LUCIFER Lyrics (English Translation) by YOVNGCHIMI is a latest Spanish song in the voice of YOVNGCHIMI. Its music too is composed by singer while brand new Lucifer song lyrics are also written by YOVNGCHIMI. This is a popular song among the people of United States of America. Lucifer by YOVNGCHIMI is a bold, gritty track where the artist expresses his dominance in the music and street worlds, highlighting his tough persona and loyalty to his gang, Los Diablos. He talks about his rise in the music industry, his wealth, and his readiness for any conflict, calling out enemies and rivals in a defiant tone. The song touches on themes of betrayal, power struggles, and the harsh realities of street life. YOVNGCHIMI portrays himself as a force to be reckoned with, unapologetically owning his past and current battles while emphasizing loyalty and resilience.
LUCIFER (English Translation) Lyrics
[Intro]
The Devils, motherfu*ker
They woke up the devil, ba*tard of a jet
Sometimes you have to exploit it (Ah-ah, ah-ah)
Tell me, Shadow (Ah-ah-ah)
Tell me, Pre
Tell me, Chef
Tell me, Dobleta
Yecko on the beat
Tell me, Slay
Glizzy Gvng, the most badass company, ba*tard, did you hear? (Gang, gang, gang, gang-gang, gang-gang)
A bunch of pigs and vermin in the industry
We have to, we have to guide two or three people out there
Sincerely, Lucifer, you stinkbug (Ah-ah)
[Verse 1: YOVNGCHIMI & Ovi]
It’s been two years in music, I’ve got them measuring their strength (Measuring their strength)
My devils are hungry, if I let them, they’ll eat you for lunch (The Devils of Llorens; gang, gang)
Before they touch me, I’ll give them a whiplash (I have the braid)
And for Lucifer’s braid in hell there’s no turning back
What, don’t I have rank? They don’t know what they’re talking about (You know)
LFNM in the chest you see us shining (They don’t see the box)
I’m at war with those who you’re sucking it off (You saw it, ba*tard)
They snore like cars and in the calls they’re denying it (Nah)
They snore like artists and the women are screwing them
Just like SONAR, that the contract is not paying off (Uh)
I’m a trapper, really I got into kikiando (Kikiando)
And I have a house, AP, Patek, Cartier, I have two Lambos (Gang, gang)
It makes me itch, the 23 asks, how bad you sound (Hahaha)
Hades looking to send him into the whole war, you’re the girl
When we catch you, ba*tard, blessed, you’re going to be ashamed
I skipped you in “LUKEANDO”, ba*tard, I missed you in your own plot
I climbed on you for Coca-Cola, motherfu*ker, you got out of my ball (Ah-ah)
I also climbed on you for Choli, a Morovi jibaro (Haha)
You are so ungrateful and you’re talking about Judah
I knew it was fake, I helped you anyway
Don’t give me excuses (Lambebicho), don’t mention Yeruza (Los Diablo’)
So that later I’ll be scared like Anuel living in the USA (Ah-ah)
I’m a son of a b!tch at war, playing Russian roulette
They have to kill me with my demons in the stove (With Los Diablo’)
How do we catch Blackinny, he was dead, you’re a trili (You’re a trili, motherfu*ker)
I’ll kill you, I’ll put a Richard Mille on your helmet (Ah-ah)
I have assassins with me, if not, I I do the dili (In one)
The Devils of Llorens, the demons of Philly (Skrrt; The Diablos)
The 556 is born, I have information about your duck (Brr)
From when you went down to Calma to make your doodles (Ah-ah)
Yanira sends you her regards, she says that ass is yours (Ah-ah)
You don’t fit in with ten composers in the studio
He (??) saw how El Chef dragged you all over the stage
What your career is worth, we spent on codeine (Did you hear, a$$hole?)
