CNTNRS Lyrics – Night Skinny

CNTNRS Lyrics Meaning

[Intro]
The intro of the song starts with someone calling out to Skinny, a reference to Night Skinny, asking him where he’s been and telling him that the streets need him. The speaker sounds frustrated and urges Skinny to come back and bring the same energy (or “merda”) that the streets are missing. There’s a feeling of emptiness, both literal and emotional, as the streets are described as cold and deserted. The line “vecchio lupo, nuovo pelo” suggests that although Skinny is an old player in the game, he’s still got something fresh to offer.

[Strofa 1 (Jake La Furia, Emis Killa)]
In this verse, Jake La Furia reflects on his dominance in rap, saying he might not win in a race but is unbeatable when it comes to rhyming. He comments on how the music industry profits off rap, but many rappers still struggle financially. La Furia highlights the disconnect between real street experiences and superficial wealth flaunted by some, calling out those who boast riches while dismissing their authenticity. His respect lies with those who fight for survival, symbolized by the “social struggle” and tools of violence. The reference to the hammer and sickle connects his message to a fight for power and rebellion against the system, portraying him as a voice for the underprivileged.

[Strofa 2 (Emis Killa)]
Emis Killa speaks about his loyalty to the people from the streets, calling them family. He trusts them with his daughter, using the image of holding her like a weapon (“kala'”) to emphasize their closeness. He warns others not to act tough, as he has the power to turn Milan into chaos, referencing local political figures like Beppe Sala. Emis reflects on his own past, where he’s only dealt with the police when necessary, like reporting lost documents. Despite being called old by younger rappers, he insists he’s in better shape than them, both physically and lyrically. He also mentions that while women line up for him, he values his friends and loyalty above all, even over wealth and fame.

[Strofa 3 (Kid Yugi)]
Kid Yugi talks about how he’s always protected by his connections, from Gallipoli to Foggia. He references making money through the drug trade, even when things look bad (“even if it rains”). There’s a sense of paranoia with the mention of his fugitive friend, and a celebration when the “shipment” arrives. He paints a picture of chaos, with grenades and a mental “splinter,” possibly referring to the mental toll of this life. He’s blunt about drügs, saying some substances are just temporary, and how the police chase them down. Despite competition being nonexistent in his area, Kid Yugi acknowledges his past of starting young in the game and how drügs sometimes lead to him losing control.

[Strofa 4 (Tony Boy)]
Tony Boy continues the theme of losing control when taking too many drügs, confessing that even in a luxurious setting, he isolates himself. He reflects on starting drügs to give himself an edge, but despite that, he’s always come out on top, never settling for a tie. His life is intense, staying up all night, even when everything seems dark. He describes how grim the scene is around him, turning a death into something celebratory. Tony contrasts his past, where cash was king, with now using modern payment systems like POS. Even in this flashy, dangerous life, he still considers himself the greatest of all time (G.O.A.T).

[Strofa 5 (Rasty Kilo)]
Rasty Kilo talks about his lifestyle, stacking money and staying silent because, in the end, only God can judge him. He admits to influencing young people to sell drügs on the streets and details his wealth by describing how he casually enters Rolex stores and eats luxury food. His drug dealing business has grown from small amounts to larger kilos. He mocks the music industry, saying his money comes from drügs, not music charts. The verse is full of materialism, referencing expensive watches and food, while expressing a carefree attitude toward life, doing whatever he wants in other people’s territories.

[Strofa 6 (Guè, Paky)]
Guè compares his flow to powerful imagery, saying it’s like breaking bones, and references iconic works like *Dune*. He mentions he can be diplomatic but threatens violence if disrespected. Comparing himself to a superhero, he claims not to be just a rapper but something more powerful. While mocking other rappers’ flashy accessories, Guè points out that they don’t achieve the same success, like selling out arenas. He continues with more violent imagery, using the Glock as a symbol of real danger, and exposes fake people. The verse suggests confidence in his authenticity and superiority over others in the industry.

[Strofa 7 (Paky)]
Paky opens by talking about his success in 2024, signing new contracts but still being tied to his rough neighborhood, Rozzano. He explains how he operates under the radar, buying properties under other people’s names due to his illicit lifestyle. Paky is involved in drug dealing and warns that if someone doesn’t pay for crack, they’ll face serious consequences. He references *Gomorra* for its brutal depictions of crime. Paky then comments on gangster rap and claims to teach others how it’s done. He boasts about his past, even selling to the devil himself, and highlights how violence is now carried out with guns, not fists.

[Strofa 8 (Nerissima Serpe)]
Nerissima Serpe describes his tiredness and connection with darkness, comparing his eye bags to a panda’s and feeling haunted by the devil. He is trapped in a metaphorical amber, while being closely tied to the streets and drug culture, represented by the angels on drügs. The imagery of rain being lava shows the intensity and danger of the environment.

[Strofa 9 (Papa V)]
Papa V’s verse is short but vivid. He compares his flow to a Ferrari, emphasizing his speed and strength. He mentions hiding drügs in his underwear and reflects on his life at home with two women, symbolizing his wild lifestyle. Papa V contrasts his tough street image with his actions in the streets, where he handles business.

[Strofa 10 (Nerissima Serpe)]
In this verse, Nerissima Serpe depicts a gritty, dangerous scene involving drug smuggling. He describes a woman swallowing drug capsules for trafficking and how things are tense in their world. His face turns blue, either from the drügs or the stress, and there’s a need for quick medical intervention, referencing the “happy surgeon.” His lifestyle is full of danger and chaos.

[Strofa 11 (Papa V)]
Papa V talks about dressing like a successful man and strolling through Milan’s Piazza Duomo with 50,000 euros on him but no watch on his wrist. He feels like he’s reached a point where he can do anything. He challenges those who snort drügs and lose control, saying it’s normal that they would feel scared and out of control, almost mocking their weakness.

[Outro]
The outro reinforces the theme of chaos, danger, and pressure. The speaker curses and calls the streets a “container” that’s ready to burst under pressure. Skinny’s return is announced, bringing a new era for 2024-2025. It ends with a warning that the streets are getting heated and unpredictable, signaling more intense times ahead.