“Todesschwadron” Lyrics by Asche, Aschkobar, Felix Blume is a latest German song in the voices of Asche, Aschkobar, Felix Blume. Its music too is composed by singer while brand new “Todesschwadron” song lyrics are also written by Asche, Aschkobar, Felix Blume. This is a popular song among the people of United States of America.
The song is a hard, aggressive rap about power, dominance, and survival in the rap world. The artists brag about strength, money, influence, and fearlessness, while attacking fake rivals and weak competition. They talk about coming from tough beginnings, staying loyal to their crew, and moving like a ruthless unit that no one should challenge.
Todesschwadron Lyrics
[Songtext zu „Todesschwadron“]
[Part 1: Asche, Felix Blume, Asche & Felix Blume]
Ich trag’ ein Superstargesicht wie eine Boulevard-Zeitschrift
Mein ganzer Körper sieht aus wie ein Muskelfaserriss
Ich zertrümmere sein Gesicht, bis seine
Mundunterkante bricht
Und der G nie wieder spricht wie ein Wunderlampen-Jin
Du machst auf ziemlich helles Köpfchen wie Ku-Klux-Klan-Augen, B!tch
Doch ich komm’ und beende fix deine Zukunft jеtzt aus dem Nix
Tret’ die Schuhsolеn auf dein Gesicht
Bis das Letzte, was du Hurensohn durchs Auge blickst, blutunterlaufen ist
Ich bin aus gutem Holz geschnitzt wie von ‘ner Lugar-Colt der Griff
Und flieh’ vorm Nuklearangriff im Murciélago-Sitz
In den Augen Dollar-Signs und mehr Numbers in der Klammer als ‘ne Mathegleichung
Ich chill’ im Bademantel mit der Tageszeitung vor der warmen Heizung, Handystatus Flightmode
Da platzt Asche rein, Bro, was ging dieses Jahr mit Deutschrap?
Ach, du weißt schon, alles schwache Leistung wie ‘n nasses iPhone
Da macht sich bei mir Verachtung breit, drum werd’ ich weiter alles zerficken
Kack auf Reichtum, was ich mach’, ist zeitlos
Und was geht in deinem Kanzler-Life so?
Ich geh’ weiter in die Masse rein wie ‘n Butterfly, jap, wenn’s sein muss (Was dann? Na ja)
Dann lass’ ich Macht und Einfluss mit Schüssen untermauern, wie beim flachen Freistoß
Mit Schüssen untermauern wie meine Doubletime-Flows, die ich nächstes Jahr wieder mal kicke bei krassen Live-Shows
Ey, das ja nice, da bin ich glatt dabei, zack, High-Five
Der Rest hat glatt vergeigt so wie Cotton Eye Joe
Denn was sie meist so machen, ist der maximale Scheiß
Wir war’n junge G’s, hungrig wie bei Knastinsassen-Streiks
Leute packen, Leute machen, abgefu*kt und dreist
T-O-N-I steuerte den Haschischplatten-Preis
Denn mich kannte in den Großstadtstraßen jeder
Das Wort Kollegah war die Abkürzung für Kokanasenleger
Manchmal war ich broke und zahlte die Wohnapartment-Monatsraten später
Alles gut, heute bin ich Zobel-Mantelträger
Ich dagegen war ein sogenannter Schläger
Boxte hochbegabte Streber jede Pause reif für Notfallkrankenpfleger
Heut spiel’ ich im Film, wovon sich deine Hoe an ihrer Wohnzimmertapete groß das offizielle Poster drangeklebt hat (He)
Sowas kann nicht jeder von sich selbst behaupten, Glückwunsch
Nicer Stuff, leider hat die Hälfte draußen Missgunst
Ja, die Welt ist grau und trist, doch ich hab Selbstvertrau’n im Blick
Und bring’ das Geld nach Haus, denn ich hab’ für mein Elternhaus Verpflichtung
Und aus welchem schlauen Blickpunkt du es heut betrachten magst
Deutschrap hat Gesicht verlor’n, wie bei ‘nem Säureattentat
Ihr Heuchler habt versagt, wir ballern durch den Hausflur mit der Feuerwaffe
Und wischen die Schmauchspur’n mit ‘nem Scheuerlappen ab
Ey, der Boss und Aschkobar sorgen für haufenweise Kummer
Eure Köpfe häng’n wie Äste einer Trauerweide runter
Wieder back im Tag-Team-Mode, es ist wie der Seriencode am Lauf von meiner Wumme
‘ne ausgefeilte Nummer, ich hab’ tausend Lines gebunkert, ist ein geisteskrankes Team
Ja, die zwei sind eingespielt, wie die Streicher in dem Beat
Aschkobar, ich bin ein menschliches Punchline-Gewitter
Und ich ein Schrank von ‘nem Mann, wie mein Ankleidezimmer
In den Einzelkampf mit Schlagstock wie ein geisteskrankes Arschloch
Stolzer Schnäuzer wie ein Walross, sag’ ich: „Mach das“, sagst du: „Ja, Boss“
Es gibt von Chaos von Nahost über Laos bis Galapagos
Bin nicht der, der euch das Licht ausknipst, per Fingerschnips wie Thanos