Boti, I bought two pesos, the diamonds in my teeth (The Diablos)
The bug hasn’t sounded anymore, he even gave him an interview with Chente (Brr, brr)
Look at him happy (A$$hole)
Excited as if it were his moment (You don’t fit in)
And I warn you, where we see each other there is no regret
You’re going to die (Ba*tard), my 300 wants to break cement
We have control of the Metro, where the trap goes down
Talking s*it at the concert, answer our cell phones (Gang, gang)
May Pacho rest in peace, but because of him you’re not going to enter (Brr-brr)
In the Metro we are untouchable, they don’t even dare to sing (Los Diablos, hahaha!)
The tour is about to begin, it’s not full if it’s not by shooting at Feid (Ah-ah)
Now he’s shooting at us and I’m not going to give you a break (I’m not going to give you a break)
You’re not hanging out with the devil, you’re hanging out with your brother and Gazmey (With your brother and your dad, a$$hole)
Movie guy, you’re a little girl, you’re ready to bite (??) (Ah-ah-ah)
And another melon is going to enter PR to have to give (Prr)
When I was in bad shape at Playita, you started sucking me off (Hahaha!)
They say that soon they want to give it to me under water
But you have to think about it, a$$hole, I’m impossible to kill
The horn is for Yailin, a$$hole, don’t get scared, you stinky bug (Don’t get scared, you stinky bug)
There are b!tches with balls, I don’t have to put the bug in them
I do have it, I’ll kill them, a$$hole, I have your screenshots (Gang, gang)
But what’s done is done; and what’s said, is said
It’s impossible to steal it from me, if I’m controlling the game
They shot up your mom’s house and you took a flight (Gang)
You didn’t do a fu*king thing for Christmas in Sabana Abajo (Wuh)
I was really fu*ked up, I’m a demon, I get on and off
‘I’m hunting for a millionaire’, you confirmed it yourself (Ah-ah)
You call me “s*it” and I haven’t even been in jail, it has no basis
And it’s normal that with you the snitches seem to pass you by
They caught a system and you s*it yourself and stammered
You recorded with 6ix9ine and justified yourself (You know)
RobGz, a$$hole, you didn’t check the papers (Yes, yes)
You didn’t post the papers and the faces
Are you a puppet, a$$hole? Don’t miss it (Don’t miss it, ba*tard)
You had it for the “Check” times (Not even for that, ba*tard)
And in Monte Hatillo so they wouldn’t hit you, you hid behind El Chef
You snore, but not at ELE D
And Posi was turned on by Midnvght, Hundo and DimeWest (The Devils, hahaha!)
7.62 for the face, the dead in the lagoon float
Amyrah is shining, yours was raised by a scumbag
In Miami the Lamborghini
I’ll put it on the hood
Pray with balls that you don’t get caught by a short
I’m the one who lights up hell (The track), on your helmet we put “for sale (Gang, gang)
Don’t snore about the new clothes, ba*tard, if the old ones are owned by El Duende (A demon)
Ba*tard, I’m going out with the crazy ones
I wanted to go to Ovi, but
Bro, I’m not a criminal or anything like that
But you’re not a criminal (But this one is the biggest idiot)
I really would like to meet him face to face
Throw everything at me, I’m the pressure, you can feel it
AA for Uruguay with a bunch of agents
This is the Metro, we’ll kill you on a bridge
You had tachycardia
I have your heart, ba*tard, go on, call the guards
File the complaint and all that, ba*tard, put on your skirt
You’re so stressed, motherfu*ker, your bald head grew
If Los Diablos talk, you’ll shut up (Los Diablos)
They mention Yeruza and I’ll charge them for the mistake
The only mamabicho that exists with you is Moya
I have the bales and the combs in my Goyard bag
My diablos come out like the Navy hunting in a Corolla
You’re weird, motherfu*ker, like the death of the President (Haha!)
