Git Ready Lyrics – Nas, DJ Premier

“Git Ready” Lyrics by Nas, Dj Premier is a latest English song in the voices of Nas, DJ Premier. Its music too is composed by singer while brand new “Git Ready” song lyrics are also written by Nas, DJ Premier. This is a popular song among the people of United States of America.

There’s a sense of history in the air: after years of teasers and one-off singles, Nas and DJ Premier are finally closing a long chapter and opening one more — and at the center of that moment is a song called “Git Ready”. The track sits near the top of the newly revealed tracklist for Light-Years, the joint album that Nas and Premier have been promising for decades, and it’s already become a talking point among fans and critics who are trying to read the project’s intentions from the first few details we have.

What makes “Git Ready” interesting even before anyone’s heard it is who’s behind it. This is not a one-off feature or a nostalgic throwback; it’s a full collaboration between a lyricist widely viewed as one of hip-hop’s greatest storytellers and a producer whose scratch-and-soul signature helped define an era. Across press and social posts tied to the Light-Years rollout, “Git Ready” appears as track two — an early placement that often signals confidence from an artist and label that a song will hook listeners right away.

The broader context matters. Light-Years is the capstone to a curated series called Legend Has It…, a Mass Appeal initiative that has rolled out releases from other hip-hop icons this year and positioned Nas and Preemo’s record as the final bow on that effort. The series framing subtly raises expectations: listeners aren’t just getting a new Nas album, they’re getting a statement piece meant to sit alongside other legacy work.

Timing and rollout have also shaped the conversation. DJ Premier surprised audiences during a live set by announcing a December release date, a moment that fans captured and circulated widely; that announcement has since been folded into more formal tracklist reveals and press write-ups. The album’s planned release in December gives “Git Ready” the benefit of year-end attention, when critics compile lists and listeners are hunting for memorable moments before calendars flip.

A few pieces of the puzzle fans and reporters are already pointing to: one, the album contains a mix of newly recorded material and songs the duo have revisited from sessions that stretch back years, which means “Git Ready” might bridge different eras of Nas’s voice and Preemo’s sound; two, the only confirmed guest on the tracklist is AZ on another song, suggesting that much of Light-Years — including “Git Ready” — is built to highlight that Nas-and-Premier chemistry rather than star-studded features. That focus on chemistry is an old-school move, and it explains part of the excitement: this is a meeting of two artists who helped make a sound rather than a record engineered around streaming-era features.

On the sonic front, assumptions are being made without samples of the song itself, which is fair: DJ Premier’s presence alone sets expectations. Fans familiar with his trademark boom-bap drums, chopped samples, crisp scratches and tight, soulful loops are guessing “Git Ready” will lean into the classic textures that made songs like Nas’s early work stand out. Those guesses aren’t wild — Preemo’s production style is distinct — but they’re still speculative until the song drops. What’s more intriguing is how Nas might approach the track now: decades into his career he’s balanced reflection with hunger, and many commentators expect “Git Ready” to mix autobiographical turns with the kind of technical bars that reward repeated listens.

Industry reaction so far has been a blend of nostalgia and cautious optimism. When a legendary producer and a legendary rapper team up, the headline reads itself, but reviewers and long-time fans are quick to say a project like this must earn its place. That skepticism is not a knock — it’s a healthy expectation that such a high-profile reunion should produce something that feels necessary, not merely comfortable. The Legend Has It… packaging raises the stakes, because a celebratory series invites comparison to classics from the artists involved.

Social media and forums have been lively. Tracklist posts, clips from live announcements, and crowd-shot videos of DJ Premier hyping the December date have driven a wave of online chatter: superfans pore over placement and titles (“Git Ready” as track two, NY State of Mind Pt. 3 appearing later), while casual listeners see the release as a reason to revisit Nas’s back catalog and Premo’s production highlights. Online communities are also debating whether the album’s older material will mesh with newer songs — and if “Git Ready” will be one of those tracks that sounds timeless from the first spin.

What this all means for “Git Ready” is simple: before release, the song functions as a signal. It signals that Nas and DJ Premier intend to make a record that references the past without being trapped by it; it signals that Mass Appeal wants to curate legacy acts with a certain seriousness; and it signals that fans hungry for classic-sounding hip-hop expect something soulful, sharp, and immediate. Whether “Git Ready” becomes the single that breaks through to a wider audience or a deep cut treasured by heads who love liner-note details will be revealed only once listeners can stream it. Until then, the track’s placement and the artists attached give it a kind of gravitational pull in conversations about the album.

In practical terms, here’s what to watch for as the rollout continues: official audio or a video for “Git Ready”; short-form teases on social platforms where Premier and Nas have previously shared snippets; early reviews once the album becomes available in December; and how the track performs on curated playlists that bridge classic and contemporary hip-hop audiences. If the past year is any guide, Nas’s recent runs—balancing reflective lines with tight songcraft—paired with Preemo’s uncompromising production could put “Git Ready” on rotation for people who want rap that rewards attention.

At the end of the day, this is a rare kind of moment: two figures who helped set a template for hip-hop’s sound coming back to state their case in a moment when the music has splintered into countless styles. “Git Ready”, more than a title, reads as a promise — a promise that both artists are prepared to remind listeners what drew them in, and to add something new to a long and respected catalog. The rest we’ll learn when the record drops and the first real verdicts arrive. Until then, anticipation is the main event, and “Git Ready” is one of the clearest reasons why.