Saigon Freestyle Lyrics by Animus is a latest German song in the voice of Animus. Its music too is composed by singer while brand new Saigon Freestyle song lyrics are also written by Animus. This is a popular song among the people of United States of America. In Saigon Freestyle, Animus takes on a raw and aggressive tone, critiquing the German rap scene, cultural issues, and societal hypocrisy. He calls out fake personas in the music industry, emphasizing authenticity and respect. Through sharp lyrics, he tackles sensitive topics like racism, identity, and media bias, particularly related to Muslim and immigrant communities. The song reflects frustration with both the rap game and broader social issues, delivering a strong message about standing up for principles and rejecting pretentiousness, all while asserting his dominance lyrically.
Saigon Freestyle Lyrics
[Songtext zu „Saigon Freestyle“]
[Part]
Ihr seid nun in Gefahr und dafür brauch’ ich nur diese Bar
Rapper machen heute auf Player mit ‘ner Hure im Arm
Dabei war die Alte mein Groupie vor Jahr’n
Meine Homies sehen dich mit ihr und flüstern nur: „Audhubillah“
Ich schnapp’ ein Mic und Pu*sys seh’n, wie ihr Hype verpfuscht, nur paar Lines, ich spuck’
Und Deutschrap öffnet meinen Reißverschluss, mach nicht auf Tiger Woods
Dein Lieblingsrapper meint, er pusht Weiß mit breiter Brust
Doch hat ‘n Speichelfluss, wenn er die Eichel lutscht von den Bikerclubs
Ich lasse Nazi-Rapper in Säure baden, als wär es ‘ne Kräutersahne
Und rühr’ die Suppe um mit einer deutschen Fahne
Ich stech’ heraus wie eine Leuchtreklame
Mittelfinger steif, als ob ich Rheuma habe, in allen drei Teufels Nam’n
Was ist jetzt? Bin ich im Dschungel, dass jeder Affe Tracks macht im Netz?
Sie nutzen die Wege, die wir geebnet hab’n, doch respektieren niemals den Architekt
Und haben echt den Nerv zu sagen, dass sie Hip-Hop sind wie Nas und Doug E. Fresh
Du hast bessere Chancen mit achtzig Packs aus Marrakesch im Arsch versteckt als Body-Bag, anstatt als MC
Denn was ihr macht, ist höchstens Kabarett, ich schäme mich von A bis Z
Beim Hör’n, wie dieser Mois heute noch immer wie ‘ne Katze rappt
Zu seh’n, wie Rapper Junkies werd’n, blenden und posen
So wie Capi, der frech wurde durch ‘ne Menge an Drogen
Doch wenn man hinguckt, ist deine Karriere ähnlich wie ein Stripclub
Capital fliegt hoch und liegt am Ende am Boden
Alles verlogen, dieses Game voller feigen Stechern und Speichelleckern
Spielen Escobar, weil sie heimlich mal etwas Weiß gestreckt hab’n
Leben in Zeiten, in denen die härteste Line von einem Rapper
Wäre, zu sagen, für ihn gibt es in Wahrheit zwei Geschlechter
Hallo, Deutschland, mein Name ist dir fremd
Ja, ich bin ausgewandert, ich hab’ meinen Draht zu dir getrennt
Denn bei dir scheint es okay zu sein, Korane zu verbrenn’n
Doch wehe, einer traut sich, Regenbogenfahnen abzuhäng’n
Du scheinst deingn Nachwuchs nicht zu kenn’n und verbreitest ständig Hass
Die Nationalelf sieht zur Hälfte aus wie das, was dir nicht passt
Und pro Palästina sein heißt nicht, man ist pro Hamas
Sondern dass du Empathie für Kids, die täglich sterben, hast
Es wurde deutlich in Katar, die ganze mediale Hetze
Über ihre Sitten und für dich befremdliche Gesetze
Doch in Russland oder China hältst du ständig deine Fresse
Drum versteh’ ich jeden Auswanderer, der dir den Rücken kehrt
Keine Brücken mehr, denn der Hass, er geht noch tiefer
Nazistimm’n werden lauter, Propaganda intensiver
Und auch wenn du es nicht gerne hörst, die Menschen, die im Krieg war’n
