Des Siècles & Des Poussières Lyrics by Lucio Bukowski is a latest Finnish song. Its music too is composed by singer while brand new Des Siècles & Des Poussières song lyrics are also written by Lucio Bukowski. This is a popular song among the people of United States of America. In Des Siècles & Des Poussières, Lucio Bukowski reflects on life, time, and his place in it. He starts his day contemplating the miracle of existence and the fleeting nature of time, reminiscing about the past and feeling the weight of lost years. He grapples with the passage of time, the fading beauty, and the ghosts of his past work. There’s a sense of nostalgia mixed with the inevitability of change and decay. Lucio acknowledges that everything, even beauty, eventually turns to dust, capturing the melancholy of life’s fleeting moments while holding on to the act of creation as a constant.
Des Siècles & Des Poussières Lyrics
[Intro]
Yeah, yeah
[Couplet 1]
Comme chaque matin, faut qu’j’enfile ma peau
Y’a des coupures dans les lignes de ma paume
J’me dis que tout ça est miraculeux
Du cul de cette fille jusqu’au fond de l’atome
J’pense aux fantômes en buvant éthiopien
J’aurais dû être l’un d’eux, eh
J’me dis que c’répit est vraiment troublant
J’vis en fraudeur mais j’trouve pas ça honteux
Salue les tiens de ma part
Ça fait un bail qu’on s’est éloignés
J’passe les doigts dans ma barbe
Où sont passées toutes ces putains d’années ?
Rangés dans des boîtes comme des corps rigides
CD pirates, mots, textes, family
Chronos se marre depuis l’origine
L’orage et l’amour l’après-midi
Toujours se rappeler qu’un jour, même la beauté
Se change en azote dans un carré de terre
Toujours se rappeler qu’un jour, même la beauté
Se change en azote dans un carré de terre
J’écris encore et je sais que
Chaque nouveau vers est un début
Les anciens textes, c’est des spectres
Le prochain disque est un fœtus
Tellement d’enfants que j’oublie leurs prénoms
Paraît qu’certains ont même eu des diplômes
D’autres ont fini dans la pénombre
Ils y développeront de nouveaux rhizomes
[Pont]
“Never understand
And I want to stay
With my.”
[Couplet 2]
Déjà des décennies et des poussières
Déjà des décennies et des poussières
Déjà des décennies et des poussières
Déjà des décennies et des poussières
On en traverse, des maudits cercles
Depuis que Gohan a démoli Cell
L’enfance ne laisse qu’un goût d’inachevé
Depuis, des potes ont fini en HP
Dépose des fleurs sur la tombe des tiens
Sont-elles fraîches ou sont-elles en plastique ?
C’est l’geste qui compte, le chrysanthème déteint
Mais, bon, c’est moins cher et ça dure plus longtemps
Et puis nos morts se foutent de ces détails
Veulent juste rester dans un coin de nos têtes
Ça dépend des jours, ça dépend des tailles
Des chambres de bonnes et d’immenses duplex
Déjà des siècles et des poussières
Déjà des siècles et des poussières
Déjà des siècles et des poussières
Déjà des siècles et des poussières
J’me dis tout ça en buvant du café
À deux heures du matin car le sommeil me boude
Et les couplets me brûlent et tout vient dans un jet
Comme un premier coït répété à chaque fois
Sur du papier, toujours, c’est beaucoup plus intime
Et la nuit est un flic qui m’écrase sur le sol
Jusqu’à temps que plus d’air ne s’échappe de mon cœur
Jusqu’à temps que plus d’air ne s’échappe de mon cœur
[Outro]
Jusqu’à temps que plus d’air ne s’échappe de mon cœur
Jusqu’à temps que plus d’air ne s’échappe de mon cœur
Jusqu’à temps que plus d’air ne s’échappe de mon cœur
Jusqu’à temps que plus d’air ne s’échappe de mon cœur
Des Siècles & Des Poussières Lyrics Meaning
[Intro]
This intro is a simple affirmation, setting a casual, reflective tone for the song.
