Still Turnt (Forever B$hot) Lyrics – Metro Boomin

Still Turnt (Forever B$hot) Lyrics Meaning

[Intro: Shad da God]
He’s basically waking everyone up, letting them know he and his crew are still doing their thing and living the same flashy, successful life. It’s like a reminder that they haven’t slowed down — they’re still here, still winning, still running things like a president would.

[Chorus: Shad da God]
This part is all about living big and making money like it’s nothing. “Let that money fly” shows how carefree they are about spending or throwing around cash. Saying they “trapped to Mars” is like saying they hustled so hard they went beyond limits — out of this world, literally. When he says “swag like this,” he’s talking about confidence and style that’s so strong he’s got women around and can even “loan” them. The cash is so much it’s bursting out of their pockets, nicknamed “thigh pads” because it’s thick like sports gear. They’re proud of their hustle, saying they “broke the scale,” meaning they were doing things too big for normal standards. “Serving out the trap bag” refers to dealing or making money through street hustles. He even compares it to water — flowing, easy, and in demand. Saying he’s been a teacher in “swag class” means he’s been showing others how to carry themselves with style. And that fast car metaphor — it just shows they’re speeding through life full throttle, no slowing down.

[Post-Chorus]
This part just hypes everything up. It’s repeating that they’re still full of energy, partying, living fast, and keeping the same wild lifestyle. It reinforces the main vibe of the song: being turnt up and not slowing down.

[Verse 1]
Here, he’s showing off his fashion and lifestyle. The jeans are flashy, catching women’s attention. He’s name-dropping brands like Chrome Heart, True Religion, Goyard, and Moncler — all expensive, trendy stuff. His life feels like a movie, moving fast and full of drama and action. He’s been this way since he was sixteen, dropping music early, and it took off. Money and style are everywhere in his world. Girls twerk around him, and when it’s time to handle business, people hit him up. It’s a mix of flexing wealth, past success, and how he’s still living that wild, exciting life.

[Chorus: Shad da God]
This hook repeats the same flex-heavy vibe — throwing money, being flashy, and showing that their hustle took them far. They’re trapping so hard it’s like they went to Mars, and their style is so high-level it’s unmatched. With money literally popping out of their pockets, they’re running the game. They move in their own lane, and they’ve been showing others how to do it. The car speeding down the highway part just adds to that whole fast-paced, can’t-be-caught energy.

[Post-Chorus]
Just like before, this section keeps the hype going. It’s a chant-style part that reminds you over and over they’re still out here, still turnt, still living large, and not backing down from the lifestyle.

[Verse 2: Shad da God]
He’s lighting up with weed and still living that high-energy life. His brother’s got connections, selling Jamaican-style product, using “jerk” as a double meaning. Then he’s rolling up a blunt with strong weed. He mixes fashion brands, showing he doesn’t follow rules — just his own swag. He mentions how other guys used to sip syrup, while he’s chasing thick women and stacking money like it comes with a tracker on it — always finding it. Saying he and Metro go way back shows loyalty and history. The last line pokes fun at counting too much money — even your thumbs get tired. It’s all about flexing and showing how deep in the game they are.

[Chorus: Shad da God]
Once again, it’s that same mix of hustle, swag, and pride. They’ve made so much money it can’t even be measured, their pockets are overloaded, and they’ve done all this through nonstop trapping and staying ahead of the game. It’s a repeated message of doing it big and doing it better than anyone else.

[Post-Chorus]
This hook brings back the chant-style energy, just reminding everyone — they’re still turnt. It’s the kind of line that keeps the club bouncing and the vibe steady. Nothing’s changed for them.

[Outro]
This part takes a shift into a real conversation. He says he and Metro go way back — there’s trust and deep history there. He’s over the current music scene, especially the kind of stuff that’s depressing, overly drug-influenced, or just not fun anymore. He wants that old-school Atlanta energy back — the futuristic sound, the hype, the wild vibes people used to love in the clubs. He name-drops J Money and other local legends, calling for a return to music that actually makes people feel alive. He’s tired of clubs full of people just posting on social media and being out of it from drügs. He misses the days when people came to dance, turn up, and actually have fun without worrying about drama or violence. It’s like a public service announcement to Metro: bring back the fun, the bounce, and the energy that made people love the scene in the first place. He’s ready for good times again — partying, dancing, and just living.