Flieh’n nach Deutschland wegen Waffen, die du an ihr Land belieferst
Doch scheiß auf Politics, zurück diesem Game
Wo Rapper ihre Mom verkaufen, um die Kids zu entertaingn
Statt um Rap-Flows, geht es mehr darum, wen man so expost
Rufen in den Wald, doch komm’n nicht klar mit all den Echos
Wie der Dragon, dieser Köter sieht mich als ‘n Todfeind
Nennt meingn Vater eingn Ba*tard, doch ich lache bloß, weil
Der Unterschied ist: Mein Vater hat Kinder adoptiert
Parallel gab dein Vater dich zur Adoption frei
Heißt, wärst du heut noch klein, hätt mein Dad dich vielleicht adoptiert
Und dir Manieren beigebracht wie dass man Ältere respektiert
So wie das deutsche Paar, das dich erzogen hat wie ihr eignes
Damit du Deutsche dann als Schweinefleischfresser bezeichnest
Dann wär’n wir Brüder und ich würd dir sagen: Lass die ganze Scheiße, Bruder
Steh zu deiner Hautfarbe, schleim nicht so bei Weißen, Bruder
Hast du ein Problem mit einem, klär den Scheiß alleine, Bruder
Denn mit drei’n zu komm’n ist ein Fotzenmove und feige, Bruder
Beef mit deiner Babymama, klär das Ganze leise, Bruder
Und wenn öffentlich, dann nicht auf diese Art und Weise, Bruder
Keinen juckt dein Name auf der Straße, das ist peinlich, Bruder
Denk an deine Kleine, Bruder
Rede wie ein ganz normaler Mensch und lass die ganzen primitiven Tiervergleiche, Bruder
Was für Löwe? Deine Wampe haben eher Schweine, Bruder
MPU-Betrug, du schwörst, du machtest keine Scheine, Bruder
Doch der Benz wurd finanziert als eine Gegenleistung, Bruder
Heißt, du schwörst schon wieder bei dem Nam’n von dem Eingn, Bruder
Und das Höll’nfeuer wird jetzt heißer, Bruder
Und wenn ABK vom Kloputzen redet, willst du sofort fighten, Bruder
Doch bei Arafat bist du Ray Charles der Zweite, Bruder
Alles kommt zurück, dein Leben liefert die Beweise, Bruder
Abis, die du postest, gaben dir Schell’n wie ‘nem Kleinkind, Bruder
Zocktest deine Artists ab, ein Label ohne Signings, Bruder
Doch Gott sei Dank bin ich nicht dein Bruder
Jeder draußen weiß, deine Natur ist es, bei Stärkeren zu lutschen
Und bei Schwächeren zu mucken, versteckst dich hinter Gruppen
Bastelkönig, baust mit Tesa-Film aus Fetzen eine Kutte
Aber wunderst dich, wieso wir alle ständig auf dich spucken, cha-tpuh
Also erzähl mir und den Kindern keingn Scheiß
Weil jeder in der Hip-Hop-Szene genau weiß
Bei Kindern sagst du, du hast eine kurze Reißleine?
Doch in Wahrheit hast du eine kurze Leine bei deI’m Reis, du Kelb
Das geht an die gesamte Szene: Ich will chill’n
Doch wer die Lage übertreibt, den hol’ ich raus aus seinem Film
Denn geht’s um Bars, mach’ ich mit jedem von euch Pfeifen, was ich will
Gib mir ‘n Beat und du wirst einfach so gekillt, easy
Animus Songs
Saigon Freestyle Lyrics Meaning
In this part of *”Saigon Freestyle”*, Animus kicks off by declaring his lyrical dominance, saying he can put others in danger just by spitting bars. He calls out rappers who pretend to be tough or successful by flaunting superficial things like women, but those same women used to be his fans. He highlights how his crew mocks the fakeness they see in these rappers.
He shows confidence, claiming that with just a few lines, he can ruin the hype around his competition. He compares his lyrical impact to opening a zipper, as if he’s exposing the true nature of German rap. He warns others not to pretend to be something they’re not, drawing a comparison to Tiger Woods, perhaps referencing someone pretending to be a master when they’re not. He mocks rappers who brag about dealing drügs but secretly degrade themselves to biker gangs.
