END CREDITS Lyrics – Daylyt

END CREDITS Lyrics Meaning

[Verse]
This verse is like Daylyt telling a story about how he worked really hard to get where he is now. He’s not just bragging—he earned his place through struggle and dedication. He compares himself and Dot (likely a fellow artist) to show how they didn’t become famous in the usual way. Instead of shining in the West Coast like many others, they had to go east and grind for years before their city really supported them. It wasn’t easy to get noticed, especially because the style they brought—real, emotional, conscious rap—wasn’t popular with everyone. Even close friends looked sideways at them because they rapped about pain and truth instead of flashy stuff like stealing chains or acting tough. This rejection hurt them but also pushed them to keep going.

Daylyt remembers how people ignored them in the beginning and said they wouldn’t make it, but now those same people are protecting them, showing how things changed. He calls himself the “West Coast bodyguard,” meaning he stands strong and defends his place, showing the scars he earned along the way. He’s been through tough battles, metaphorically fighting with words like having a hundred raps ready, where every line had to be sharp and quick, like a one-shot kill—no room for mistakes. He talks about how the environment where they learned to rap was intense, like barbershops and corner stores where if you messed up, you’d lose respect immediately. So, you had to be excellent and make sure your homies kept quiet so you could focus and hit hard.

Before meeting Soul (probably a close collaborator), Daylyt was already making himself heard, showing his skill and presence. He compares his style to something scary but sharp, like a character snapping without needing a pill, ready to shock the audience. Then he shifts to a moment of triumph, performing at The Apollo, a legendary venue, where he feels like he’s taking over other rappers’ careers because of how strong his performance is. He gives a shout-out to J. Cole, highlighting how he put in massive work in the studio, recording hundreds of tracks in just two days, proving his dedication and talent. When he came out, people could tell he was different from others, unique and intense.

He admits he’s not just a regular human; he’s so focused and driven that it’s like he’s in a tunnel, writing with a kind of madness. He blacked out during the process but sees the light at the end, meaning he made it through the struggle. He mentions Lux (maybe a tough choice or challenge he faced) and says he’s okay with it. He dismisses disses from others and says it’s time to change the game and raise the stakes. The line about “one man left on a hill” shows he’s standing strong even if he’s alone. He calls himself “Killer clown,” someone underestimated but dangerous, ready to prove himself. He challenges others to show a quote or line from their songs that really stuck with people, meaning he’s confident his work is more meaningful.

He compliments skill and style, recognizing good flow and beat choices from others, acknowledging talent in the rap scene. But then he reminds that in the end, it all comes down to money—when people think they’re heroes, it’s often about the bread (money). He cuts down on fake or cheesy ideas and shallow image, saying he can easily expose those weaknesses. His plans and moves in the rap game are smart and ruthless, not just random or goofy. He’s ready to make things spooky, meaning unpredictable or scary for his competition.

Daylyt says there’s still hope (light outside), but time is running out for those who don’t step up. He talks about ghosts in homes, saying it’s not about horror but maybe the past and problems haunting them. He asks what people are arguing about since he’s already given them plenty to think about or respond to. He uses “karma bacon” to say people hate when you throw shade or insults but then get stuck or slowed down, maybe wearing expensive things but lacking real respect. He notices many rappers pretend to be dark and serious but actually have mixed or unclear identities, like being “mulatto” or caramelized—part of different cultures but not fully representing any.

He brings up Brooklyn and Harlem, key places in hip-hop, and how the underground scene there shakes things up. His aim is sharp and double-barreled—he won’t spare anyone’s name, meaning he’s not afraid to call out people directly. He says the game of rap will go back to its original place, where real talent and respect matter. He thanks Joey (likely Joey Bada$$) for creating space for real hip-hop, showing appreciation for those who support the culture. He also names other respected artists who did important work and slid into the game with strong lyrics.

Daylyt talks about “big smoke” like a cigar pack, meaning a serious, old-school vibe. He references Seagal, a tough action star, saying he’s back with physical energy. There’s no quitting now; they set a strong trap for fake or weak competition. He compares himself to Michael Johnson, a legendary athlete, showing he’s in the race for the long run. Then he jokes about Magic Johnson, another famous athlete, to highlight that even great figures had to overcome challenges.

He calls out 6ix9ine, saying he had some rappers “tucked in a ditch,” meaning he exposed or defeated them. The New York sound was struggling, but now “The Ruler’s back,” referring to someone respected like Joey, who’s taken a stand and earned the crown as King of New York. Daylyt admires his bravery in standing up for the culture and says this respect will last forever, even after death.

He talks about how the elite in the industry hope to erase or forget real talent. They fill the streets with low-quality rap to keep people from thinking deeply or catching on to real skill. There’s a lot of fake talk going on right in front of everyone. Despite this, Daylyt says they all fought for stories from their neighborhoods and the real experiences behind the culture, mentioning classic hip-hop movies that showed the struggles and life in the streets.

He assures listeners he’s not dissing anyone but wants them to listen carefully because his mission is to show the real vision of hip-hop, not just surface-level stuff. He talks about people getting brainwashed or misled, being divided instead of united. Instead of fighting among themselves, they should come together. He mentions the East Coast vs. West Coast feud and how bigger forces, like the Klan, had their own influence, but they didn’t want that conflict.

He gives shout-outs to important figures like Khalil Muhammad, and acknowledges that what they’re dealing with is bigger than just rhyming—it’s about history, culture, and struggle. They’re walking paths laid down by civil rights leaders like Malcolm X and Martin Luther King Jr., and fighting for justice for people like Trayvon Martin and the late rapper STEEZ. Daylyt says telling the truth is key and being inclusive in the struggle. He points out how fake stories were made to give false glory, which worried the real ones.

He tricks people with his beats but now they’re winning big, like winning a sweepstake with fancy food and celebrations. The reactions from fans and critics will keep replaying his work, but they’ll be late to catch up because he’s dropped so much quality music. He compares it to a big movie event, “Infinity War,” showing how big his impact is for the streets and the DJs.

Daylyt talks about people living in tough conditions, having to keep a serious face, but he sees and appreciates his supporters. He thanks bloggers and podcasters who cover his work, showing how his hard work has paid off. He says he and his crew fed the streets with real music when it was needed the most, and they can be proud of it forever.

He gives a shout-out to Dee-1, connecting his success to a higher power, saying God told him to shine and that he was made for this. He refuses to be controlled by anyone in charge and wants to leave a mark on hip-hop, creating something new and important. He promises a new day and a new age of conscious rap, lighting up the culture even amid destruction and hard times.

He explains how he mastered his wild thoughts by using sensory deprivation—like blocking out distractions—to reach new heights, learning from history and using writing as a powerful tool. He believes words and ink have power to change things. He talks about how violence (gun spree) has decreased because of their work and how they achieved all this without causing more pain or feeding negative forces. They took their place firmly in the game, even though some tried to dumb them down or hold them back.

He ends by saying the sun still sets in the east, meaning his roots and strength come from that side, and it’s still his time to shine.