DU BANDIT À L’ARTISTE (PART. 1) Lyrics by Heykel is a latest French song in the voice of Heykel. Its music too is composed by singer while brand new Du Bandit À L’artiste (Part. 1) song lyrics are also written by Heykel. This is a popular song among the people of United States of America. In DU BANDIT À L’ARTISTE (PART. 1), Heykel reflects on his journey from a troubled youth to a musician. He opens up about his challenging upbringing, the loss of his mother, and growing up without his father. He touches on the tough realities of life, questioning the role of success and fame in his story. Despite the struggles, he finds meaning in music, rejecting the pressures of commercial success. The track dives deep into his personal history, highlighting the raw emotions and struggles that shaped him into the artist he is today.
DU BANDIT À L’ARTISTE (PART. 1) Lyrics
[Intro : tag]
Gamma
[Couplet unique]
Certaines vérités n’sont pas bonnes à dire
Lequel d’entre nous éclair’rait-elle si la lumière pouvait choisir ? (Ouais, lequel)
Regarde c’que la vie a fait d’nous, regarde c’qu’on a fait avec la vie (Avec la vie)
Qu’est-ce qu’elle était belle ma jeunesse avant qu’le temps passe et la démaquille (T’en souviens ?)
J’préfère tourner une pige plutôt que d’me rabaisser à d’mander un feat
On m’dit : “Frérot, tout ça, c’est qu’du business, on construit pas d’carrière sans faire de hit”
Mais j’oublie pas d’où j’viens, à la base la musique, moi, j’m’en bats les reins (J’m’en bats les couilles)
J’te l’ai dit dans l’outro, à vingt ans, j’rappais pas, j’étais sur l’terrain (Sur l’terrain)
À vingt ans, j’étais sur l’terrain, regard vide, un Scorpion dans la sacoche
Le premier qui fait fou, j’l’éteins, discret, pas d’ceux qu’tu peux croiser en Porsche
L’apocalypse est dans les loges mais on laissera rien paraître sur scène
Nos cités vont craquer, on a la haine, Zyed et Bouna, Adama, Nahel
Tu rêves de faire cent balles, juste après les avoir fait, tu comprends qu’c’est rien (C’est rien du tout)
T’es triste que tes parents soient séparés, moi, j’ai pas connu les miens
Elle m’a mis au monde, a rejoint l’ciel seulement deux ans après
Parfois, j’imagine le son d’sa voix, est-ce qu’elle est fière de là où elle est ? (J’imagine)
Quelques souvenirs d’la famille d’accueil, j’vis avec des gens qui m’ressemblent pas
T’apprends à vivre avec, tu fais pas l’deuil, moi, j’ai jamais prononcé l’mot “papa”
Askip la vie fait bien les choses, peut-être qu’un jour on s’reverra
Dieu merci, elle avait une sœur qui a décidé d’s’occuper d’moi
Bataille judiciaire, elle a fini par obtenir la garde
On déménage à Villeneuve, c’est parti pour un nouveau départ (Nouveau départ)
J’aurais pas assez d’un album pour te parler d’elle
Les étoiles sont amoureuses de toi, j’reviens du Ciel (J’reviens du Ciel)
C’est elle que j’finis par appeler “maman”, merci pour les valeurs, l’éducation (Pour tout)
Trop tôt pour parler d’toi, c’est pas l’moment, y a bien trop d’choses à dire de toute façon
De l’ombre à la lumière, d’la lumière à l’ombre (D’la lumière à l’ombre)
De l’artiste au bandit, du bandit à l’artiste
Heykel Songs
DU BANDIT À L’ARTISTE (PART. 1) Lyrics Meaning
In the opening lines, Heykel touches on the idea that some truths are too painful or dangerous to share. He asks which of us would be brave enough to shed light on the harsh realities if it were up to us. It sets the tone for a deeper reflection on life, where the artist challenges the idea of pretending everything is fine, showing that even truth can be uncomfortable to confront. The lyric also hints at the complexity of life itself, suggesting that sometimes, certain truths may remain hidden or unsaid.
