“Guilty Conscience 2” Lyrics by Eminem is a latest English song in the voice of Eminem. Its music too is composed by singer while brand new “Guilty Conscience 2” song lyrics are also written by Eminem. This is a popular song among the people of United States of America. In “Guilty Conscience 2” by Eminem, Marshall wrestles with his darker alter ego, confronting his past controversies and societal criticisms head-on. The song delves into Eminem’s internal conflict, where he grapples with being judged for his provocative lyrics and controversial statements. He addresses issues like fat-shaming, ableism, and insensitive humor, reflecting on how fame and pressure have shaped his persona. The lyrics depict a surreal dialogue between Eminem and his conscience, highlighting his struggle to balance artistic freedom with social responsibility.
Guilty Conscience 2 Lyrics
[Intro: Eminem & Slim Shady]
Welp, we did it now
I know, right?
It’s beautiful, ain’t it?
Yeah, you happy now, b!tch?
Yep
Alright, you got what you wanted
Yeah, what?
Let me go
Ha, never
[Verse: Eminem & Slim Shady]
Why does it feel like I’m always being tortured?
The bad apple spoils the whole orchard
Used to read comic books to learn more words
‘Cause deep down, I’m a dork, just a core nerd
Meaning nerd to the core ’til I’m cornered
Then I’m the coroner
What shot is this? First, second, it’s your third
Vision is more blurred
Speech is more slurred
Can’t even form words
It’s like a dream up inside of a dream I’m trapped in
It’s worse than I could’ve imagined, it’s madness
Can’t wake up, try my damnedest, but old habits are coming back
And now transgenders attack us, frontwards and backwards
They laughing, throw midgets at us (Ha)
This ain’t no dream now, huh? See what I mean now?
You see how they tryna make me out to be some kind of mean vile obscene, foul prick?I kick one freestyle ’bout beating down a special needs child and these people freak out (Timmy)
Told you we’d get slaughtered for saying, “Retarded”
Aw, Marshall’s gaining a conscience (Fu*k you)
This may come as a shock or have you astonished, regardless
Here’s the thing ’bout retarded people (What?)
They don’t fu*king know they’re retarded
Well, okay, you wanna fat shame
B!tch, two can play that game (What?)
You wanna judge people?, yeah
Matter of fact, ain’t you the same one who hated bullies calling you bad names? (Yep)
Then you turned around and did the exact same (So?)
Just immature and literally
You’re still mentally
Thirteen and still thirsty for some controversy
You still picking on Christopher Reeves
Yeah, but you’re me
And we’re a team
So that means, we’re in cahoots
That’s conspiracy to commit murder lyrically
So clearly, you’re the accessory like jewelry
You ain’t the judge or the jury, you’re just as guilty
You rip on paraplegics, man, seriously?
Oh, b!tch, it’s a joke
No, it’s not, it’s embarrassing (What?)
Like David Carradine found with a pair of jeans at his ankles and belt ’round his larynx
I know, it’s a scary scene
They’re coming with everythingLittle people are trolling me (Ha)
They saying they’ve had it (What?) up to here with me
Oh, hilarity (Come on)
Nah, do your thing
Fu*k deaf people, yeah
Well, between me and you
I think they’ve had it up to here with me too (What the fu*k?)
Sorry I’m not perfect as you, Marshall
Punching down on little people, yeah, not cool (Whoops)
You just sound like a d!ck, wait, nah, fool (What?)
When I say, “Fu*k midgets,” I mean Ja Rule (Oh)
And I know that Chris Reeves song was recorded in 2004 for Encore, yeah
Fu*k’d you take it off for?
‘Cause he died, man, that motherfu*ker did that bulls*it on purpose to ruin the song for us (Man)
Man, I never seen a bigger pu*sy than you
B!tch, look at all the s*it the media’s putting me through (What?)
‘Cause of all the fu*k s*it that you pushed me to do (Me?)
Should’ve knew when I found you, you were just too good to be true (Hmm)
That’s how we end up in these quagmires
You said you had my back, liar
But I helped you get your stacks higher, yeah
That’s diamond sales like sapphires
Rap buyers, admires pack lines of admirers
Now they say you lack ire
That’s why your satire backfires, yeah
Flat tires, no longer that guy you were prior to this
Yeah and I scare you ’cause (Why?) I’m who you used to be (Who?)