She sent you to get set up with a wh*re, the gang of Nesi (La baby)
Motherfu*ker, that’s new, I knew, Tekashi is your bestie
And the lady gave that one inside (??) of Dior (Haha)
[Interlude]
Los Diablos, motherfu*ker, did you hear? (Gang, gang, gang)
I’m the real devil in the industry, motherfu*ker, motherfu*ker
I’m really streetwise, not like you, who hasn’t done anything, I sing like a fool (Aha, did you hear?)
Now I’m going to s*it on your mother, motherfu*ker
Is AA real until death, what the fu*k, motherfu*ker?
Anuel 69 is your name, motherfu*ker
[Verse 2]
I’m missing mine, they’re throwing Slay, I see a demon and I’m going back
You’re a kid, and even in the streets of PR nothing has been written about you
So many drügs have you skinny, Anuel 69, you’re snorting crack
You’re a girl, a faggot, underneath Amiri has a sports bra
She’s wearing a skirt, don’t throw it at my people, motherfu*ker, after all I’m missing
And they don’t want you on La 65, now I’m going to see where you’re jumping to
You’re a wh*re in the gang, a stink in the mouth, put down the cigarette
Do you want to fight? I want to fight too, a$$hole, and I’m also a millionaire
First the millionaires, then my people, a$$hole, I also filled their pockets (The Diablos)
The Demon, the biggest son of a b!tch, and my gang is the most cunning
I focus on Anuel because really El Pulpo doesn’t come up to my ankle (Ah-ah)
When it comes to putting you to sleep, I named my Draco “Bolillo” (Ah-ah-ah)
The point selling anesthesia, we in Marbe and in Greece (Greece)
The strawberry-colored molly, all this Cuban, my neck is heavy
If we talk, everything straightens up, in Llorens there’s more stick than in Texas (Ah-ah-ah)
We’ll solve it as you want, take your corner or use force
The new clothes came with Marquise (Marquise), dirty the new soda in Tris
Fashion Week, Milan and Paris (Fashion Week), I’m going down to Philly with the switches
You came down to PR for me, then Coca-Cola and “VVS Switch” (Yi, yi)
‘I’m possessed, I feel like The Grinch (Ah-ah)
In every corner they fear us, I’m inviting you to slow down (Ah-ah)
‘I’m hunting in the
[Plaza M?], in the thug life you don’t have it’
I dive in the parking lot (Ba*tard)
I’m in Carolina, in the double, in the Double Yankee (Tell me, Yankee)
I come from where demons and stars are raised like Daddy Yankee
Santurce, you said it, where you spent your time sucking
In two years I made El Choli, mamabicho, when is yours coming? (Yeah, hahaha)
I couldn’t play if one of my people has papers to cheat
And even in Miami we have locations, so be very careful hanging out (Ah-ah)
We stop at Wood, in a bus, face to face (Tell him, gang), we’ll shoot at you and it’s for your face (For your face)
I’m in Chrome Hearts stepping on Prada (Yi) I’m with my devils, the armed forces (The Devils)
Ba*tard, I finished the test, I’m everywhere with a gun
Nobody steals from me (Gang, gang, gang), I have the evil in an AK, talking to the devil in person
If he shoots, I’ll bury you again
Look how angry I am, your hair doesn’t even grow anymore
In “Baby Demon” I went down for the video, I was dressed in full Louis Vuitton
You didn’t put in a penny, I I went up with El Conejo
You’re getting old, you’re behind in the game (Ah)
We’ll set the blows on fire, your baby wasn’t the twin’s (Uh, oh)
Ba*tard, you were absent, you saw the brother’s baby and you took it from him (Oh)
Pig song, you used it and you threw it away (Ah, hahaha!)
