Cater 2 U Lyrics – Kodak Black

Cater 2 U Lyrics Meaning

[Rien ain’t been on a day as I woke up all a lot of pink chanel…]
Kodak starts off talking about waking up in a flashy vibe, surrounded by luxury, like pink Chanel. He reflects on the last time he got high and remembers how someone—maybe a friend or a dealer—treated him good. Then he shifts into more intimate thoughts, saying he’s trying to stay focused and physically connected to someone, even if it makes him sweat. He compliments the girl’s look and style, saying she reminds him of something polished or fashionable.

[I ain’t going to hurt you during your life, keep that puss as well…]
He reassures her that he doesn’t want to hurt her and wants to respect her body. He even makes a raw reference to being close to her in an intimate way, but says she’s clean and he appreciates that. Even though he’s far away, he’s still thinking about her. Time may have passed, but he still feels connected to her emotionally.

[Cold out of butcher, I cater to you and I prepare you a meal…]
Kodak paints a picture of trying to care for her, like literally cooking for her. He admits he sometimes messes up and gives her space, even when he knows it makes her mad. Despite all that, he believes she’s still for him. Life’s been crazy lately, and everything feels unreal with how much he’s got going on.

[I’m feeling you short, I know I missed…]
He admits he’s feeling her and knows he missed his chance or messed up. Now he’s trying to get back in shape, maybe for her or just to be better. He knows he’s smart and has survived a lot of tough situations, and he’s proud of how far he’s come even with the odds stacked against him.

[It ain’t never over, I was never sold…]
He makes it clear he hasn’t given up and doesn’t feel like he’s been bought or controlled by anyone. He’s learned not to trust everybody and prefers to keep his circle small. He even mentions dislocating his shoulder, probably from all the chaos and rough moments he’s lived through. Cold mornings, soda for breakfast—it all shows how rough life’s been.

[Bro, get your ass on this bed, take off from the pin…]
Kodak’s hyping up a friend, maybe getting them to relax or chill after getting out of prison. He says everything he did was about getting money. He also wants everyone close to him—his kids, friends—to know where he stands and what he’s done for them.

[Can’t until you, man…]
He shows love for the key people in his life—his baby mama, his own mama, his son, and close friends. He’s in the studio right now, just vibing with his real ones. No fake energy around, just family and loyalty.

[Passing to see she got her feet to the ceiling…]
Here, Kodak gets intimate again, painting a picture of him driving with one hand while getting s*xual with his partner. He mentions not feeling right until he hits his head, which could be a metaphor for stress or needing an adrenaline rush. He tells his sons he might be facing time in jail again but hopes God forgives him in the end.

[Hey, roses on the floor…]
He continues the intimate, almost wild energy, describing a steamy moment with his girl. There’s passion, a bit of roughness, and some control. It’s his way of showing how deep and raw their connection gets.

[We done been through some s*it in one of my posts…]
Kodak admits they’ve been through a lot, and even though things may have been messy, people already know she’s his. He feels like he’s done what he had to do in life—both on the streets and with his team. Despite it all, he still has love for her. He’s edgy and always on alert, even saying he’s ready to go out guns blazing. Then he fades off into a dreamy tone.

[now, how about you?]
He’s been pouring out everything about what he’s done, how he feels, and where he’s at mentally. And now he’s flipping it and asking her where she stands. It’s like he’s saying, “I’ve been real with you, now tell me—are you still with me or not?”

[My money, my last name…]
He’s wrapping things up by saying that everything he owns, even his name, is his identity. He’s calling her “that baby,” maybe a mix of praise and honesty. Then he seems unsure, like he’s struggling to explain his feelings or deny them.

[I don’t know why but then I…]
Kodak sounds emotionally conflicted here. He’s caught between loving someone and not wanting to admit it. He’s trying to figure out his feelings, saying you don’t really know love until you’ve experienced it deeply. And even when he says he doesn’t love her, part of him knows that’s not true. He’s just not sure how to put it all into words.