The you who didn’t crumble under the scrutiny (Wait, what?)
When it was you and me, yeah
I gave you power to use me as an excuse to be evil (I know)
You created me to say everything you didn’t have the balls to say (Yep)
What you were thinking but in a more diabolic wayYou fed me pills and a bottle of alcohol a day (Okay)
Made me too strong for you and lost control of me (You’re right)
I took over you totally
You were socially awkward ’til you molded me, yeah
You was a loner, a nobody
‘Cause of me, you didn’t take s*it from nobody
Now look at you (What?)
Now you just a punk (Man), little scaredy cat (Word)
Got you shook like Shakira’s ass, yeah
To look at your reflection staring back
B!tch, it’s just a mirror, relax
Man, you’re so full of s*it, you need MiraLAX
Open your mouth and s*it flies out, just lies
You thinking you can rip my ass, undo these zipties
You can just undo my feet and keep my hands tied
‘Cause like an avalanche, I’d still win by a landside
Oh, you think so, b!tch? Yeah, I know so
Okay, your hands and feet, I let ’em both go
Yeah, fu*k now, ho, give me that gun, no, don’t
Rear naked choke hold, let me go, yo
Here, take it, bozo, yeah
Weird bait, you homo (You ready?)
No, don’t shoot (Here we go)
Bro, no, no
Now say you’re sorry and you didn’t mean any of it
I’m sorry Marshall’s a pu*sy, he’s Dre and Jimmy’s puppet (What?)
Sorry he gives a fu*k, but pretends he doesn’t
God, you piece of s*it, that does it (Uh-oh, wait)
Yeah, b!tch, this is for him (What?)
Christopher, MGK, Nick and for Limp Bizkit and them
Midgets and Ben— (Man, please)
‘Zino, in addition to him
Will Smith and to Canibus, if you’re listening, this is the end (Okay, okay, I’ll stop)
So to Jamar and Ja Rule and to all
My feuds including ma (What?)
I’m welcoming you to my (No, no)
Last hoorah, I bid you goodbye (Come on, man, don’t do this)
Murder suicide
Killshot, booyaka, cock sucker
Coup de grāce, motherfu*ker
[Outro: Eminem & Paul Rosenberg]
Oh, woah, what the fu*k?
Come on, come on, come on, come on
Yeah?
Paul
You’re not gonna fu*king believe this, bro
I had this dream, it was fu*king crazy
It was like, the old me came back and the new me
And took over my brain and had me saying all this fu*ked up s*it
About little people and Caitlyn Jenner and
PC police were chasing me
And fu*king Gen Z was tryna kill me
And quadriplegics
And Christopher Reeves
And I was saying all this fu*ked up s*it
And I couldn’t stop saying it
And then I wake and it was like I was still dreaming
Fu*k you
Wait
Haha
Eminem Songs
- Everybody’s Looking at Me (STANS Soundtrack)
- Everybody’s Looking at Me (New Version)
- Doin’ It
- Animals (Pt. I)
- I’m Sorry [V2]
Guilty Conscience 2 Lyrics Meaning
[Intro]
The intro to “Guilty Conscience 2” sets a tone of irony and self-awareness as Eminem converses with his alter ego, Slim Shady. Their banter suggests they’ve achieved something that was possibly controversial or risky, as they reflect on the aftermath with a mix of satisfaction and defiance. Slim Shady’s assertion that they should continue down their current path despite potential consequences hints at their rebellious nature and disregard for societal norms.
[Verse]
Eminem’s verse in “Guilty Conscience 2” delves into a complex exploration of his inner turmoil and the external pressures of fame. He begins by expressing a feeling of perpetual torment, likening himself to a bad apple that spoils everything around him. Drawing from his nerdy upbringing, he recalls reading comic books to expand his vocabulary, juxtaposing this innocent past with his current controversial image.
The verse takes a critical look at the blurred boundaries between artistic expression and social responsibility. Eminem confronts the backlash he faces for his provocative lyrics and controversial statements. He references incidents where he used offensive language or joked about sensitive topics, such as disabilities, causing public outrage. Despite defending his actions as jokes, Eminem acknowledges the hurt they caused and the societal consequences.