Not even the twins knew who had impregnated her and you were the idiot who impregnated her (Uh-uh, oh)
Like Hades’ baby, who’s going to get her pregnant right now and a Glizzy Gvngster (Ah, pig song)
I’m active in PR, in war I don’t need a tank
I’ll catch you with the 300 and I swear they’ll jump like Vince Carter
A badass movie
Sucking off the guys from Cagua after they almost got you, ba*tard detonate
I think your fans have your whole story wrong
The Glizzy Gvng are in VV, those pulpits are in zirconia (The pulpits that’)
What the fu*k is real? If you don’t even want to recognize your children (Ba*tard)
You had to accept, ba*tard, that you impregnated an ape (With all respect)
I have my kids up to date (Hahaha), I’m a bandit, I do run well (Yes I run well)
And with all my Diablo’s and Llorens, the Gambino family (Son of a great wh*re)
Now what are you doing asking if I kill? You’re kidding (Prr, prr)
Cosmic kid, on the street everyone knows that I’m the one who picks them up
The songs fly from the truss, ba*tard, don’t mention my saints
How easy tomorrow I’ll kill you and feed the earth with white
It’s going to be expensive, I warned you that, ba*tard, I’m not a diver (And I’m not a diver)
They had to do five hundred feats to hit each other, supposedly “Los Intruso” (Hahaha!)
I have a stick with balls and a knife that I don’t even use
For when I catch them, I’ll give them a hundred on the floor, ba*tard, and give them abuse (Give them abuse, ba*tard)
[Outro]
Llorens Torre’ in the house, ba*tard, Los Demonio’s
Those of us who are controlling the game, ba*tard, the music, the street (Ah-ah-ah, Glizzy Gvng)
Everything ba*tard, your women, ba*tard, you stink bug, did you hear, ba*tard?
(‘Are you looking to rent a house for a Christmas party now?)
Los Demonio, AA, suck my bug, you fu*king pig, vermin, ba*tard
(For rent, house for rent and I’ll go, hahaha)
I was stuck before “Diamonds in my Teeth”, stupid, ba*tard
And I threw my teeth away, ba*tard, and I bought another one, stink bug
(I don’t care about you, ba*tard, Los Diablos, tell me, Nyxto)
If you’re going to shoot, shoot me hard, ba*tard (Tell me, Yecko)
They threw two songs at me and made a mess, you fu*king stupid, ba*tard (Tell me, Chef)
Did we go to Morovis to suck your bug? Are you crazy, ba*tard? (Hahaha, haha)
There’s nothing in Morovis, a$$hole
Lots of scumbags and horses, a$$hole, country bumpkin, a$$hole, stupid
(Smelly bug, you like to suck my bug, a$$hole)
We went to Morovis because you were scared to come to Llorens, hey, and it’s the truth, a$$hole
Llorens Torre’, the family that never dies, you hear, a$$hole?
Those of us who decide who walks around the Metro, a$$hole, you hear?
(The Glizzy Gang, motherfu*ker, you know why it’s “The Glizzy Gang”, for the guns, you sniffle bug)
You’re really abhorrent, motherfu*ker
(Stupid, thinking about bugs, motherfu*ker, are you a faggot?)
There’s no need to talk too much, give details
(AA, motherfu*ker, suck my bug, son of a b!tch, motherfu*ker)
We are the street, gang
(We have to pay again)
What happened, boss?
YOVNGCHIMI Songs
LUCIFER (English Translation) Lyrics Meaning
[Intro]
The intro of the song is full of aggression and boasts. The speaker talks about waking up the devil and how they are in control of the game. They reference their crew, “Glizzy Gvng,” as being powerful and dominating, describing their enemies as “pigs and vermin” in the industry. The speaker seems to express frustration with those who act like they’re important but don’t know what they’re talking about. There’s a call to action for those around them to stand up and be heard, as they claim the devil, Lucifer, is with them and their squad. This is a declaration of their power and dominance.
