EL TESTIGO (RIP PIRLO) Lyrics (English Translation) by Kris R. is a latest Spanish song in the voice of Kris R.. Its music too is composed by singer while brand new EL TESTIGO (RIP PIRLO) song lyrics are also written by Kris R.. This is a popular song among the people of United States of America.
The song EL TESTIGO (RIP PIRLO) by Kris R is a raw, aggressive diss track where he calls out a rival, Pirlo, mocking his career, personal life, and reputation. Kris R boasts about his own success, dominance in the Colombian trap scene, and wealth while exposing Pirlo as a fraud, a snitch, and insecure. The lyrics mix threats, insults, and street bragging, showing power, revenge, and status in a confrontational, unfiltered style.
Letra de EL TESTIGO (RIP PIRLO) (English Translation) – Kris R.
[Intro: Néstor Zavarce & Kris R.]
It’s 5 minutes to 12, the year is about to end
Piñata, the cops arrived, the rat’s associates (Huh?)
I’m La K, you’re the K-9 (Shh), they hang out at the prosecutor’s office—
And I stay in the trap, always four eyes, no one gets in here— (Hahahaha)
And I stay in the trap, always four eyes, no rats get in here
A whole year waiting for that s*it, really?
[Verse 1]
I was dying to see blood and blast this Christmas carol (Hey)
Always the same thing “La Kaka,” about the skull and that I got liposuction
That’s no secret to anyone, that’s how I get with all of them (Shh)
Pirlo’s insults are childish insults
You’re warring with La Kabra, I’m the favorite from Colombia (The goat)
Pirlo is a copy of El Dominio, Jon Z and Jamby El Favo
I don’t even try and I swear I’ll finish you
Talking about nonsense, when he knows very well that his tail is made of straw
Now the b!tches are finer and more exotic (Swish)
Your androids’ guns are all traumatic (Fake)
I called El Bendito and told him to take down your songs, wow (Wow)
You sucked off FERXXO and he didn’t even give you a percentage of the song (No)
Since when can someone sing trap
Who, when they got beat up, went straight to report it (To 911)
Come out of the closet, Pirlo, tell the truth
That the stream and the blowjob make you doubt your s*xuality (Uh-huh)
[Interlude: Pirlo & Kris R.]
Have you doubted your s*xuality? Answer, huh, Pirlo? That question is complex
I’ll take it (This faggot, hahaha)
[Verse 2]
Times change and that change has you stressed out
What happened? (Yeah) Bro, after a year you feel stuck
I go out and I haven’t heard you anywhere
And the venues I’ve played, in your whole damn life, little brother, you haven’t filled them
I’ve already done all the nightclubs, now I’m in arenas
Bring on the whole crew, I’ll take them all on, one by one (One by one)
I’m gonna do the same thing I did to Reboll two years ago (Hahaha)
The poshest guy around, he likes to get fingered, oh
[Interlude]
Oh, no love, what’s the funniest thing of all? (Uh-huh)
It’s that when we were together, because he was such a blowhard, he couldn’t get it up (Huh?)
And he would say to me like, “Hey, put your fingers in me to see if that makes it hard” (Hahaha)
[Verse 3]
Hey, take advantage because I’m not giving you another round
This is for today, for today, and I’m not the same as I was yesterday
I’m the one who took your girl, man (Me)
And in your area, the one who took over the whole scene is called Topboy, fact
All the hot girls leave me, daddy, I change girls whenever I want (Oh, yeah)
Luisa Castro didn’t even let you show her off (Why?)
Who would want to be seen with a lowlife rat? (Who?)
You lowlife, you owe your career to the Blessed One
Emanuel, you were a meme, I was trending
Since before, both remixes came out and I surpassed you (Eh)
In Cali, they saw you as a joke, a comedian
You thought you were tough for smoking and sniffing glue (Oh no, how scary, oh no)
I gave you shelter and you forget, that will be marked for your whole life (Motherfu*ker)
You saw money and you forgot, ungrateful snitch
This a$\ would offer his ass to sniff anything (Oh no)
And the worm was sleeping with his partners’ women (B!tch)
Like the one with Queroso at Geezy’s house (Huh?)