Animus brings in dark imagery, claiming he could make Nazi-sympathizing rappers suffer, metaphorically bathing them in acid, and stirs the pot with a German flag. This could be seen as a metaphor for challenging the nationalistic elements within the scene. He likens himself to a neon sign, standing out in a fake and crowded industry, with a rebellious attitude symbolized by his stiff middle finger. The reference to “three devils’ names” could represent his disdain for various forms of hypocrisy or evil.
Next, he questions the legitimacy of the rap scene, wondering if he’s stuck in a jungle where everyone’s creating music online without respecting the roots. He’s annoyed that newcomers exploit the path paved by earlier rappers like him, but fail to acknowledge the architects who built the foundation of hip-hop. This is a direct critique of newer artists who claim they are as important to the culture as legends like Nas or Doug E. Fresh. Animus believes that their claims are empty and that they’d have better luck smuggling drügs than becoming successful MCs because their music is nothing more than a bad comedy act.
He continues to vent his frustration, feeling embarrassed hearing how some rappers, like Mois, are still making weak music, and watching how others become junkies, obsessed with fake personas, similar to Capital Bra, who got bold through drügs. He makes a cutting comparison, saying some careers in rap are like strip clubs—rising fast but crashing just as quickly. He’s disillusioned with the fake tough guys in the industry who secretly deal small amounts of drügs but play up the role of an Escobar-type character.
Then, Animus shifts to societal critiques. He sarcastically points out that in today’s world, the boldest thing a rapper could say is that there are only two genders, a comment on how controversial basic statements have become. He expresses his frustration with Germany, claiming the country is familiar with burning Qurans but intolerant of anyone removing pride flags, highlighting a double standard. He accuses the country of spreading hate, pointing out that its national soccer team reflects the diversity that some in society resist.
His message about being pro-Palestine clarifies that supporting the Palestinian cause doesn’t mean supporting Hamas but rather empathizing with innocent children caught in the conflict. He critiques the media for stirring controversy during the World Cup in Qatar over cultural differences, while staying silent on Russia and China’s human rights violations, calling out the hypocrisy.
Animus explains why he, and others like him, turn away from Germany. He sees an increasing spread of hatred, with louder neo-Nazi voices and intensifying propaganda. He points out how war refugees flee to Germany because the country supplies weapons to their homelands, highlighting the indirect role Germany plays in these crises. However, despite these political rants, he returns to attacking the rap game.
In the next lines, Animus criticizes how rappers are willing to sell out their own families just to entertain kids. Instead of focusing on real rap skills and flows, many rappers seem more concerned with calling each other out for attention. He compares their behavior to echoes in a forest, where they can’t handle the consequences of their own words and actions. He takes aim at “Dragon,” someone who views him as an enemy, calling out the hypocrisy of those who attack his father while their own parents abandoned them.
He contrasts his father’s actions with Dragon’s, claiming his father adopted children, while Dragon was given up for adoption. He even muses that if Dragon had been younger, his dad might have adopted him too, teaching him manners and respect. Animus reflects on the irony that Dragon was raised by a German family yet insults Germans for eating pork, showing the contradictions in his attitude.
In the following section, Animus advises Dragon on how to handle life better. He encourages him to stand proud of his identity, stop trying to impress white people, and handle problems with individuals one-on-one rather than ganging up on them, which he sees as cowardly behavior. He also tells him to resolve issues with his child’s mother privately and not drag personal drama into the public eye, warning that his reputation in the streets is a joke.
Animus reminds him to think about his daughter, acting more mature and not getting involved in petty beefs. He mocks Dragon’s self-comparison to a lion, saying his belly is more like that of a pig, and exposes the lies he tells to avoid responsibility. He suggests that Dragon’s success, including financing a Mercedes, was built on shady deals and betrayals. Animus reveals that despite Dragon’s claims of integrity, he swears by the wrong things and is headed for destruction, using religious imagery to suggest his downfall is imminent.
