Todesschwadron Lyrics (English Translation) – Asche, Aschkobar, Felix Blume

Todesschwadron Lyrics (English Translation) by Asche, Aschkobar, Felix Blume is a latest German song in the voices of Asche, Aschkobar, Felix Blume. Its music too is composed by singer while brand new Todesschwadron song lyrics are also written by Asche, Aschkobar, Felix Blume. This is a popular song among the people of United States of America.

The song is a dark, aggressive rap where the artists brag about power, violence, money, and status. They talk about coming from rough streets, facing enemies, and rising to success without caring what others think. It mixes threats, flexing wealth, and confidence with criticism of fake rappers and the state of German rap today.

Todesschwadron (English Translation) Lyrics

[Part 1: Asche, Felix Blume, Asche & Felix Blume]
I wear a superstar face like a tabloid magazine
My whole body looks like a muscle tear
I’ll smash his face until his
lower jaw breaks
And the G never speaks again like a genie from a magic lamp
You act like you’re pretty smart, like Ku Klux Klan eyes, b!tch
But I’ll come and quickly end your future out of nowhere
I’ll stomp my shoe soles on your face
Until the last thing you see through your eyes, you son of a b!tch, is bloodshot
I’m made of good stuff, like the handle of a Luger Colt
And I’m fleeing the nuclear attack in the Murciélago seat

Dollar signs in my eyes and more numbers in parentheses than a math equation
I’m chilling in my bathrobe with the newspaper in front of the warm heater, phone on flight mode
Then Asche bursts in, “Bro, what’s been going on with German rap this year?”
“Oh, you know, all weak performances like a wet iPhone”
That’s when contempt spreads through me, so I’ll continue to fu*k everything up
Fu*k wealth, what I do is timeless
And what’s going on in your chancellor life? I’m going further into the crowd like a butterfly, yeah, if I have to (What then? Well…)
Then I’ll reinforce power and influence with shots, like a low free kick
Reinforce it with shots like my double-time flows, which I’ll be kicking again next year at awesome live shows
Hey, that’s nice, I’m totally in, bam, high-five
The rest completely messed up like Cotton Eye Joe
Because what they usually do is the biggest bulls*it
We were young G’s, hungry like inmates on a hunger strike
People hustling, people doing their thing, fu*ked up and brazen
T-O-N-I controlled the hashish price
Because everyone knew me in the big city streets
The word Kollegah was the abbreviation for coc*ine dealer
Sometimes I was broke and paid the monthly apartment rent later
It’s all good, today I wear a sable coat
I, on the other hand, was a so-called thug
I punched highly gifted nerds every break, making them ripe for emergency room nurses
Today I’m acting in the movie that your hoe has the official poster of plastered on her living room wallpaper (Hey)
Not everyone can say that about themselves, congratulations
Nice stuff, unfortunately half of them out there are envious
Yes, the world is gray and bleak, but I have self-confidence in my eyes

And I bring the money home, because I have obligations to my parents’ house
And from whatever clever perspective you want to look at it today
German rap has lost face, like after an acid attack
You hypocrites have failed, we’re shooting through the hallway with a firearm
And wiping away the gunshot residue with a scrubbing rag
Hey, the boss and Aschkobar are causing a lot of trouble
Your heads are hanging down like branches of a weeping willow
Back again in the… Tag-team mode, it’s like the serial code on the barrel of my gun
A sophisticated operation, I’ve got a thousand lines stockpiled, it’s an insane team
Yeah, the two of us are perfectly in sync, like the strings in the beat
Ashkobar, I’m a human punchline storm
And I’m a massive guy, like my walk-in closet
In a one-on-one fight with a bat like a crazy a$\
Proud mustache like a walrus, I say, “Do it,” you say, “Yes, boss”
There’s chaos from the Middle East to Laos to the Galapagos
I’m not the one who’ll turn off your lights with a snap of my fingers like Thanos
We come like a death squad, don’t act like a drug lord
You’re a rip-off, man, like a doping ration
I’ll hunt down your grandfather with pistol rounds
You better get ready to save Grandpa like a theater balcony
I’m a high-ranking person, I handle big transactions like a moderation by Olivia Jones
Homie, what’s up, this is a threatening fusion, like a nuclear explosion
A safe bet, like a safe combination
And I don’t care which surgeon you know
Because this combination remains deadly, like Ryu and Ken