[Couplet 1]
Lucio Bukowski opens by describing his daily routine of putting on a “skin,” which symbolizes facing life’s challenges and mundane realities. He notices the imperfections in his palm lines, reflecting on life’s randomness and unpredictability. He sees everything, from a woman’s body to the smallest atom, as miraculous yet puzzling. While drinking Ethiopian coffee, he contemplates ghosts, suggesting he feels he could have easily been among them, lost or forgotten. He acknowledges living as a “fraud,” but without shame, as he’s just navigating life in his unique way. He touches on the distance between himself and old friends, wondering where all the years went. Memories, like old CDs, writings, and family ties, are stored away, like rigid bodies in boxes. Time, embodied by Chronos, has been laughing at him since the beginning, indifferent to life’s storms and fleeting love affairs. He reminds himself that even beauty eventually fades, turning into nitrogen in the ground—a poetic way of saying everything, even the most beautiful moments, become dust. Writing new verses feels like a fresh start, while old texts are ghosts of the past. His next album is compared to a fetus, representing new creation. Lucio feels overwhelmed by all the things he’s created, forgetting some as if they were countless children. Some of his creations have thrived, while others remain in darkness, potentially sprouting new beginnings despite being in the shadows.
[Pont]
This part reflects a feeling of confusion and desire to stay connected to something personal, even if it remains vague.
[Couplet 2]
Lucio repeats the phrase “decades and dust,” emphasizing the relentless passage of time and how it blurs everything into a haze. He reflects on the repetitive nature of life, likening it to cursed circles. He recalls childhood memories, referencing a battle between Gohan and Cell, symbolizing an era of innocence that now feels incomplete or unresolved. Some friends have ended up in psychiatric hospitals, and he talks about placing flowers on graves, whether fresh or plastic, highlighting the emptiness of gestures that are more about the act than true connection. The dead, he muses, don’t care about these details; they just want to be remembered. Our memories of them vary, just like the different spaces we occupy, from cramped rooms to spacious apartments. He repeats the line “centuries and dust,” underlining the long stretch of time that has passed and how it feels like it’s piling up. As he sips coffee at two in the morning, unable to sleep, he feels the pressure to write, with verses pouring out of him in an intense, almost visceral way. Writing on paper is an intimate process, and he compares it to a first-time experience, raw and repeated each time. The night, however, feels like a cop, pressing him down until he can no longer breathe, capturing the struggle and suffocating weight of his thoughts and emotions as they consume him.
[Outro]
Lucio continues to feel this suffocating pressure, repeating the line about the air no longer escaping his heart. This imagery reflects a sense of being overwhelmed by his own emotions, the burden of time, and the weight of everything he’s experienced, as if he’s unable to release the tension within him.
Famous Phrases with Explanation
1. “Comme chaque matin, faut qu’j’enfile ma peau”
This line is about facing the world every day, putting on a brave face, and dealing with life’s routine challenges. It symbolizes getting ready to take on whatever comes, almost like wearing armor to protect oneself.
2. “J’pense aux fantômes en buvant éthiopien”
Here, Lucio reflects on memories or regrets while sipping Ethiopian coffee. The “ghosts” represent thoughts of the past or missed opportunities, hinting at a sense of nostalgia or what might have been.
3. “J’vis en fraudeur mais j’trouve pas ça honteux”
Lucio admits to living life on his terms, even if it feels like he’s cheating the system. He doesn’t see it as shameful; instead, it’s a way of navigating his own path, unapologetically.
4. “Où sont passées toutes ces putains d’années ?”
This phrase captures the feeling of time slipping away. Lucio wonders where all the years have gone, reflecting on how quickly life passes by, leaving him with a mix of confusion and disbelief.
5. “Chronos se marre depuis l’origine”
Lucio personifies time as Chronos, mocking him from the beginning. It’s a way of saying that time has always been indifferent, moving forward regardless of human struggles, joys, or sorrows.
6. “Même la beauté se change en azote dans un carré de terre”
This line is a reminder that everything, even beauty, eventually fades and returns to the earth. It’s a poetic way of saying that nothing lasts forever, highlighting life’s fleeting nature.
7. “Le prochain disque est un fœtus”
Lucio compares his upcoming work to a fetus, implying it’s still developing and not fully formed. This line reflects the creative process, where new ideas are like unborn creations that need time to grow.
8. “Et la nuit est un flic qui m’écrase sur le sol”
Lucio describes the night as a cop pushing him down, symbolizing the pressure and weight of his thoughts during late hours. It represents the struggle of facing one’s inner turmoil when everything else is quiet.
FAQs
Q. Who has sung Des Siècles & Des Poussières song?
A. Des Siècles & Des Poussières song is sung by Lucio Bukowski.
Q. Who wrote Des Siècles & Des Poussières lyrics?
A. Des Siècles & Des Poussières lyrics are penned by Lucio Bukowski.
Q. Who has given the music of Des Siècles & Des Poussières song?
A. Des Siècles & Des Poussières music is composed and produced by Lucio Bukowski.
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