“SAMA” Lyrics by OrelSan is a latest French song in the voice of OrelSan. Its music too is composed by singer while brand new “SAMA” song lyrics are also written by OrelSan. This is a popular song among the people of United States of America. “SAMA” is Orelsan’s aggressive rant: he angrily mocks modern society, influencers, hypocrites, and empty lifestyles, using crude, provocative jokes and shock tactics. It’s a bitter, sarcastic take on burnout, conformity, and social hypocrisy meant to shock and provoke reflection.
Paroles de SAMA – OrelSan
[Intro]
– Sama, Sama, Sama, Sama, Sama, Sama, Sama, Sama, Sama, Sama, Sama, Sama, Sama, Sama, Sama, Sama
– Okay, fermez vos gueules. Vous êtes vraiment une belle bande de perdants
– C’est vrai
– Vous êtes quoi ?
– Des perdants
– Vous êtes quoi ?
– Des perdants
– C’est sûr. C’que j’arrive pas à comprendre, c’est pourquoi vous en avez pas marre. Pourquoi vous en avez pas marre de faire un burn-out tous les trois mois ? De mentir quand on vous demande “ça va ?” ?
[Couplet unique]
Que votre vie soit la cata’, marre de pas savoir pourquoi vous allez au travail
Tout ça pour enrichir un boss qu’a pas d’âme, pour qu’il puisse s’acheter du Loro Piana
Marre de ces haineux qui baisent votre karma
De s’faire faire la morale par des coachs de vie bas d’gamme
De ces rapaces qui veulent juste prendre c’que t’as pas
De ces startupers qui veulent te sucer ta data
De ces sportifs abrutis sur la musique de Gala
Marre de tous ces p’tits blancs qui parlent comme des cailles-ra
Qui r’deviennent des bobos végan dès qu’ils mangent une patate
Y a plus de fragiles que d’pigeons dans les rues d’Paname
J’baise les féministes deux fois la journée d’la femme
Fu*k ces stars qui foutent rien, qui appellent ça du travail
Et ces bourges qui s’éclatent avec les thunes de papa
Qui vous crachent à la gueule pour garder leur lifestyle
J’viens dans ton cours de yoga, j’mets ma bite dans tes chakras
Ces Parisiens m’donnent envie d’recramer Notre-Dame
Ces kebabs dégueulasses, ces bus, ces métros, ces hôtels de charme
Ces magasins de luxe, de clope électronique, les puces, le tram
J’passe par la Défense, rajoute quelques huiles sur les flammes
Rajoute tous ces politiques véreux qui pensent qu’à grimper les échelons et c’qu’ils bouffent entre midi et deux
Ils parlent de société mais la seule chose qu’ils kiffent, c’est eux
Comme les gays qui baisent des mecs qu’ont la même tête qu’eux
Message à tous ces geeks qui parlent mal
Tu vas pas respawn quand j’vais t’effacer d’la map
Crois-moi, critique-moi dans ton podcast de hater
Ton prochain live, c’est moi qui t’encule sur ton siège de gamer
Baise ces, baise ces médias qui postent toutes les une seconde
Qu’ont pas compris la question mais t’imposent la réponse
Tous ces influenceurs woke qui nous donnent des l’çons
Dès qu’une marque arrive, y a plus d’principes, ils donnent les fions
À tous les ados sous pression qui pètent les plombs
J’préfère que tu crèves que d’écouter ta dépression
Comme ces rappeurs qui s’embrouillent et font tous les mêmes sons
Voir ces mongoles s’faire des millions, c’est l’Téléthon, haha
Et ces Français qui ont tellement pas d’life qu’ils regardent des émissions d’gens qui mangent ou qui cherchent des appart’
Ces employés banals, ces garagistes qui t’arnaquent
Ces cadres qui sucent des patrons qui veulent gruger la flat tax
Qui vont au ciné voir des consanguins, des trisomiques
Qui font que d’picoler et voient qu’le verre à moitié vide
Qui devraient juste accepter d’être des alcooliques
Parce que leurs vies sont pas drôles comme toutes les femmes comiques
Tous ces beauf sous Celio, sous Jack & Jones
En doudoune dégueulasse avec un p’tit sweat sur l’épaule
Quand j’vois vos styles, vos gueules, vous méritez d’être pauvres
Et quand j’vois les riches dépressifs, j’crois qu’j’préfère être pauvre
