Vain Lyrics – Masicka

Meaning of ‘Vain’ Lyrics Explained (Deep Dive)

He opens with confidence, basically saying he sees himself as the greatest and he doesn’t care who has a problem with that. He talks like someone who knows his status, especially in the west side, and he brags that he and his team are kings in their space. When he talks about shots stitching flesh, he’s saying he doesn’t just talk, he can back it up in violent ways. He also calls out people he sees as fake tough guys, acting like demons or gangsters but really just pretending.

He keeps pushing this idea that when real gunmen show up, people start stumbling and panicking. He calls himself a crocodile from the west side, which is his way of saying he’s dangerous, calm, and dominant. He describes shooting at heads and ruining crowns, meaning he’s taking power from people who pretend they’re important. He mentions driving into different areas and disrespecting rivals, especially other entertainers who try to look tough but can’t really stand their ground. He also mocks someone who acts psycho but ends up crying on the phone.

His tone stays harsh as he calls someone broke, saying they take drügs and their career is going nowhere. He keeps bragging about real accomplishments like having cars with tinted windows, buying ammunition, and buying his mom a house in cash. He uses this to create a contrast: he’s successful through street power, while his rivals are drugged up and losing. He also talks about being high‑minded after getting expensive cars and crowns, saying his behavior makes others angry. He repeats that he’s ready to shoot and doesn’t hesitate.

He talks about people taking drügs and doing strange things while he’s ready to attack. He brings up someone stuck in jail begging for help, while he says the killer didn’t do anything because he saw that person as a clown. Then he lists different locations like Trinidad, Guyana, Georgetown, Linstead, and Montego Bay to show how wide his influence and connections spread. When he says someone can’t be found, he’s pushing the idea of shootings and disappearances to stress the danger behind his words.

He mocks someone who isn’t making hits anymore, saying they’ve fallen off and now they’re running around like a small brick. He talks about carrying guns, lifting weights, flying around the world and telling people to watch their tone. He says he takes out “fish,” which is slang he uses to insult enemies and call them soft or fake. He insists he’s not controlled by anyone, and says someone else handed over control because they couldn’t handle pressure.

He describes chasing somebody down and firing guns at tolls, showing a reckless and fearless style. He says he’s running the game and hasn’t lost control, telling someone to go tell their mother about the trouble they’re in. He mentions Granspen and says he isn’t some fancy or soft guy, he’s cold and rough. When he talks about rolling with forty people and forty shots flying, he paints an image of serious violence and groups of men ready to fire.

He continues by saying people have to die and his crew is walking around with loaded clips. He stresses that he doesn’t beg people for connections on the streets and he doesn’t laugh around, claiming he has lots of enemies. He describes pressing triggers and watching brains jump out like a toad, pushing graphic exaggeration to show how dangerous he is. Then he randomly scolds someone for giving girls drügs, like coke, and says this isn’t a courthouse so stop acting messy and reckless around women.

He switches back into bragging about his status as the greatest again, repeating that nobody should be bothered if he says that. He says he and Bobby are kings and shots will get fired at enemies. His focus is on showing he’s real, while others pretend. He calls out a group he sees as dressing strangely or watching men in weird ways. He says he sees their faces and knows they can’t jump hurdles when real gunmen push forward.

He tells a story of someone trying to disrespect a bigger artist like Bounty Killer and getting dragged off stage in front of a crowd. He laughs at someone who tried to ride another man’s wave instead of building their own. He says he’s proud to walk alone and reminds someone that his own son is richer than them, highlighting the difference in success level. He says he doesn’t talk drunk, he talks while holding guns, saying his words are backed by violence and rifles.

He compares bullets to snake poison, saying his clips are deadly. He claims he doesn’t shake when he pulls up on someone, meaning he stays steady under pressure. He calls out someone who tries to attack late or run away when guns start firing. He keeps repeating that nobody can bully him, and says if anyone wants conflict, he’s ready anytime. He talks about cracking someone’s jaw and not going to court, showing that he handles everything in the streets, not legally.

He laughs at people who cry during their final moments and says some guy couldn’t manage a big situation and couldn’t even manage a small budget. He calls someone a puppet trying to offer small deals, while he says he doesn’t hide guns because he’s ready to shoot directly in someone’s face. He talks about grains of bullets picking someone up, emphasizing the graphic nature just to sound more intimidating.

He mentions thirty rounds going in someone’s head and says even magic or spiritual rituals won’t help that enemy. He claims someone had an obeah woman try something strange like urinating on them for luck but it didn’t work. He keeps telling enemies not to leave their tough image behind because when they see him, they need to keep that same energy. He calls someone a puppet again and says their life looks dirty and watered down.

He repeats his brag about being the greatest again and talks about staying king in the west. He keeps saying his crew is bad and anyone who comes close will get hit with shots. He once again repeats that he’s no demon, meaning he’s not pretending, he’s real, and he mocks people acting like demons for attention. When he says someone faces a hurdle when his team presses, he keeps reinforcing that enemies fold under pressure.

He says he’s a real killer, willing to go after anyone, and he stays hidden with a belly full of weapons. He explains how quick he is to squeeze a trigger, saying he’s used to dangerous environments. He shows loyalty by telling someone to defend their friends who died on the streets. Then he goes into calling people snitches and switchers, saying he can see when guys pretend to be tough but really behave like strippers trying to perform for free attention.

He calls someone a b!tch, saying they’re just chasing liquor and trying to get close to men while watching him. He repeats once again that he’s the greatest and stays strong in the west side. He mentions Bobby again, saying their team is the king and violence will follow if enemies keep talking. He again insults some people as fish, saying they’re watching men rather than standing up in real street situations. He mentions how their faces look when real guns come out and people panic.

Later in the track he switches to direct threats again, saying someone called from jail begging. He says he already knows they’re a snake who will betray people and he won’t forget that. He uses harsh insults, talking about telling someone to go back to their mother and calling them junkies. Then he says there’s no need to kill this person because he’s already exposed them as weak and fake.

He mentions conversations with young guys and reminds everyone that he sees himself as a murderer. He says someone messed things up in his youth and tried to cause issues. He calls someone an informer and a known switcher from Montego Bay. He reminds listeners that some people are born bad and they don’t pretend. He finishes by telling someone again to go suck their mother and stop giving girls drügs like coke, calling someone a coke head.

Throughout the track he sticks to one theme: he sees himself as dominant, successful, real, and dangerous, while he sees rivals as fake, weak, drugged out, and broke. The whole spirit of the song is built around street pride, violent threats, bragging about money and power, and calling out enemies who pretend they’re something they’re not.