TEDDY Lyrics (English Translation) – Amarion

TEDDY (English Translation) Lyrics Meaning

[Intro: Maiky Backstage & Amarion]
This part kicks off with a playful but sarcastic tone. Amarion imagines sitting Ozuna down just to say a few blunt words before sending him off. It sets the stage for a diss—like saying, “Yo, you won’t need to stay long, just hear this and bounce.” It’s confident and a bit mocking.

[Verse 1: Amarion & Ozuna]
Amarion starts by mocking how Ozuna might try to flex his wealth and fame, comparing his millions to Amarion’s humble means. He points out that some of those flashy things, like cars, might not even be real or owned, suggesting Ozuna’s image is fake. Then he brings up something darker—how Ozuna once said something that could damage Amarion’s reputation or mental health, like joking about suicide, which Amarion calls out as totally messed up.

He then talks about being accused of boxing Ozuna into a label or role. Amarion admits maybe some things were unfair but says Ozuna’s comments were full of lies and just mean-spirited. He uses the metaphor of painting over basketball courts to say you can try to cover up mistakes, but real damage—like Ozuna’s shady behavior—can’t just be erased.

Amarion flips the power dynamic, showing how Ozuna took a hit while Amarion walked out strong. There’s a lot of sarcastic imagery—like talking squirrels and someone being silenced harshly—to show Ozuna lost his voice or credibility.

He brings up a past moment where Ozuna supposedly asked him for help with a street-style song and wanted to connect with YOVNGCHIMI, another artist. Amarion claims he made that happen and took Ozuna to some dark, real places—symbolically “hell”—implying Ozuna couldn’t handle the rawness of the streets.

He mocks Ozuna again, saying he’s never seen him perform in rough neighborhoods, but people have seen him doing degrading things. Amarion shows how deeply he’s willing to go for his family—burning for a house for his mom and feeding his daughters—and that he’s used to tough times. Then he comments on Ozuna being immature despite having power or influence.

Toward the end, Amarion hints that people Ozuna trusted have turned on him or are now flirting behind his back. He laughs at Ozuna’s downfall, exposing betrayal and broken loyalty.

[Interlude: Coreano Loco & Amarion]
Here, someone’s reacting in shock to how brutally Amarion just went off. It’s like a friend saying, “Whoa, man, that was too much.” They’re almost trying to hold Amarion back, but it’s clear the damage is already done. He just went all in, no filter.

[Verse 2: Amarion & Tempo]
Amarion starts with a metaphor: Ozuna is messing with something unrelated (fridge) hoping it’ll fix a totally different problem (stove)—basically saying Ozuna’s confused and not making smart moves. Then he says respect can’t be bought with money or material things.

He plays with words about being neither “in nor out,” a way to say Ozuna’s caught in the middle, with no real identity or loyalty. Tempo, another rapper, is name-dropped, like he’s part of the real ones, unlike Ozuna. Amarion then calls out for everyone who’s living rough but still keeps it real, with or without fame.

He starts listing places in Puerto Rico—neighborhoods where Amarion has actually performed—but points out he’s never seen Ozuna there, challenging his street credibility. He’s saying Ozuna’s never been in the real trenches and wouldn’t survive in the raw environments Amarion’s faced.

Then he asks when he’ll finally throw a party for some guys in Enrique Zorilla’s crew—probably meaning he still owes people love. The song’s already spreading fast, even before school starts, showing how powerful and far-reaching his words are.

He compares Ozuna to a little mermaid fishing in waters that aren’t his, implying he’s out of place. Then he uses a biblical image—Jonah in the whale—to say judgment’s coming. Amarion keeps throwing jabs, calling Ozuna a worm and mocking him like he’s a Chuck E. Cheese character—basically fake and silly.

He accuses Ozuna of being dramatic and fake like an actress and says he’s got a bad reputation. Dressing up as “Teddy” (a sweet bear) doesn’t fool anyone—people still remember his ugly actions, especially in Cupey, where Amarion says Ozuna hurt someone named Wilma.

He taunts Ozuna’s past, saying he used to hit women and should see a psychologist to stop obsessing over Amarion. Then he brings up someone named Blanco who helped Ozuna but got forgotten. Juan Carlos is “devastated,” and Amarion makes fun of people forming a prayer circle trying to become “bad bunnies”—wannabes craving fame. He ends with a joke that Ozuna is the biggest dwarf—physically small, but also in character.

[Outro]
Amarion wraps things up in a cocky and playful tone. He brags about being “Ama,” saying the other guy better hang on tight because he’s coming hard. The image of wrapping a belt around yourself twenty times is like saying, “Brace yourself, this is gonna hit.” He pokes fun again, saying the guy’s pants are practically falling off—he’s weak, off-balance.

Then Amarion gets serious for a second—reminding Ozuna and everyone else about promises he made to his mom, his daughters, and his fans. He says his people want inspiration, but Ozuna is just goofing off, not taking anything seriously. Finally, Amarion fires off a wild, almost unhinged burst of sounds and laughter, like he’s done talking and just enjoying the chaos he caused.