NOS CREÍAMOS KIES Lyrics (English Translation) – HOKE, Morad

NOS CREÍAMOS KIES (English Translation) Lyrics Meaning

[Chorus: HOKE]
The chorus reflects on a life hardened by challenges and loss. The phrase “my brother doesn’t smile anymore” hints at the emotional toll of their struggles, perhaps referring to someone close who has become numb or distant due to hardships. “Connections in the DM, on an empty stomach” describes hustling and making connections online to survive, despite hunger and exhaustion. The mention of passing by crime scenes and “covering up like movie stars” suggests living in a world where secrecy and anonymity are crucial for safety. The rhetorical question, “Who’s gonna stay when this is over?” underscores uncertainty about loyalty and the transitory nature of life and relationships in such a high-stakes environment. It’s about resilience, but also isolation and distrust.

[Verse 1: HOKE]
This verse dives into the tension between material success and the mental toll of achieving it. The opening lines suggest that money, whether small or large amounts, has lost its appeal or moral clarity. He admits to relapsing into old habits despite attempts to move forward, showing how hard it is to escape certain cycles. The phrase “if I don’t look they don’t see me” reflects a need to remain unnoticed, avoiding unwanted attention in a dangerous environment. The “good and bad” hitting at once captures the chaos of balancing success with its consequences, while the “wrist” as a “judge” may allude to a watch symbolizing time, judgment, or wealth. The imagery of cold feet and familiarity with the streets reflects his grounded, often harsh reality. He mentions seeing the Devil within, implying that internal struggles are just as challenging as external ones. Despite financial success (“pockets full”), he feels isolated and unsafe, sleeping with “one eye open.” The lack of scanner beeps at airports could imply a new lifestyle or evasion tactics, emphasizing a sense of paranoia and survival.

[Verse 2: MORAD]
This verse contrasts past poverty with present success while highlighting lingering struggles. The opening lines recall a time when even basic luxuries like going to the movies were out of reach, but now he can afford extravagant items. Despite financial progress, he chooses to remain humble, represented by wearing TNs (a type of sneaker). The mention of “snow coming through the port of Valencia” and “packages arriving in BCN” hints at illicit activities, possibly drug trafficking. He critiques how money breeds mistrust, stating that even celebrations are tainted by the fear of losing wealth or freedom. “Bad, always isolated” captures the loneliness that comes with a life of hustling, as does being “a little bit drunk from the pain.” He emphasizes the need to work for survival, contrasting it with those who live in fantasy worlds. The distinction between music and street life warns against conflating creative success with the harsh realities of survival. References to smuggling (“toy in the false bottom of the trunk”) and superstitions like knocking on wood reflect a life full of risks and uncertainty. The verse underscores a relentless focus on staying ahead while avoiding capture or betrayal.

[Bridge: HOKE & MORAD]
This brief line is a simple cue to Morad, likely signaling unity and a shared narrative.

[Chorus: HOKE]
The repetition of the chorus drives home the themes of disillusionment and survival. It’s a reminder of how their lives revolve around navigating danger and keeping up appearances (“covered up like movie stars”) while dealing with loss, hunger, and distrust. The recurring question about loyalty adds a layer of existential doubt, questioning who will endure when all is said and done. It reflects the fleeting nature of relationships and success in their world. The chorus’s repetition reinforces its emotional weight, creating a lasting impression of resilience, caution, and the emotional scars left by their experiences.