Marre des jeunes qui disent “boomer” à toutes les sauces
Comme si c’est mieux d’être des clones qui font tous la même chose
Être jeune, c’est surcôté, les frérots, vous s’rez finitos dès qu’y aura un nouveau réseau
Vous êtes la pire génération, y a pas d’débat
Dépendants des chiffres, vous aimez que c’qui marche déjà
Vous allez tuer la musique, le ciné’, la mode, les animés
Parce que vous avez pas d’idée, vous savez juste mal recycler
Sama, j’arrive avec deux mannequins trop bonnes pour moi
Qui vont probablement bientôt porter plainte contre moi
Parce que les faibles cherchent toujours quelqu’un à blâmer
Faire faire c’que tu voulais pas, c’est l’concept de draguer
À tous les nazis qui m’aiment v’nez même pas m’parler
J’te pète les coudes, les g’noux, tu formes une croix gammée
T’es juste te-bê, crois pas qu’on est pareils
J’ai pas b’soin d’théorie débile pour justifier ma haine
Pareil pour les mascu’ qui veulent me récup’ ?
Vous avez tellement peur des femmes, j’crois qu’c’est vous les vraies putes
Tu fais l’mec viril pour cacher tes p’tites blessures
J’te pisse dessus comme si tu t’fais piquer par une méduse
Sama, j’rentre dans ta tête, t’as les yeux qui s’révulsent
Sama, qu’est-ce que les moutons peuvent demander d’plus ?
Sama, j’baise trop, j’ai plus d’prépuce, zéro chance qu’j’m’excuse, après moi, l’déluge
SAMA Video
OrelSan Songs
- Internet (English Translation)
- Internet
- Dans quelques mois (English Translation)
- Dans quelques mois
- Oulalalala (English Translation)
SAMA Lyrics Meaning
[Intro]
In the intro, Orelsan is basically calling out people for being stuck in boring, exhausting routines. He repeats “Sama” like a chant, creating a kind of hypnotic vibe before turning aggressive. He tells people to shut up and labels them as losers, and when they agree, he pushes them to reflect on why they keep exhausting themselves. He points out the constant burnout, the fake smiles when someone asks how they’re doing, and the emptiness of doing things just because everyone else does. It’s like he’s saying, “Wake up! Why are you letting life crush you without even questioning it?” He’s provocative but wants them to see how ridiculous their patterns are.
[Couplet unique]
In this part, Orelsan dives into social frustration, pointing out the monotony and absurdity of everyday life. He talks about people working jobs that make no sense to them, just to enrich soulless bosses who buy expensive things while their employees suffer. He criticizes those who spread negativity, so-called life coaches who give cheap advice, and predatory companies that exploit data for profit. Even athletes, trends, and cultural stereotypes get mocked, showing his disdain for people blindly following fads or pretending to be something they’re not. He mixes humor with anger to exaggerate the ridiculousness of social norms.
He also attacks hypocrisy in society. He criticizes people who act morally superior while being self-centered or manipulative. Rich people flaunting inherited wealth, influencers who sell out their beliefs for money, and ordinary people obsessed with media or appearances all get mocked. He even mocks political figures who care only about personal gain and not society. There’s a constant theme of frustration with fake behavior, shallow values, and people who follow trends without thinking for themselves.
Orelsan doesn’t hold back on cultural and gender commentary either. He mocks both extremes, like feminists and misogynists, showing how ridiculous certain extreme behaviors can be. He brings in shocking jokes and crude imagery to make his points, highlighting contradictions in social behaviors and how people act out of fear, insecurity, or vanity. He wants to expose pretentiousness and hypocrisy in a way that grabs attention.