[Verse 1]
In the first verse, the artist speaks about his journey in the music industry over the past two years. He mentions how others are measuring their strength against his, but he’s confident and aware of his own power. The “devils” around him are hungry for success, and if he lets them, they’ll take down anyone in their way. He talks about his wealth, referencing luxury brands like Patek and Cartier, as well as expensive cars like Lambos. He’s at war with people who try to deceive him or suck up to the wrong people. He mocks the fake artists who pretend to be something they’re not, emphasizing that he’s real. The mention of “LFNM” suggests he’s affiliated with a group or a label that stands for something significant.
He expresses that the fake ones are all talk but no action, sleeping around and doing things for money. He also criticizes people for not paying their dues and only caring about contracts, showing how he’s in it for the real grind. The verse contains threats towards his enemies, referencing “Lucifer’s braid” as a symbol of no return or escape. He mentions how others tried to stop him but ended up getting left behind. The tone is defiant, emphasizing his rise from nothing to something big, while exposing the fake people around him.
There’s a sense of betrayal when he talks about helping someone even though he knew they were ungrateful, calling them out for their falsehoods. He mocks them for trying to act tough, mentioning things like 6ix9ine and their questionable actions, implying they have no loyalty. He also speaks of being untouchable, owning the streets and the industry. His reputation is built on power and fear, with no room for weakness. He calls out other rappers, using insults to assert his dominance and pointing out their flaws.
The verse continues with references to people who betrayed him or failed to respect him. He throws in a few references to incidents, suggesting that he’s willing to go all out to protect himself and his team. He calls out people who try to talk about him, but he’s not scared. The verse is a mix of boasting about his success, claiming ownership over the industry, and threatening those who try to cross him. It’s a message of power, resilience, and dominance.
[Interlude]
The interlude is a brief, aggressive break in the song where the speaker reinforces his identity as “the real devil” in the music industry. He mocks others who are pretending to be streetwise, calling them out for being fake and insignificant. There’s an emphasis on his authenticity, and he suggests that others, like “Anuel 69,” are nothing but imitators. The interlude is designed to pump up his image as someone who owns the streets and is feared by others.
[Verse 2]
In the second verse, the speaker continues to call out his rivals, specifically Anuel 69. He criticizes him for not being true to the streets and for indulging in drügs. He uses insults to paint Anuel as a fake and a poser, accusing him of wearing expensive clothing while hiding insecurities beneath it. The speaker contrasts himself with Anuel, saying that he’s real and has the respect of his people, while Anuel is just playing the game for fame.
He brags about his wealth and his position in the industry, saying he’s made it to the top without having to sell out or compromise his values. The speaker also brings up his involvement in criminal activities, mentioning things like drügs and violence as part of his hustle. He claims that his power in the streets is unchallenged, especially in places like Llorens and Philly, where he has control. There’s a clear emphasis on fear, dominance, and respect in this verse.
The verse continues with more direct threats, saying that if anyone messes with him, they’ll regret it. He speaks about being armed and ready to deal with anyone who tries to cross him. He mocks Anuel for not standing up to him, stating that he’s only successful because of his connections. The verse is full of insults and taunts, with the speaker showing no fear and positioning himself as untouchable.
He also talks about his status as a boss and how he’s made his enemies fear him. There’s a reference to a series of violent acts and how he’s not afraid of death. The verse continues with more threats, all while asserting his dominance over the industry and the streets. The speaker paints a picture of a life filled with danger, power, and constant threats, but one where he stands above it all, unchallenged.
[Plaza M]
In the section titled “Plaza M,” the speaker dives deeper into his life in the streets, specifically in Llorens, where he claims to have built his reputation. He mentions how people try to act tough but end up being nothing when they face him. He describes how his rise in the music industry and the streets has been unstoppable, with no one able to take his position. He talks about how he made it in two years, while others are still trying to catch up.
The speaker makes references to people who betrayed him, using insults to describe how they failed to measure up to his standards. He talks about how his enemies try to use fame and money to gain power, but he doesn’t respect them for it. He also emphasizes how he’s been involved in criminal activities, making money through illegal means and showing no shame for it.