Throughout the verse, Eminem wrestles with his alter ego, Slim Shady, whom he blames for pushing boundaries and inciting controversy. He reflects on the dual nature of fame, where his provocative persona garners attention but also invites condemnation. The verse becomes a deep introspection on the price of fame and the complexities of maintaining artistic integrity while navigating public scrutiny.
As the verse progresses, Eminem confronts his own contradictions and the ethical dilemmas of his career. He critiques himself for hypocrisy, having previously condemned bullies while engaging in similar behavior himself. The verse highlights Eminem’s struggle with his own identity and the constant pressure to balance his public image with personal authenticity.
The thematic depth extends to Eminem’s reflection on societal judgments and the evolving landscape of cultural sensitivity. He discusses the evolution of language and attitudes towards marginalized communities, acknowledging his role in perpetuating harmful stereotypes through his music. Despite his defenses, Eminem grapples with the ethical implications of his art and its impact on listeners.
Overall, the verse serves as a poignant commentary on fame, personal responsibility, and the moral complexities of being a public figure. It challenges listeners to consider the consequences of their words and actions while navigating the blurred lines between entertainment, artistry, and social responsibility.
[Outro]
The outro of “Guilty Conscience 2” plunges into a surreal and unsettling narrative as Eminem recounts a vivid dream to Paul Rosenberg, his longtime manager. In the dream, Eminem’s past controversies and personas manifest as haunting figures, confronting him with the consequences of his words and actions. He vividly describes a scenario where he’s chased by the “PC police,” criticized by Generation Z, and confronted by individuals he has offended, including quadriplegics and public figures like Christopher Reeves.
The dream sequence serves as a meta-commentary on Eminem’s career and public persona. It reflects his anxieties about public perception and the lasting impact of his provocative lyrics and statements. Eminem’s recounting of the dream to Paul Rosenberg suggests a sense of disbelief and introspection, questioning the blurred boundaries between artistic expression and social responsibility.
Through the outro, Eminem grapples with his own legacy and the complexities of fame. He acknowledges the repercussions of his controversial persona and the challenges of reconciling his artistic freedom with the ethical implications of his art. The outro underscores Eminem’s ongoing struggle with self-identity and the enduring scrutiny that comes with being a cultural icon.
In conclusion, the outro of “Guilty Conscience 2” offers a haunting reflection on Eminem’s career journey, exploring themes of accountability, artistic integrity, and the impact of fame on personal identity. It challenges listeners to contemplate the ethical dilemmas faced by artists in the modern age, while providing a glimpse into Eminem’s internal dialogue and the complexities of his public persona.
Famous Phrases with Explanation
1. “Welp, we did it now”
This phrase suggests a realization of having done something significant or controversial, often with a mix of resignation or disbelief about the consequences.
2. “I know, right?”
This is used to express agreement or confirmation, often in a casual or emphatic manner.
3. “It’s beautiful, ain’t it?”
This phrase is used rhetorically to comment on something perceived positively, often with a touch of irony or sarcasm.
4. “Yeah, you happy now, b!tch?”
This statement questions someone’s satisfaction or contentment, often with a confrontational or mocking tone.
5. “Yep”
This is a casual affirmative response, indicating agreement or acknowledgment in a concise manner.
6. “Alright, you got what you wanted”
This phrase acknowledges that someone has achieved their desired outcome or goal.
7. “Yeah, what?”
This phrase seeks clarification or confirmation of what has just been said or proposed.
8. “Let me go”
This statement requests to be released physically or metaphorically from a situation or constraint.
9. “Ha, never”
This phrase emphatically rejects the possibility of something happening or being done.
10. “Why does it feel like I’m always being tortured?”
This rhetorical question expresses a sense of ongoing suffering or distress.
FAQs
Q. Who has sung Guilty Conscience 2 song?
A. Guilty Conscience 2 song is sung by Eminem.
Q. Who wrote Guilty Conscience 2 lyrics?
A. Guilty Conscience 2 lyrics are penned by Eminem.
Q. Who has given the music of Guilty Conscience 2 song?
A. Guilty Conscience 2 music is composed and produced by Eminem.
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