Or don’t tell me you never told him (Haha)
That out of horniness you went and acted like a worm
That while recording the “WHAT IS THAT” video you slept with his woman (But nobody knows, nobody knows, nobody knows)
Supposedly “Cali Cartel,” your cartel is called “The Cartel of the Snitches” (Snitch)
He acts tough, he won’t be like that when his dirty laundry comes to light (Shh)
And don’t be surprised if tomorrow the Rat’s data with Sofía Avendaño comes out, no (Gay!)
I don’t believe that tough girl act, that snitch files complaints (Snitch)
She paints her nails, oh no, put a little skirt on her and some fuchsia thongs (The little thong)
Pirlo takes out his d!ck and makes the Fat Guy give him a blowjob, che! A little punk from the USA took your spot
And I don’t understand how he acts so tough and how he talks
Because when Deuxer shot up his studio, he didn’t do anything (Nah)
Talking about how I bought a wrecked G-Wagon
I bought that one and another one just like it, you can’t even afford a damaged one
An old Range Rover that cost you less than 300
I paid 1200 for the last G-Wagon I bought (Ah, no)
All your concerts are empty (Hahaha)
You canceled the Cúcuta show because there’s no movement at the box office (Empty concert coming soon)
The Rat, you’re going to the grave, I’ll piss on your tomb and burn your flowers (Yeah)
All the neighborhoods and sectors back me up (Haha)
It’s not in their best interest for all those rumors to come out
That they had to pay money so that (Huh?)
So that the party they had in Pereira, hooking up with minors, wouldn’t come to light, ah
The Fat Guy is a pedophile and you’re Garavito (Ha)
You acted out your fetishes by dissing Bendito
Your uncle touched you when you were a little kid (Yeah)
You ended up liking getting it in the butt (Hahahaha)
[Interlude: Emmanuel Oculto]
Hey, little brother, another one? Another pimp?
Leave it alone, you already killed him
Don’t waste your time, man
Don’t you see that not even a funeral is full?
In the name of the Father, the Son, and the Holy Spirit
Amen
Brothers and sisters, we gather today to celebrate this funeral mass and entrust the soul of Jean Emmanuel Cortés
Born on July 25, 1999 and died on December 25, 2025
The National Police and the Prosecutor’s Office join in the mourning, accompanying this moment in silence and respect
With faith and reverence, let us place this act in the hands of the Lord, amen (Haha)
[Verse 4]
Another dead man, another body, another empty concert
That motherfu*ker needs to be mocked, he’s more dead than alive, it makes no sense
After so much dissing (Huh?), 0,000 for the songs, not even that promotion has worked for him
That motherfu*ker won’t get hyped up even if I give him the money (Yes sir)
Insecure because I got liposuction and I’m more of a stud than you
Instead of wearing that fake Rolex, you’d better wear the G-Shock (Better)
Because you couldn’t even fill a stadium in your own niche
(Turn off the lights, turn off the lights, man, so those empty seats over there aren’t so noticeable; hahaha)
Te-Teco. You sing at shows wearing a vest
And I’m being honest, I don’t give a damn about your vest (Yeah)
Pirlo isn’t from Colombia, Pirlo is Venezuelan pride
Turn off the lights so the holes don’t show
“I’m a spoiled girl in Cali, he’s a rich kid from Brickell”
It’s not my fault that my success bothers you
“Today I went out with my Tiger-Onitsuka’s,” you idiot, I went out with my Nikes
Anyone can slap you around like Chicle did to Stiven, ah (Hahaha)
Seriously, what goes around comes around (Uh-huh)
You thought you were a gangster for smoking on a street corner (Huh?)
Your movie is fake, your movie is Chinese (Yeah)
Like when you made people believe you were with Valentina
[Interlude: Pirlo & Kris R.]
Okay, my love, lend me your cell phone
Let’s show people that this guy is making up stories behind my back
Let’s expose him (Another strategy; hahaha)
I thought that the controversy and the fa—, the fallacy we spread was to generate hate towards Kris R, I thought that with that I was going to generate hate (Hahaha)
Okay, and tell us, tell us about the sweatshirt and the cap, and the glasses and all that stuff
The sweatshirt, uh, stayed there in Cali, but I did bring the glasses and the cap here
But because of the sweatshirt, I’m going to order the same cap so that when I upload the TikTok in two days…
Well, I’ll upload the TikTok now in Spain, maybe tomorrow, or Friday
Who knows what that guy is going to post, right? Well, in his head, he’ll think I’m messing with you, and all that.
