You’re Not Rolling Lyrics – Abra Cadabra

You’re Not Rolling Lyrics Meaning

The song kicks off with a high-energy vibe, full of shout-outs and ad-libs. It sets the tone, showing this is going to be a bold and aggressive track. When he says stuff like “get lift up” and repeats “bullet,” he’s talking about the violent nature of the streets and how quickly things can pop off. It’s like a warning or an announcement that real stuff is about to go down, and he’s ready for it.

Then he starts describing a situation where he’s got drügs and weapons with him. Five packs in the car, one on his hip, shows he’s moving serious weight and staying armed at all times. He’s making it clear he’s not one of those guys pretending—he’s really out there. When he talks about loading a clip and using a binary trigger, he’s basically saying he’s got high-powered, fast-firing weapons. He doesn’t trust people easily, so he always carries something for protection. He’s not worried about small-time guys with knives or shotguns because he feels they’re not on his level. Even his smallest gun is dangerous. He’s got sixteen shots ready, and he’s not playing around with knives because he sees himself as above that. He also brings up someone’s girl getting shot, probably pointing out how things can get messy when people bring drama.

The chorus hits with a clear message—if you’re working hard or making serious money, then you’re winning, you’re “rolling.” But if you’re not doing either, you’re just taking up space. He’s making it real black and white. He also shifts gears to a more relaxed vibe, talking about chilling, sipping drinks, and catching a vibe with a woman. If he’s into her look and she’s got her appearance on point, he might even consider something serious with her. It’s like a quick jump from the rough street talk to something more playful and laid-back, showing two sides of his world.

Back into the action, he talks about sending his younger guys out to look for certain people. There’s a plan involved—don’t go overboard hurting someone if they’re useful, instead they might just kidnap them. That shows how strategic things can get. He name-drops areas (like “Lanes”) to say how deep their movement is. He claims responsibility for someone ending up dead, saying they hit back hard. He’s showing how street beef plays out—someone talks too much, so they retaliate. He even says they managed to hit five targets in one go, making it sound like they don’t miss when it’s time to act.

He then reflects on a moment he was caught lacking, meaning he wasn’t prepared. Someone tried to shoot him and ended up hitting a girl instead, and they even bragged about it in their music. He’s frustrated by that and wants to set the record straight. He says unlike others who just talk, he’s really done damage. He adjusted his aim and hit his enemy point-blank. That line shows he’s precise, focused, and different from the rest—someone not to be messed with.

The chorus repeats again, and it hits the same points—if you’re either making money or putting in work, then you’re in the game. Otherwise, you’re not part of the movement. He returns to that softer side again, describing a vibe with a girl. He’s confident she’s feeling him, and if she looks good, he’s open to taking things further. But again, it’s all mixed with a sense of realness and seriousness. Even while he’s chilling, he’s got a sharp edge.

In the next verse, he talks about being out on the block, recording stuff for Snapchat. While it may look like casual fun, there’s a deeper reason behind it. He’s watching people’s private stories to figure out where his enemies are. He’s scoping locations, planning moves, and trying to catch people slipping. He even says if a certain enemy dies, he’ll break his usual rule and actually smoke him in celebration. That shows how deep the hatred runs.

He calls out someone for being scared when they pulled up. He could see it in the guy’s eyes that he wasn’t built for that kind of pressure. He turns to the girl again, asking her what she’s on for the night, inviting her to hang out with his crew. They’re clearly living a high-energy, fast-paced life—drinks flowing, shots going around, big money being spent. He says if it doesn’t make money, it’s not worth it. It’s all about profit and status. Buying out a bar just to flex shows how over-the-top they like to go when they’re out. He mentions pounds and dollars, making it clear he’s not concerned with small change—only big moves.

The chorus comes back again, pushing that main point he keeps drilling in. If you’re not working or making real cash, you’re not part of his circle. While he’s vibing, drinking, and connecting with women, he’s also watching who’s serious and who’s not. And if the girl’s got her look together, there’s always a chance for something more. It’s a balance of enjoying the fun while keeping the grind and the street mindset close.

The last few lines feel like a closing statement, where he sums up the way he sees things. It’s either you move with them or you get left behind—or worse. He says get right or get stretched, which basically means get with the program or you’ll be dealt with. Throwing Fs up is a reference to repping his crew, and if you’re not doing that, you better brace yourself. It’s all or nothing. The way he ends it really captures the no-nonsense mentality of the streets—there’s no room for half-stepping.

Overall, each part of the track switches between intense street energy and moments of flexing and fun, but no matter what, it’s always got that sense of danger and seriousness underneath. Abra Cadabra is making it clear—only the real ones roll with him.