There’s a focus on the betrayal and dishonesty within the music industry, with the speaker saying that some people only succeed because they play the game, not because they’re actually good at it. He mentions how some artists have had to rely on others to succeed, while he’s done it on his own. The verse is a commentary on the fake nature of the industry, and the speaker positions himself as someone who’s too real to be faked out.
He also references specific incidents that involve his enemies, mentioning how they’ve been exposed and how they’re now paying the price for their actions. The verse continues with more mocking and threats, showing how the speaker’s enemies are in fear and not able to match his energy. There’s also a sense of loyalty to his crew, with the speaker emphasizing how he’s there for his people and will defend them no matter what.
[Outro]
In the outro, the speaker concludes with another statement of power. He reiterates his control over the streets, calling out his enemies and saying that they don’t stand a chance against him. The reference to “Los Diablos” (The Devils) emphasizes his connection to a group that is feared and respected. The outro serves as a final reminder of his dominance, with the speaker showing that he’s unbothered by his rivals and will continue to control the game. He mocks those who try to challenge him, emphasizing that they’re not worthy of his time. The outro is a celebratory moment for the speaker, marking his victory over those who tried to bring him down.
Famous Phrases with Explanation
1. “The Devils, motherfu*ker”
This phrase is used to refer to a tough, unyielding group, symbolizing power and fear. It’s like saying “we’re untouchable” or “we run this,” setting the tone of dominance and rebellion in the music industry.
2. “Sometimes you have to exploit it”
This is about using every opportunity to your advantage, especially when you face challenges. It’s like saying, If you have the chance, go for it hard and make the most of it.
3. “My devils are hungry, if I let them, they’ll eat you for lunch”
This line speaks to the loyalty and ferocity of the artist’s crew. The “devils” represent their tough, loyal supporters who, if unleashed, would destroy anyone who stands in their way. It’s a warning to enemies.
4. “Before they touch me, I’ll give them a whiplash”
The artist is warning that before anyone can harm him, he’ll strike first. It’s like saying, “I won’t wait to be attacked—I’ll hit back hard and fast.”
5. “We have control of the Metro, where the trap goes down”
This refers to controlling the underground or street-level operations where trap music thrives. “Metro” is metaphorical for areas of influence, where the artist and crew reign supreme in the music scene.
6. “I’m a son of a b!tch at war, playing Russian roulette”
This line uses the metaphor of Russian roulette to describe living dangerously, taking risks without knowing the outcome. The artist compares his life to a high-stakes game where you don’t know if you’ll survive or not.
7. “You snore like artists and the women are screwing them”
This line criticizes those who talk big but do nothing—”snoring” means they’re asleep or not active. It also implies that some artists are being used by others, specifically in relationships, as a way to get ahead.
8. “I’m a trapper, really I got into kikiando”
“Kikiando” refers to being involved in street life or the hustle. The artist is claiming authenticity in his street activities, unlike others who might be faking it. It’s about being real in the game, not a poser.
9. “I do have it, I’ll kill them, a\, I have your screenshots”
This is a bold threat, implying that the artist has dirt on someone—like secret information or screenshots that can ruin their reputation. It’s a way of saying, “Don’t mess with me, I’ve got the upper hand.”
10. “It’s impossible to steal it from me, if I’m controlling the game”
This phrase shows confidence and power. The artist is saying that no one can take away his success because he’s in control of the situation. It’s like saying, I’m untouchable; no one can beat me at my own game.
FAQs
Q. Who has sung LUCIFER (English Translation) song?
A. LUCIFER (English Translation) song is sung by YOVNGCHIMI.
Q. Who wrote LUCIFER (English Translation) lyrics?
A. LUCIFER (English Translation) lyrics are penned by YOVNGCHIMI.
Q. Who has given the music of LUCIFER (English Translation) song?
A. LUCIFER (English Translation) music is composed and produced by YOVNGCHIMI.
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