He also talks about generational criticism. Young people are labeled as clones addicted to social media, dependent on trends, and obsessed with metrics. Creativity is lost, and culture suffers because people just recycle old ideas without real thought. He points out how people criticize each other online but fail to reflect on their own behavior. The pressure on youth, combined with social conformity, leads to stress, mental health issues, and pointless competitiveness. Orelsan’s rant shows his irritation with how society pressures people to fit in, follow rules blindly, or chase materialistic goals.
Music, entertainment, and fashion get targeted too. He complains that mainstream culture is repetitive, uninspired, and driven by numbers, not creativity. People imitate trends instead of innovating, which ultimately ruins music, cinema, fashion, and other arts. He also points out the absurdity of idolizing celebrities who do very little yet are celebrated. Through exaggeration and crude humor, he illustrates how society rewards mediocrity while punishing originality or real effort.
The song also touches on relationships, desire, and social dynamics in provocative ways. Orelsan talks about seduction, s*xual encounters, and personal freedom with shocking honesty, often using hyperbolic or offensive imagery. He criticizes people who manipulate others emotionally or socially and exposes insecurities that lead to controlling or aggressive behavior. The rawness serves to underline his themes of frustration, rebellion, and refusal to conform to polite social rules.
He critiques media, online culture, and digital life. People who blindly follow trends, spread misinformation, or depend on social platforms for validation are ridiculed. Influencers, gamers, and content creators get singled out for being shallow or repetitive. He’s frustrated with how quickly information spreads without thought, and how society values visibility over substance. Even in humor, sarcasm, or shock, he’s pointing out how absurd modern life has become under constant digital scrutiny.
Orelsan also attacks societal vices like alcoholism, consumerism, and vanity. He mocks people obsessed with appearance, fashion, or wealth, showing how shallow these obsessions are compared to real experiences or intelligence. Both rich and poor are targets: the rich are spoiled and depressed, the poor are trapped in mediocre lives or fake aspirations. The common thread is his disdain for artificiality and the way people measure success by status, looks, or social trends instead of personal fulfillment.
Throughout the song, there’s an underlying anger at conformity, mediocrity, and lack of self-awareness. He exaggerates everything to make people feel uncomfortable, forcing them to reflect on their own behaviors. His shock tactics, crude humor, and raw language are meant to provoke thought as much as laughter or disbelief. He addresses a wide range of social groups, from politicians and tech geeks to young adults and cultural elites, showing that no one is exempt from his critique.
Finally, Orelsan expresses a sense of personal rebellion and detachment. He doesn’t follow rules or apologize for his actions; he lives on his own terms and mocks those who judge him. There’s pride in his freedom and contempt for people who accept society’s standards without question. By exaggerating behaviors and using extreme language, he creates a voice of rebellion that is both humorous and critical, highlighting the absurdities of life, culture, and social norms.
The entire couplet is a chaotic mix of social commentary, humor, provocation, and anger. It blends criticism of everyday life, generational habits, societal expectations, media influence, and personal behavior into a relentless rant. Orelsan’s words are meant to be shocking, over-the-top, and humorous while carrying a serious message about conformity, superficiality, and modern life frustrations. He combines satire, exaggeration, and crude imagery to paint a picture of a society obsessed with appearances, trends, and shallow achievements, while leaving real creativity, honesty, and individuality behind.
FAQs
Q. Who has sung SAMA song?
A. SAMA song is sung by OrelSan.
Q. Who wrote SAMA lyrics?
A. SAMA lyrics are penned by OrelSan.
Q. Who has given the music of SAMA song?
A. SAMA music is composed and produced by OrelSan.
“This concludes the lyrics of SAMA” by OrelSan. If you like this song please share it with your friends and family in USA. If you find any errors in it, please feel free to submit the correct version via the Contact Us section.