“DIABLA” Lyrics by Los Diozes is a latest Spanish song in the voice of Los Diozes. Its music too is composed by singer while brand new “DIABLA” song lyrics are also written by Los Diozes. This is a popular song among the people of United States of America. “DIABLA” by Los Dioses (the duo Anuel AA and Ozuna) is a playful, lighthearted reggaeton song about a complicated relationship with a girl who’s described as mischievous, unpredictable, and seductive. The guy is captivated by her despite the trouble she brings, calling her a “DIABLA” (devil) for the way she drives him crazy. The lyrics alternate between humor and frustration as he talks about their ups and downs, teasing her and trying to win her over, even as he jokes about their chaotic dynamic.
Letra de DIABLA – Los Diozes
[Letra de “DIABLA”]
[Intro: Jordi Wild, LMDShow & Spok Sponha]
¿Qué pasa, olvidona?
¿Que te pones a escuchar el disco de Los Dioze’ y no me escribes?
Hay que ver, te la perdono, ¿eh?
Oye, una pregunta
¿Cuántos dedos te caben en el co—?
¿Tú ere’ muy madura pa’ tu edad, no?
¿Tú has si’o pretendienta, no?
¿Tú qué pasa?, ¿que te has olvida’o de mí o qué?
Ella es maldosa, bajita, tetona, me encanta
Vamo’ a medirno’ la’ mano’ a ver
Illo, contigo se puede hablar de to’, eso me encanta
[Refrán: LMDShow & Spok Sponha]
Europe’s living a celebration
Europe’s living a celebration
Pa’ llevarte a Cancún he vendí’o la Play Station
Europe’s living a celebration
Europe’s living a celebration
No’ hemo’ queda’o en la Kokun, pero tengo Play Station
[Estribillo: LMDShow & Spok Sponha, LMDShow, Spok Sponha]
Bebé, tú ere’ una diabla (Maldosa)
Me pones loco cuando me habla’ (Me encanta)
Dice que yo soy la cabra (La cabra)
Conmigo sobran la’ palabra’
Bebé, tú ere’ una diabla (Bebecita)
Bebé, tú ere’ una diabla (Me envuelve)
Bebé, tú ere’ una diabla (Me mata)
Me tiene loco cuando me habla’
[Verso 1: Spok Sponha]
Le hago el puente a una Liberty y te recojo en el Primor
Te como to’l asterisco y sabe a llave del buzón
Recorro la tota y culo, la técnica ‘el Maxibon
Gorda, por ti cambio la tana por un grado superior
Tu novio nuevo ‘e un secreta, entrena en el CrossFit
Me mira malamente cuando entro en el Go Fit
Está tatua’o, parece Michael Scofield
Pero yo te dejo la tota morada como un Koffing
[Verso 2: LMDShow & Spok Sponha]
Reservaí’to en el andén y mucha’ botella’
‘Toy rodea’o de niña’, hermano, me falta ella
Ey Chari, it’s your birthday?
‘Toy to’ pica’o, te he visto en First Dates (Paranoia)
Carlos Sobera, ere’ un parguela (Tonto)
Ere’ un majara, te lo digo a capela (Tu’ muerto’)
Devuélveme a mi chorba, devuélveme a mi estrella (Dámela)
O me planto en el plató corriendo, soy Cucurella
(¿Qué quiere’?)
[Estribillo: LMDShow & Spok Sponha, Spok Sponha, LMDShow]
Bebé, tú ere’ una diabla (Ah)
Me pone loco cuando me habla’ (Ah)
Dice que yo soy la cabra (Ah)
Conmigo sobran la’ palabra’ (Ah)
Bebé, tú ere’ una diabla (Ah; me pongo malísimo)
Bebé, tú ere’ una diabla (Ah)
Bebé, tú ere’ una diabla (Ah)
Me tiene loco cuando me habla’ (Ah)
[Post-Estribillo: LMDShow & Spok Sponha]
Tú ere’ una diabla, tú no ere’ buena
Tú ere’ una diabla, na’ má’ que problema’
Tú ere’ una diabla, tú no ere’ buena
Tú ere’ una diabla, na’ má’ que problema’
Tú ere’ una diabla, tú no ere’ buena
Tú ere’ una diabla, na’ má’ que problema’
Tú ere’ una diabla, tú no ere’ buena
Tú ere’ una diabla, na’ má’ que problema’
Tú ere’ una diabla, diabla, diabla, diabla
Diabla, diabla, diabla, diabla, diabla, diabla
[Outro: LMDShow, Saray & Spok Sponha]
Pa’ to’ las diabla’ de Marbella
Del Kike y del Wanillo, besito’
¿Cómo que diabla de Marbella?
Pero bueno, cógeme el teléfono que te estoy llamando y no me lo coge’, bonico
Lo tengo, lo tengo en modo avión
Ay que bonico e’, niña
Primo, primo, una cosa
Gorda, que tengo el móvil ahí cargando
¿Que no lo está’ viendo? Que está roto
¿Me voy?
Cargando, ¿cargando o roto? Decídete, eh
Pero, gorda, que no e’ na’
Venga, a ver, vamo’ a ver qué tiene aquí el guapo, venga
Pero—
¿Esta quien e’?
Una amiga de—
¿Y esta?
Adió’
¿Pero y esta con la’ trenza’? ¿Qué foto e’ esta?
Es mi prima
¿Qué foto’ te manda esta? ¿Me lo puede’ explicar?
