Bodies Lyrics – Offset, JID

Bodies Lyrics Meaning

[Intro: The Spirituals & Dave Williams]
This part blends spiritual references with dark energy. “Mary” and “Martha” feel like a call to heaven or judgment, while “ring them bells” adds a sense of urgency or warning. Then suddenly, it flips into violence with “let the bodies hit the floor,” signaling chaos, death, or battle—like a mix of gospel and war.

[Verse 1: Offset]
Offset is taking us back to his early days before he had money, when he was breaking into houses and hustling to survive. He’s not trying to sugarcoat anything—he’s just keeping it real. He says if someone wants trouble, they’ll end up cooked, comparing it to making an omelet. He’s throwing money around in clubs like Magic City or Onyx, and he’s always got a weapon on him just in case things go sideways. He talks about how he’s making serious money (“chicken”) and flexes that he’s got girls hooked on him like phonics.

He’s clearly grown his status, saying he’s got people handled if they cross him—no second chances. He hints that people forget where he came from because now he lives in luxury, in mansions by the lake. Pulling up in a Porsche, feeling like James Bond, he’s surrounded by choices and flashy things. But despite all the glitz, he’s still got a no-nonsense attitude—no room for fake apologies or soft energy.

Offset says people copy him, like Tyson biting ears, and there’s no fistfighting anymore—it’s guns and violence. He paints a chaotic scene of starting a war, even shooting at clubs, friends, and houses, like it’s a full-on attack mode. Comparing himself to Bobby Brown, he says he lives by his own rules, and if he catches an enemy, it won’t end well.

He even mentions going to Saudi Arabia, where they’re so eager to hear him speak, they send a jet and pay him millions. The gold on his teeth shows where he’s from—the South. He ends with a warning that chasing clout could get you killed, reinforcing the theme of danger and consequences.

[Chorus: Offset & Dave Williams]
This hook keeps repeating a powerful, intense line—“let the bodies hit the floor”—which shows just how serious and violent the vibe is. It’s not just about physical fights, it’s like emotional and mental intensity reaching a breaking point. The repetition creates a pounding rhythm that feels like something big and dangerous is about to happen, almost like a battle cry.

[Bridge: Offset & The Spirituals]
Here, Offset shows off the rewards of his success. He says he’s got so much money that he can stuff a million dollars into each pocket, and he can afford the best lawyers to get people out of legal trouble. He also talks about getting advice from someone he calls “the Rocket”—possibly a mentor or close friend—who tells him to keep rising.

Offset’s wearing expensive designer clothes like Saint Laurent and VETEMENTS, and his jewelry is flashy, with a yellow diamond that looks like a booger. The gospel-style vocals in the background repeat “Oh Mary, oh Martha,” adding a spiritual tone that contrasts with all the flexing. Despite the chaos around him, he walks into the room with full confidence, feeling unstoppable and totally in control.

[Verse 2: JID]
JID jumps in with sharp bars and aggressive energy. He’s ready for anything—armed and aiming for enemies. He compares himself to a pitbull, meaning he’s all action, no empty threats. His bullets are small but dangerous, even glowing in the dark, and he’s quick and precise when targeting someone.

He talks about taking someone out, tagging their toe (like in a morgue), and breathing fire like a dragon—he’s not holding anything back. If someone’s not on his team, they better be ready for the worst. He asks for a weapon and loyalty from the crew around him. As he drives off, the police chase him, and things are tense and dangerous.

He references the famous scene from “Boyz n the Hood” where someone gets shot while running, saying that kind of violence is real in his world. He’s not playing games—if there’s a shootout, he’s clapping back hard. He returns to his city, ready for war, surrounded by tough people who can handle the heat.

He asks God for forgiveness for whatever he’s about to do, but he’s focused on success. JID says he’s aiming to break records and push limits. He’s working hard, even early in the morning, counting money until his head hurts. If someone wants to joke around, they might end up in a red shirt—meaning dead. He throws in a line about Ant-Man Edwards, mixing humor and threat, saying he’ll hit you like a pro.

He’s confident and real, staying true to himself even when facing danger. He warns soft people to stay out of street life and talks about switching cars and bringing heavy firepower. With connections that run deep and dangerous, he’s not to be messed with. He ends by painting a picture of everyday chaos in the East, where people drop to their knees from the pressure.

[Chorus: Offset & Dave Williams]
The hook comes back to keep that same energy—loud, violent, and intense. It’s about things reaching a boiling point, where words don’t matter anymore and action takes over. “Let the bodies hit the floor” sounds like a warning that someone’s about to pay the price.

[Outro]
This part adds a strange mix of spiritual and dark vibes. It’s like someone calling out to God but still carrying the violence with them. The “ring and bell” might be a final moment, like death or judgment.