COMING OUT Lyrics (English Translation) – White Widow

COMING OUT (English Translation) Lyrics Meaning

[Verse 1: Pawko, Kosior]
The verse starts by expressing the artist’s confidence and refusal to explain his success or actions, suggesting that his presence in the scene speaks for itself. The mention of frequently changing apartments highlights a restless lifestyle, yet his connection to a particular “estate” remains strong. He dismisses the negativity surrounding him, including talk of pathology, and mocks those who don’t understand his reality. He mentions a person, Shon, who appreciates jewelry, but this is more a side note. The line about “snakes” refers to people who have betrayed or opposed him, but he’s no longer affected by them. The artist addresses the negativity around him, suggesting that others are struggling while he thrives. Finally, he touches on financial struggles, pointing out how people ask for money but can’t even manage their own finances.

[Chorus: Kosior]
In this chorus, the artist expresses loyalty and solidarity with his group, highlighting their success and growth. He mentions how they’ve overcome criticism and hate, with those who once insulted them now mimicking their behavior. The phrase “they called us faggots, now they’re coming out themselves” suggests how people who once judged them are now revealing similar traits. The line about drinking emphasizes that the artist does it for his own reasons, not to please others. The mention of “clipping your wings” conveys a desire to see others fail or be put in their place. He takes pride in being authentic, especially calling out those who pretend to be something they’re not, particularly referencing his roots in Łódź.

[Verse 2: Bars, Kosior]
This verse portrays a more chaotic and violent environment. The artist hints at s*xual experiences and challenges traditional expectations, emphasizing that his relationships aren’t simple or conventional. There’s a sense of secrecy and power in his neighborhood, with “deaf neighbors” indicating either silence or indifference to what’s happening around them. He reveals information about someone’s infidelity, highlighting the dangers of betrayal. The artist warns others about the risk of leaving their area, implying violence and retribution. He mentions his “opps” (enemies) and female associates, suggesting that fear surrounds them, especially when thinking about his brutal actions. The mention of the police and carrying a bar (weapon) adds to the feeling of lawlessness. He describes an almost uncontrollable rage, waking up to chaos and violence, showing the emotional toll and recklessness of his actions. He contrasts his behavior with that of others, pointing out that those who don’t understand should take him seriously.

[Chorus: Kosior]
This chorus is similar to the previous one, reinforcing the theme of overcoming past insults and proving success. The artist emphasizes that his group is thriving, and those who once labeled them negatively are now imitating their actions. He also reflects on his personal choices, drinking not for anyone’s benefit but for his own satisfaction. The line about “clipping your wings” reappears, signifying the artist’s desire to see others fail or be put in their place. He reiterates his authenticity and refusal to pretend, showing pride in his roots from Łódź. Once again, he challenges anyone who thinks they can handle his environment, warning them they wouldn’t last a day there.

[Verse 3: Macias, Kosior]
In this verse, the artist confronts personal attacks from others, particularly a “bald queer” who has been slandering him. He expresses disdain for those who create drama online, mocking their weak responses and crying. He is unapologetically aggressive, saying he doesn’t care about their opinions and that he has no mercy for those who oppose him. The artist describes former friends who now carry mental scars, possibly hinting at betrayal or lost connections. He uses the metaphor of “regenerating bones” before meeting him, suggesting that anyone challenging him should prepare for what’s to come. He boasts about his status and power, describing his car and equipment as symbols of success. The reference to bullets above someone further suggests his dominance and control. The final line about “dead pseudo-friends” reflects his belief that fake friends can’t even survive in his harsh world.