Wir komm’n wie ‘n Todesschwadron, mach nicht auf Drogenbaron
Du bist ‘ne Mogelpackung, ey, wie ‘ne Doping-Ration
Ich jag’ deingn Großvater mit Pistol’npatronen
Besser, du stellst dich schon mal auf Opa retten ein wie’n Logenbalkon
Ich bin ‘ne hohe Person, sorge für große Transaktionen wie ‘ne Moderation von Olivia Jones
Homie, was los, das ‘ne bedrohliche Fusion, wie ‘ne Atomexplosion
Safe Nummer, wie ‘ne Tresorkombination
Und mir ist egal, welchen Chirurg du kennst
Denn die Kombi hier bleibt tödlich, wie Ryu und Ken
[Part 2: Asche & Felix Blume]
Ich bleib’ unberechenbar, zur Unterwelt ‘nen Draht wie’n Bundeswehrsoldat mit ‘nem Bunkerfunkhörapparat
Du meinst unfair, wie ich grad die teuersten Weinarten bestell’
Die reifen seit der Zeit, da war die Reichsmark noch das Geld
Von Leibgarden umstellt, wie’n Kronprinz Britanniens
Bring mir mein Schwarztee mit Zucker oder du wirst chronisch misshandelst
Ich komme bedrohlich im Mantel, ich schreib’ für Thugs in the Sky
Leb’ den Mafia-Style, wie der Pate – Teil II
Gruß an die Anwaltskanzlei, ihr habt vor Gericht getrickst, damit ich nicht irgendwann mal hinter Gittern sitz’, wie’n Gitarrist?
Ja, sicherlich, man könnte sagen, ich wurde rich per Fingerschnips
Mit Speisen auf dem Mittagstisch, als hätte ich eingn Jin gewischst
Yeah, I made it looking easy für euch, bin ein großartiger Freund, wie Siegfried und Roy
Ja, und tief ist der Royce, ja, er liegt auf der Straße
Wie deine Familie am Abend, weil sie die Miete nicht zahlten
Du willst dich als Opp versuchen, ich komme dich Opfer suchen
Glaub mir, ich bin ein Mann des Wortes wie Konrad Duden
Keine Boxhandschuhe, es gibt Knie ins Gesicht
Dein Kiefer rieselt dahin mit der nächsten Brise des Winds
Mach’ kein Business mehr mit euch, bringt es für mich keingn Gewinn
Gesichtsausdruck erhaben wie ein 3D-Print
Bruder, was machst du so nächstes Jahr?
Ja, ein bisschen Real-Estate, und du, Bruder?
Ich gehe den Skimask-Way
Todesschwadron Video
Asche Songs
- Weidmannsheil
- Lass es schneien
- Todesschwadron (English Translation)
- Xmassaker V (English Translation)
Todesschwadron Lyrics Meaning
[Part 1: Asche, Felix Blume, Asche & Felix Blume]
This part starts with heavy bragging and violent imagery to show dominance. The rapper presents himself as someone whose face and presence are everywhere, like tabloid fame, but earned through toughness, not glamour. His body is described as damaged and battle-worn, which suggests a life full of fights, stress, and pressure. The violence isn’t meant to be taken literally every time, but it paints him as someone who destroys opponents completely, both physically and verbally, leaving them unable to respond or recover.
He then mocks people who pretend to be smart or morally superior, calling them fake and weak. He says he can end someone’s future instantly, showing how ruthless and unpredictable he is. The repeated focus on stomping, crushing, and silencing others shows how seriously he takes disrespect. For him, the rap game and street life follow harsh rules, and if you cross him, there are consequences. This also reflects how he sees competition in rap as war, not sport.
The tone then shifts to self-confidence and status. He compares himself to well-crafted weapons and luxury cars, showing strength mixed with wealth and taste. Money is always on his mind, symbolized by dollar signs in his eyes, but he also shows calm control. Sitting relaxed in a bathrobe with the newspaper and phone on flight mode shows that he’s unbothered by noise and drama, feeling above it all. He’s confident enough to disconnect and still remain powerful.
When the conversation turns to the state of German rap, there’s clear disappointment. He sees the scene as weak, watered down, and full of low effort. This frustrates him and fuels his aggressive motivation to keep going harder. He says he doesn’t care about chasing riches because what he creates is timeless. That suggests pride in craft and legacy, not just charts or trends. He contrasts himself with politicians or people in comfortable positions, implying he’s still in the mix, pushing through crowds and chaos.