But then again, he might also think we’re already making a scene, but he’s definitely getting stressed out (Hahaha)
[Verse 5]
I’m the trap from Medellín, well, the trap from Colombia (Ah, yeah)
Wherever I go, they always roll out the red carpet
It’s normal, what’s all the fuss, you idiot? Why are you mentioning me? (What for?)
If I go against you, you won’t make it to the second round (Come on)
And I’m going for the first round
I’ll go against your guys, against that one and against anyone (Whoever it is)
I feel like Goyo, Myke Towers the panther (Yeah)
The motorcycles, the rifles and the New Era caps
A full supplier, a dead man and your body on the sidewalk (Paw, paw, paw)
This is Medallo, where nobody copies anything (Not a damn thing)
You say you live the life, you get high and snitch (Snitch)
I wasn’t born in the hood, but I grew up among scumbags
You’re being betrayed by the same one you brag about so much (Oh no; hahaha)
Hey, they see me, they take off running (Hey), on a motorcycle through Manrique (B!tch)
We don’t copy terror, there are no Jeepers Creepers here (Pa-pa-pah)
I’ll go to Cali and make you vomit blood (Shh)
Careful with the coke (Uy), shooting crazy bullets
A couple of months in, I already bought my ranch and truck (Normal)
This is Colombia but always with European clothes (Ah, yeah)
Here the snitches and rats keep their mouths shut (Hahahaha)
That’s me, the face of trap in Colombia, that’s me (That’s me)
The one who’s taking your spot, that’s me (Ah)
The image of trap, yeah, that’s me
Here we sell big bags, not Ziploc bags
I’m only going to throw this one at you, watch out for the b!tches you sleep with
Pirlo has herpes and he calls it: “The mark of the beast”
When he’s with his homies they say: “Which one should we give it to?” Talk to them, Alexa, we don’t make anything up here
This guy only does numbers when he’s throwing shade
Fronting with nightclubs, he lives a lie
Ra-Ra-Ra-Filthy rat, chihuahua body, capybara face
Next year I’ll announce Movistar, Macarena, and a tour, hehe
[Outro]
Through Europe, through the USA, and I’ll finish in Colombia
Don’t front with nightclubs, my man, build the place I built in a short time
Or better yet, I’m going to challenge you, come to Medellín
And build at least one nightclub, just one, that’s all
You know you can’t do it, hahaha
And keep trying to set me up with the chicks
Stop that already, you already failed, it’s normal
What I had to say, I already said it
Why would I keep talking s*it?
Talk to them, Deezy
Talk to them, Prime (Money Makers)
Talk to them, Monja (Monja, don’t got mercy on these n!ggas)
With the hustle over there, GODFIRST, in other words
EL TESTIGO (RIP PIRLO) (English Translation) Video
Kris R. Songs
EL TESTIGO (RIP PIRLO) (English Translation) Lyrics Meaning
[Intro: Néstor Zavarce & Kris R.]
The intro sets a tense, chaotic scene just before the year ends. Kris R talks about living in the trap and being always alert, like keeping “four eyes” on everything, while making it clear no snitches are allowed in his world. He contrasts himself with others who are connected to the cops and prosecutors, showing that he’s deep in the streets while they play safe. There’s a sense of waiting for action all year long, like he’s been ready for a confrontation or showdown, emphasizing his vigilance, street power, and readiness for any threat while others stay tied to singerity or fake connections.
[Verse 1]
Kris R starts by expressing his excitement for confrontation and chaos, mixing violent imagery with his own style of bravado. He dismisses Pirlo’s insults as childish and weak while claiming his own dominance in Colombia’s trap scene. He points out that Pirlo copies other artists and doesn’t have originality. He also highlights Pirlo’s failures, both personally and professionally, from fake bravado to not achieving real success. Kris R mocks Pirlo’s credibility, calls out his actions, and questions his masculinity and s*xuality, showing that Pirlo pretends to be tough but is actually insecure and cowardly. He also talks about manipulating people in the music scene to remove Pirlo’s songs, exposing him as desperate and fake. The verse combines insults, street credibility, and personal attacks to establish Kris R’s singerity while portraying Pirlo as a weak, copycat rival who hides behind lies and insecurity.
[Interlude: Pirlo & Kris R.]