[Part 2: Asche & Felix Blume]
I remain unpredictable, connected to the underworld like a German Army soldier with a bunker radio
You think it’s unfair how I’m ordering the most expensive wines right now?
They’ve been aging since the time when the Reichsmark was still the currency
Surrounded by bodyguards, like a Crown Prince of Britain
Bring me my black tea with sugar or you’ll be chronically mistreated
I arrive menacingly in my coat, I write for Thugs in the Sky
Living the mafia style, like The Godfather – Part II
Greetings to the law firm, you tricked the court so I wouldn’t end up behind bars like a guitarist?
Yes, certainly, you could say I got rich with a snap of my fingers
With food on the table at lunchtime, as if I had rubbed a genie’s lamp
Yeah, I made it look easy for you, I’m a great friend, like Siegfried and Roy
Yes, and the Rolls-Royce is low, yes, it’s practically on the street
Like your family in the evening, because they didn’t pay the rent
You want to try to be an opponent, I’m coming to find you, you victim
Believe me, I’m a man of my word like Konrad Duden
No boxing gloves, there are knees to the face
Your jaw crumbles with the next breeze of wind
I’m not doing business with you anymore, it doesn’t bring me any profit
Facial expression sublime like a 3D print
Brother, what are you doing next year?
Yeah, a little real estate, and you, brother?
I’m going the ski mask way

Todesschwadron (English Translation) Video

Asche Songs

Todesschwadron (English Translation) Lyrics Meaning

[Part 1: Asche, Felix Blume, Asche & Felix Blume]
The first part opens with extreme confidence and aggression. The rapper presents himself as larger than life, someone who looks famous, dangerous, and physically dominant. He describes his body and presence as intimidating, almost like a walking weapon. This sets the tone that he doesn’t just talk tough, he wants listeners to feel that he is overpowering and unstoppable. The violent images are not about specific actions but about showing how serious and fearless he believes he is.

He then shifts into talking about silencing enemies permanently. This isn’t meant to be taken literally as a plan, but more as a way to say that anyone who challenges him will be shut down completely. He mocks people who think they are clever or superior, suggesting they hide behind fake intelligence or empty attitudes. In his view, these people don’t stand a chance when confronted with real force or street experience.

The next stretch continues to push the idea of dominance by showing wealth, luxury, and danger all at once. Fast cars, expensive tastes, and survival imagery are mixed together. He paints a picture of someone who lives calmly and comfortably, reading the newspaper and relaxing, but who can instantly switch into chaos if needed. This contrast shows control: he is relaxed because he knows he is powerful.

A casual conversation about the state of German rap follows, but it’s filled with disappointment and contempt. The artists feel the scene has become weak, uninspired, and watered down. They compare modern performances to broken or useless things, suggesting that many rappers lack hunger, authenticity, and skill. This frustration fuels their desire to disrupt everything and reset the standards.

They make it clear that money alone doesn’t motivate them. Instead, they see themselves as creating something that will last beyond trends. They don’t care about political roles or respectable appearances. They see themselves as moving freely through crowds, doing what they want, when they want, without asking for permission. Power and influence, in their eyes, are taken through action, not granted by systems.

Sports and music metaphors are used to explain their style and strategy. Just like a perfectly placed kick or fast-paced flow, they believe their moves are sharp, effective, and repeatable. They are confident about future success, especially live performances, and this confidence is shared between them. Their bond is presented as genuine and energetic, unlike others who they see as confused or fake.

The artists then look back at their past, remembering a time when they were young, hungry, and desperate. Life felt like a constant struggle, similar to people pushed to extremes. Everyone around them was hustling, bending rules, and surviving however they could. This background is important because it explains their mindset and why they don’t respect polished or privileged figures in the industry.

Street reputation plays a big role here. Being known in the city, controlling certain markets, and having a name associated with danger or business all helped build their identity. They openly admit there were times of financial struggle, when even basic responsibilities were hard to manage. This honesty adds depth, showing that success didn’t come easily or cleanly.