He describes how he asserts power when necessary, comparing lyrical speed and sharpness to gunfire. This connects rap skills with street credibility. Live shows are portrayed as proof of dominance, where he plans to remind everyone why he’s dangerous. There’s a brief moment of camaraderie and humor, showing chemistry between artists, but it quickly returns to criticism of others who failed or fell off.
Nostalgia comes in when he talks about youth, hunger, and struggle. He remembers being young, reckless, and desperate, doing whatever it took to survive and win. There’s a sense of pride in that rough past. He mentions being known in the streets, having a reputation that spread quickly. Even when money was tight and rent was late, he kept moving forward. Now he contrasts that with current success and luxury, showing how far he’s come.
Another voice adds contrast, describing himself as a former violent troublemaker who beat up classmates, highlighting a raw, uncontrolled past. That past is compared to the present, where he’s now successful enough to appear in films and be admired from afar. There’s a strong sense of achievement here, mixed with bitterness toward people who envy that success. He acknowledges jealousy as something that comes with rising above others.
Despite seeing the world as dark and depressing, he emphasizes inner confidence and responsibility. He talks about bringing money home and supporting family, which grounds all the bravado in duty and loyalty. No matter how people analyze the scene, he believes German rap has lost its identity due to hypocrisy. He positions himself and his crew as outsiders who don’t pretend to be clean or moral, but real and dangerous.
The violent imagery returns to show how they move through obstacles without hesitation and erase evidence without guilt. This exaggeration reinforces their image as unstoppable forces. He highlights the duo or team dynamic, explaining how together they cause fear and trouble. Their teamwork is described as precise and well-rehearsed, like a weapon with a serial number or a perfectly arranged musical section.
Both artists praise each other’s strengths. One is described as nonstop punchlines, the other as physically imposing and commanding. Their relationship is based on trust and clear hierarchy, almost like boss and enforcer. Chaos is said to exist everywhere in the world, but they aren’t superheroes snapping fingers; instead, they bring destruction through effort and presence.
The idea of a death squad appears as a warning. They arrive together, unified, and overwhelming. Fake tough guys and pretenders are exposed as frauds. Threats are exaggerated to the extreme to underline how seriously they take disrespect. Power, influence, and big deals are mentioned to show reach beyond music, almost like celebrity-level singerity.
The fusion between them is described as dangerous and unstoppable, like an explosion. Their partnership is reliable and lethal, no matter who tries to stop them or what connections others have. The final comparison to iconic fighting game characters reinforces the idea that this duo is a perfect, deadly combination that works because of balance, history, and mutual understanding.
[Part 2: Asche & Felix Blume]
This section focuses more on status, control, and calculated power rather than raw chaos. The speaker describes himself as unpredictable, with deep connections to the underworld, suggesting he has access to information and influence that others don’t see. He doesn’t move randomly; he knows what’s happening behind the scenes. Ordering rare and expensive wine shows extreme wealth and confidence, especially since these items come from a time far before modern money, emphasizing long-standing value and class.
Being surrounded by guards like royalty highlights how protected and important he feels. He expects obedience and respect, even in small things, which reinforces his singerity. His appearance is described as threatening and serious, and he frames himself as someone who represents criminals and outsiders, living by a mafia-style code inspired by classic crime stories. Loyalty, power, and fear are central here.
He gives a shoutout to lawyers, implying he’s beaten the system or escaped punishment through smart legal moves. Wealth is described as coming quickly and easily, almost magically, reinforcing how effortless success feels now. Luxury food and comfort are everyday things for him, and he knows others are watching and comparing.
He claims his success looks easy to outsiders and compares himself to legendary duos, suggesting loyalty and trust. Then he turns the comparison darker, pointing out how others are struggling badly, even losing their homes. This contrast highlights how far apart their worlds are.
When addressing enemies, he makes it clear that challenges won’t be taken lightly. He sees himself as someone whose word is final and reliable. Violence is again used symbolically to show dominance and finality. He refuses to do business with people who don’t benefit him, showing a cold, practical mindset.
His calm, elevated expression suggests he feels untouchable and above stress. The final exchange about future plans shows that while others may aim for standard success like property, he chooses a darker, more dangerous path, embracing a masked, criminal image. This reinforces the idea that his life operates by different rules, driven by power rather than normal ambition.
FAQs
Q. Who has sung Todesschwadron song?
A. Todesschwadron song is sung by Asche, Aschkobar, Felix Blume.
Q. Who wrote Todesschwadron lyrics?
A. Todesschwadron lyrics are penned by Asche, Aschkobar, Felix Blume.
Q. Who has given the music of Todesschwadron song?
A. Todesschwadron music is composed and produced by Asche, Aschkobar, Felix Blume.
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