Kris R continues to challenge Pirlo by questioning his s*xuality, making it clear he sees Pirlo as weak and conflicted. The tone is mocking, meant to humiliate and put Pirlo on the defensive while showing Kris R as bold and unafraid to bring up sensitive topics.
[Verse 2]
Kris R talks about how Pirlo is stressed and stuck while he’s constantly rising and performing in bigger venues. He points out that Pirlo hasn’t achieved the same level of success, contrasting his own growth from nightclubs to arenas. Kris R also hints at past encounters where he humiliated rivals, showing he’s experienced and prepared to handle anyone in his way. The verse is about growth, dominance, and proving that Pirlo is far behind him in both skill and status.
[Interlude]
Here, Kris R recalls personal moments with Pirlo, mocking him for his s*xual insecurities and inability to impress. The lines humiliate Pirlo on a personal level, mixing humor with disdain, showing that Kris R isn’t just challenging him in music but also exposing his weaknesses in private life.
[Verse 3]
This verse is a long, aggressive attack on Pirlo’s life, career, and character. Kris R brags about taking Pirlo’s girl and dominating the local music scene, showing that Pirlo has been irrelevant while Kris R thrives. He exposes Pirlo’s dishonesty, snitching, and ungrateful behavior, portraying him as a fake gangster who pretends to be tough but is actually weak. Kris R humiliates him by revealing personal secrets, s*xual encounters, and scandals involving others, showing that Pirlo’s reputation is full of lies and betrayal. He also mocks Pirlo’s wealth, empty concerts, and failed career moves, emphasizing Kris R’s superiority. The verse combines street credibility, personal insults, and public exposure to assert dominance and remind listeners who really controls the scene.
[Interlude: Emmanuel Oculto]
This part imagines Pirlo’s downfall as a funeral, mocking the lack of respect and support he has even in death. Kris R uses religious and official language to exaggerate Pirlo’s failure, pointing out that his life and career ended in disgrace. There’s a mix of satire and dark humor, showing how irrelevant Pirlo is while Kris R continues to rise and be celebrated by both fans and singerities.
[Verse 4]
Kris R emphasizes Pirlo’s failures again, mocking his empty shows and fake image. He contrasts his own style, looks, and success with Pirlo’s shortcomings, highlighting insecurity and lack of real talent. He also points out that Pirlo pretends to be tough but lives a fake life, showing that appearances don’t match reality. Kris R takes shots at Pirlo’s national identity, wealth, and lifestyle while claiming that his own achievements naturally draw attention and envy. The verse reinforces Kris R’s dominance in music, street credibility, and personal power.
[Interlude: Pirlo & Kris R.]
Kris R exposes Pirlo’s attempts to manipulate perception and spread lies. He talks about controlling the narrative, posting on social media strategically, and stressing Pirlo out. This shows Kris R is aware of all moves Pirlo makes and stays several steps ahead, using strategy and wit rather than just music or violence.
[Verse 5]
Kris R asserts himself as the leading trap artist in Medellín and Colombia, highlighting respect, red carpet treatment, and dominance over rivals. He talks about being prepared for confrontation and not fearing anyone while contrasting his real success with Pirlo’s fake bravado. He emphasizes loyalty, secrecy, and control in his world, showing that snitches and fakes are punished or ignored. Kris R also shows pride in his roots, achievements, and style, making it clear he sets the standard for trap while rivals like Pirlo only pretend to live that life. The verse combines threats, confidence, and street singerity to underline his supremacy.
[Outro]
Kris R closes by talking about his international reach and challenge to rivals to match his success. He warns against trying to set him up or copy his moves and highlights the work ethic and connections that got him where he is. He calls on his crew and emphasizes that his hustle is organized and unstoppable. This shows confidence, planning, and dominance while mocking anyone who thinks they can compete with him.
FAQs
Q. Who has sung EL TESTIGO (RIP PIRLO) (English Translation) song?
A. EL TESTIGO (RIP PIRLO) (English Translation) song is sung by Kris R..
Q. Who wrote EL TESTIGO (RIP PIRLO) (English Translation) lyrics?
A. EL TESTIGO (RIP PIRLO) (English Translation) lyrics are penned by Kris R..
Q. Who has given the music of EL TESTIGO (RIP PIRLO) (English Translation) song?
A. EL TESTIGO (RIP PIRLO) (English Translation) music is composed and produced by Kris R..
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