The contrast between past and present is sharp. Now there is luxury, status, and recognition. He describes himself as someone who used to be labeled a troublemaker, fighting and causing chaos, but who has now transitioned into fame, acting, and public visibility. This shift is used to mock others who can’t claim similar achievements.

Envy becomes a major theme. He believes many people resent his success because they couldn’t follow the same path. The world is described as dull and harsh, but his self-belief stands out. He sees himself as responsible, especially toward family, and that responsibility justifies his drive for money and dominance.

Criticism of German rap becomes harsher. He claims the culture has lost its honor and credibility. The violent imagery here represents destroying fake values and clearing out dishonesty. It’s less about real violence and more about wiping away what they see as corruption and weakness in the scene.

The partnership between the artists is emphasized again. They move together like a coordinated unit, efficient and dangerous. Their teamwork is compared to a well-planned operation, with endless lines and ideas ready to go. This shows discipline, preparation, and chemistry, not randomness.

Physical size, intimidation, and absurd confidence are used almost humorously. The exaggerated self-image, wild threats, and strange comparisons create a sense of controlled madness. They enjoy pushing things too far because shock itself becomes part of their power.

Global chaos references make their influence feel worldwide. They’re saying disorder exists everywhere, and they thrive in it. They reject god-like shortcuts to power, claiming instead that their rise comes from relentless pressure and fearlessness.

They position themselves as the real deal, calling others fake copies. The threats toward opponents’ families are extreme on purpose, meant to underline how far they’re willing to go rhetorically. It’s about total dominance, not fairness.

High status and big deals are mentioned to show singerity. Their collaboration is described as explosive but reliable, like a perfect combination that always works. They don’t care about connections or protection others might have, because together they believe they remain unbeatable, similar to legendary fighting game duos where teamwork makes them deadly.

[Part 2: Asche & Felix Blume]
This part focuses more on control, status, and calculated behavior. The artist presents himself as unpredictable, someone tied deeply to underground systems. He compares this connection to military communication, suggesting secrecy, discipline, and constant readiness. This unpredictability is a weapon, because opponents never know what to expect.

Luxury is again used as proof of success. Ordering rare and expensive wine isn’t just about taste, it’s about showing how far he has come. These items are described as historic and rare, making his lifestyle feel exclusive and untouchable. He positions himself above complaints or jealousy from others who see this as unfair.

Protection and power are emphasized through bodyguards and royal comparisons. This isn’t about being famous alone, but about being important enough to need protection. Even small demands are framed as commands, reinforcing his singerity and expectation of obedience.

His image is dark and threatening. He sees himself as someone who represents criminal glamour and old-school mafia values. Movie references are used to show calculated power, loyalty, and long-term strategy rather than reckless crime.

He acknowledges legal help and smart moves that kept him out of prison, suggesting intelligence behind the toughness. Wealth is described as arriving quickly and almost magically, but it’s implied that preparation and risk made it possible. He provides stability and comfort for himself, which reinforces the idea of winning.

Friendship and loyalty are touched on, but even these are framed through spectacle and illusion. He makes success look easy, almost like a trick, which can mislead outsiders. Expensive cars and low rides are used to humiliate rivals who struggle just to survive.

Threats return when addressing enemies directly. He makes it clear that challenges won’t be ignored. Promises are serious to him, and when conflict happens, it won’t follow polite rules. Violence is framed as decisive and final, not sport-like.

Business sense becomes important toward the end. He cuts ties when something no longer benefits him. His calm facial expression suggests emotional control, even when dealing with danger. A casual conversation about future plans contrasts with the darkness of everything else, making crime sound like just another career path. Ending with choosing the ski mask path signals a return to raw street methods over respectability.

FAQs

Q. Who has sung Todesschwadron (English Translation) song?
A. Todesschwadron (English Translation) song is sung by Asche, Aschkobar, Felix Blume.

Q. Who wrote Todesschwadron (English Translation) lyrics?
A. Todesschwadron (English Translation) lyrics are penned by Asche, Aschkobar, Felix Blume.

Q. Who has given the music of Todesschwadron (English Translation) song?
A. Todesschwadron (English Translation) music is composed and produced by Asche, Aschkobar, Felix Blume.

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