lifestyle. The artist warns people not to mess with him, threatening exposure and retaliation. The line about living in a “safari” suggests a chaotic, untamed lifestyle full of adventure. Smoking, expensive brands like McQueen, and flexing money are central themes. He mocks people who seek validation online (“sending photos in exchange for likes”) while boasting about his own wealth with white Mercedes and designer Nikes. The mention of Myke (likely Myke Towers) implies that he never misses, just like the Puerto Rican rapper. He ends by stating that he causes panic rather than experiencing it, asserting dominance in the game.

[Verse 2]
This verse continues the themes of luxury, danger, and street credibility. The reference to “tusi Mazda” suggests he has drügs hidden away, adding to the image of a high-stakes, illicit lifestyle. The playful yet explicit lines about women highlight his dominance and control in relationships. The mention of “XADV” (a high-end Honda bike) and stealing it suggests he takes what he wants without consequence. The “Hugo Vaca” line returns, reinforcing his obsession with luxury and status. The lyrics about “JaraShop” and not going in without protection (a condom) highlight his selective and extravagant approach to life. Mentions of expensive liquor like Don Perignon separate him from “snitches” who can’t afford the same lifestyle. He sees himself as “original down to the tennis” (sneakers), emphasizing authenticity. The line about her comparing him to *Call of Duty* shows he lives a fast, action-packed life. “Lucky” could be a club, suggesting nightlife and excess. He flexes his street legend status while comparing himself to boxer Rocky Balboa, emphasizing his resilience. The line about “Yogurcito playing in the background” hints at a sensual scene, keeping the song raw and explicit. He also claims he prefers women from the hood over high-class ones, showing a loyalty to his roots. The last line compares himself to footballer Juanfer Quintero, implying he’s a game-changer in music just like Quintero in sports.

[Verse 3]
This verse is more aggressive, throwing direct shots at enemies. He dismisses copycats and brags about wealth by mentioning bags of money and gold being sent for pledges. “CX, Gelo, pledge” could refer to financial or street transactions, showing his influence. He threatens violence (“lead for a snack”), warning rivals to stay out of his way. The mental hospital line suggests he’s unpredictable, possibly battling inner demons while still running the game. He acknowledges that people hate him but remains unfazed, referencing “Mary Jean,” which might symbolize a significant person or mar!juana.

[Verse 4]
Ryan Castro steps in with heavy street credibility and success flexes. He starts by saying he’s too focused on making money (Nike reference) to care about distractions. He claims superiority in music, highlighting his journey from freestyling on cassettes to becoming a top reggaeton artist from the streets. He calls out envious people who secretly admire him but only see a glimpse of his true power. He refuses to sell out for money or women, reinforcing his authenticity. His unique flow is like his outfits—never repeated. Despite eating light (staying fit), his clothing is dripping in luxury. The mention of *Jordan* and *Wasa Wasa* hints at his influence in the industry, changing the game like Michael Jordan. His style is a mix of urban (Speedo shirts) and high-end (Fox sunglasses). He prefers curvy women and doubles up, reinforcing his player persona. He mocks people trying to compare themselves to him, stating he won’t even show up unless he’s paid well. He flexes expensive brands like Cartier, Moncler, and Louis Vuitton, emphasizing his success. He sees himself as a legend, with tattoos representing his journey. The street respects him, praying for his success, while he labels himself a *P.I.M.P* like 50 Cent. He boasts about leveling up, having G-Wagons, Rolls Royces, and attracting high-status women who prefer bad boys over pop stars like Prince Royce. The verse ends by dismissing competitors who have fallen off, staying loyal to Nike while throwing away Adidas. His final line about making people believe he’s a “Messiah” shows his massive influence in the industry.

[Verse 5]
Kris R. continues the theme of street dominance and wealth. He arrives in an armored van, signaling his importance and security. The “Sara Urrego” line suggests he’s so successful he could have a celebrity serving him. He mentions a .40 caliber weapon, emphasizing protection in his dangerous lifestyle. The girl around him is jealous, wanting his attention and wealth. He references “Banana PlayDoh,” possibly slang for high-quality drügs, showing his access to exclusivity. The “slush, bar, and Casio” line might indicate he’s mixing substances while flexing expensive watches. He mocks past struggles, stating he no longer shops for cheap Nike Shox, only luxury items. He’s dismissive of people taking photos of him, prioritizing privacy. The line about a girl collecting money through webcam work reflects the modern hustle culture. He highlights his financial success, stating he has what others lack—cars, weapons, and wealth. He mentions taking a girl from the streets to high-end events, showing his ability to elevate people. The final lines emphasize how she moved from a poor neighborhood to Miami’s elite Brickell area, showcasing financial and social elevation.

[Outro]
The outro is a roll call, hyping up everyone involved in the track. They shout out their names and affiliates, reinforcing their presence in the industry. “Gas, pirobo” is repeated as a final chant, maintaining the song’s high-energy, confident, and rebellious vibe. It’s a way of marking their territory, making it clear they run the scene.