He then shifts focus to life and its transformations. He looks at what life has done to him and what he’s done in return. It’s a bittersweet reflection on his journey, where he acknowledges the damage and growth he’s experienced over time. He reminisces about his youth, remembering how life felt full of potential before time passed and took away some of that innocence and purity. The “démaquille” here refers to the fact that, as time went on, the illusion of youth faded away, leaving behind the harsh realities.
Heykel then expresses a rebellious spirit against the music industry’s expectations. He’d rather take his time in the game and stay true to his roots, rather than chase success by relying on collaboration or trendy features. His independence comes through when he dismisses the advice that career-building in music requires commercial hits. For him, music is not about playing the game, it’s a personal form of expression, and he doesn’t care for the mainstream approach.
The artist goes on to remind the listener of his past, where music wasn’t even on his mind. At twenty, instead of pursuing rap, he was involved in the streets, his “terrain.” He describes a life filled with a cold emptiness and the risks of street life, even carrying a Scorpion (a reference to danger or a weapon) in his bag. He’s not someone who would stand out in luxury cars, implying his modest and humble approach to life, more focused on surviving than showing off.
He reflects on the darker side of life, even hinting at the tension that exists in the world. Despite the chaos and anger around him, especially in the neighborhoods, Heykel makes it clear that nothing about his struggles will be visible when he’s performing on stage. He juxtaposes the violence and societal issues with the image of performing—something most people don’t see. He mentions the names Zyed, Bouna, Adama, and Nahel, figures who are symbolic of real-life struggles and tragic events, showing solidarity with those who have faced injustice.
Money and its emptiness are also addressed—Heykel suggests that once you make money, you realize it’s not as fulfilling as it seemed. This material desire fades, revealing how hollow it can be in the bigger picture of life.
The next lines touch on his personal pain, revealing the absence of his parents in his life. He shares the tragedy of losing his mother just two years after being born, something that has haunted him. He often imagines what her voice would have sounded like and whether she would be proud of him from wherever she is. This deep personal loss shapes much of his worldview, and he reflects on how it has affected him emotionally.
Heykel then opens up about his experience in foster care. He talks about living with people who weren’t his biological family, yet over time, he learned to adapt and survive. His heartache is clear as he never even got the chance to say “Papa” or properly grieve the absence of a father figure. Still, there’s a sense of hope when he talks about how his mother’s sister fought for custody and became his new caretaker. This family member gave him a new life, showing him love, guidance, and a chance to rebuild.
The track’s tone shifts here as Heykel expresses gratitude to the woman who became his mother. He credits her with providing the values and upbringing he needed to grow into the person he is now. This new sense of family and love is one of the key turning points in his life, and he acknowledges the support he received even through all the hardships.
In the end, Heykel reflects on the shift from darkness to light, symbolizing his transformation from a troubled youth into an artist who has found meaning in life. The title “From Bandit to Artist” captures this evolution—the duality of his past and present, from survival on the streets to expressing himself through music.
FAQs
Q. Who has sung DU BANDIT À L’ARTISTE (PART. 1) song?
A. DU BANDIT À L’ARTISTE (PART. 1) song is sung by Heykel.
Q. Who wrote DU BANDIT À L’ARTISTE (PART. 1) lyrics?
A. DU BANDIT À L’ARTISTE (PART. 1) lyrics are penned by Heykel.
Q. Who has given the music of DU BANDIT À L’ARTISTE (PART. 1) song?
A. DU BANDIT À L’ARTISTE (PART. 1) music is composed and produced by Heykel.
“This concludes the lyrics of DU BANDIT À L’ARTISTE (PART. 1)” by Heykel. If you like this song please share it with your friends and family in USA. If you find any errors in it, please feel free to submit the correct version via the Contact Us section.