Animus then targets another rapper, ABK, mentioning how Dragon gets angry when ABK talks about cleaning toilets, yet he stays silent when faced with real threats from someone like Arafat, implying cowardice. He points out that everything comes back around, and Dragon’s life is proof of that. He calls out Dragon’s fraudulent behavior with his own artists and labels him as a leech who preys on the weak while hiding behind groups for protection.
In conclusion, Animus rejects the idea of being Dragon’s “brother.” He exposes Dragon as someone who sucks up to stronger people and bullies the weaker ones, while hiding behind the safety of numbers. He compares Dragon to a “crafting king,” someone who builds a fake persona from scraps, and wonders why Dragon is surprised that everyone in the scene despises him.
Animus ends with a sharp reminder: no one in the hip-hop community is fooled by Dragon’s lies, especially when it comes to his behavior around children and his hypocrisy. Animus makes it clear that he’s ready to handle anyone who pushes things too far and that he’s capable of lyrically destroying his competition with ease.
Famous Phrases with Explanation
1. “Ihr seid nun in Gefahr und dafür brauch’ ich nur diese Bar”
Animus is warning his rivals, saying they’re in danger because he only needs his lyrics to defeat them. It’s a confident statement about his power in rap battles, showing his skill with just one verse.
2. “Deutschrap öffnet meinen Reißverschluss, mach nicht auf Tiger Woods”
Here, Animus implies that German rap is exposing itself to him, and he’s warning others not to act like they’re something they’re not, referencing Tiger Woods to symbolize not faking greatness or expertise.
3. “Ich lasse Nazi-Rapper in Säure baden, als wär es ‘ne Kräutersahne”
This line is filled with dark humor, where Animus describes metaphorically punishing racist rappers, like soaking them in acid. It’s a strong image that shows his disdain for racism in the industry.
4. “Bin ich im Dschungel, dass jeder Affe Tracks macht im Netz?”
Animus compares the current rap scene to a jungle, where everyone’s producing music online without any real standards. He’s frustrated with how easily people release songs without respecting the craft.
5. “Sie nutzen die Wege, die wir geebnet hab’n, doch respektieren niemals den Architekt”
Animus criticizes new artists for benefiting from the groundwork laid by older rappers but not showing respect to the pioneers of the genre, positioning himself as someone who helped build the foundation.
6. “Capital fliegt hoch und liegt am Ende am Boden”
This is a jab at the rapper Capital Bra. Animus says that despite Capital’s rapid rise in popularity, he’ll eventually crash and burn, much like careers that shoot up too fast but lack stability.
7. “Denn bei dir scheint es okay zu sein, Korane zu verbrenn’n, doch wehe, einer traut sich, Regenbogenfahnen abzuhäng’n”
Animus is calling out double standards in society, where it seems acceptable to burn religious texts like the Quran, but people are quick to react angrily if someone opposes LGBTQ+ symbols like the rainbow flag.
8. “Pro Palästina sein heißt nicht, man ist pro Hamas”
Animus clarifies that supporting the Palestinian cause does not mean supporting extremist groups like Hamas. He’s emphasizing that empathy for innocent victims doesn’t equate to supporting violence or terrorism.
9. “Was für Löwe? Deine Wampe haben eher Schweine, Bruder”
In this line, Animus mocks someone who compares themselves to a lion, saying that their physique is more like a pig. It’s a direct insult, calling out someone for pretending to be fierce when they’re not.
10. “Doch Gott sei Dank bin ich nicht dein Bruder”
Animus declares that he’s thankful not to be associated with the person he’s criticizing. It’s a final statement of disassociation, implying that the other person’s character is weak and dishonorable.
FAQs
Q. Who has sung Saigon Freestyle song?
A. Saigon Freestyle song is sung by Animus.
Q. Who wrote Saigon Freestyle lyrics?
A. Saigon Freestyle lyrics are penned by Animus.
Q. Who has given the music of Saigon Freestyle song?
A. Saigon Freestyle music is composed and produced by Animus.
“This concludes the lyrics of Saigon Freestyle” by Animus. If you like this song please share it with your friends and family in USA. If you find any errors in it, please feel free to submit the correct version via the Contact Us section.