Primo, esta e’ una tóxica, eh
Pero porque somo’ buena—
Ay, nena, qué ruinero e’
Pero escúchame, gorda
Pero borra el historial, primo, cojone’
Una cosa, gorda
Mira, que se me va a ir la boca
¡Que no!
Se me va a ir la boca
Parejita
Me voy a cagar en tu’ muerto’
En tu madre y en to’ lo que se me venga ya, eh
Uh, lo’ muerto’ no eh, lo muerto’ no
Se me va a ir la boca, veremo’ a ver
Párate, párate aquí, quédate aquí
Gorda, por favor, no quiero estar así contigo, ¿vale?
Son cosa’ de la música
Si somo’ Los Diozes, somos reguetonero’
‘Aro
Vamo’ a pedir un McDonald’s y uno’ nugget’ picante’ de eso’ pa’ arreglarno’ gorda
Venga, sí
Que yo na’ ma’ tengo ojo’ pa’ ti, por favor
Parejita, no se peleei’
Primo, lo del 2 pa’ 2 de mañana, lo cancelamo’ entonce’, ¿no?
DIABLA Video
Los Diozes Songs
- LIBERTINAJE (English Translation)
 - LIBERTINAJE
 - 2PA2 (English Translation)
 - 2PA2
 - D PARANOYA (English Translation)
 
DIABLA Lyrics Meaning
[Intro]
The intro feels like a casual and playful conversation, almost as if the speaker is joking around with someone who’s been distant. They’re teasing this person for listening to Los Dioze’s music but not reaching out. There’s a mix of flirtation and banter, with some cheeky comments that push boundaries. It’s a bit crude, but the playful tone suggests they’re familiar with each other, as they talk about maturity and past romantic experiences. The speaker is clearly attracted to the person, appreciating their physical attributes and the way they can talk about anything openly, which the speaker loves.
[Refrán]
This part uses humor to describe making sacrifices for love or to impress someone. The speaker jokes about selling his PlayStation just to take someone to Cancún, but in the end, they don’t go anywhere fancy—they just stay local (Kokun), yet he still has the PlayStation. The repeated “Europe’s living a celebration” seems to add a humorous, random element that contrasts with the playful exaggeration of his efforts to impress.
[Estribillo]
The chorus focuses on the girl, calling her a “diabla” (devil) because of how she drives him crazy, both in a good and frustrating way. She’s seductive and mischievous, making the speaker obsessed when she talks to him. He acknowledges that she has a hold over him, making him feel a mix of excitement and madness. The phrase “la cabra” could be a compliment, calling himself the best in her eyes. Words aren’t really needed between them because their connection is intense.
[Verso 1]
This verse dives into more humorous, somewhat vulgar, and casual language, with the speaker detailing how he’s willing to do anything for this girl. He picks her up in his car and seems to be recalling intimate moments. He even jokes about upgrading his life for her. The speaker acknowledges that she’s dating someone else now, describing her new boyfriend as a fit, tattooed guy who’s tough, but despite this, the speaker insists he can still impress her, making a playful Pokémon reference (“Koffing”).
[Verso 2]
In this verse, the speaker is out partying but feels incomplete because this girl isn’t there. He’s reminiscing about seeing her on a TV show like *First Dates* and calls out the host, Carlos Sobera, with insults. He’s frustrated, wanting her back, comparing himself to footballer Cucurella, saying he’d rush onto the TV set if he has to. The verse reflects jealousy and longing, mixed with his usual playful insults and jokes, as he demands the return of his “star.”
[Estribillo]
The chorus repeats the same themes of obsession and frustration. The speaker emphasizes again how this girl, the “diabla,” drives him wild whenever she speaks. She’s unpredictable, seductive, and has control over him. He feels helpless around her and reiterates that she doesn’t need to say much—her presence alone is enough to stir his emotions.
[Post-Estribillo]
In this section, the speaker repeatedly calls the girl a “diabla,” hammering home the idea that she’s bad news and only brings problems. He acknowledges that she’s not a good influence on him and causes a lot of trouble in his life, but at the same time, he can’t help being drawn to her. It’s a cycle of frustration and attraction, where he knows she’s causing chaos but can’t resist the pull. The repetitive nature of these lines emphasizes how deeply she’s embedded in his thoughts, despite knowing she’s no good for him.
[Outro]
The outro shifts back to a more conversational tone, almost like an argument between the speaker and the girl. He’s frustrated that she’s not picking up his calls, and there’s confusion over whether her phone is charging or broken. He becomes suspicious, noticing photos of other girls, which leads to accusations and more playful banter. The conversation turns chaotic, with insults flying and frustrations building. It seems like a toxic relationship, where jealousy and suspicion dominate, but there’s also a sense of humor underneath it all. They’re arguing about seemingly trivial things, yet there’s an underlying affection. The speaker tries to resolve things by suggesting they order McDonald’s and spicy nuggets to “make up.” Despite all the drama and back-and-forth, he reassures her that he only has eyes for her, showing how tangled their relationship is. The ending feels like they’re stuck in a loop, where they argue but still want to be together, and he’s even thinking of canceling plans with friends because of the situation.
FAQs
Q. Who has sung DIABLA song?
A. DIABLA song is sung by Los Diozes.
Q. Who wrote DIABLA lyrics?
A. DIABLA lyrics are penned by Los Diozes.
Q. Who has given the music of DIABLA song?
A. DIABLA music is composed and produced by Los Diozes.
“This concludes the lyrics of DIABLA” by Los Diozes. If you like this song please share it with your friends and family in USA. If you find any errors in it, please feel free to submit the correct version via the Contact Us section.