BEEHAVE Lyrics – CHIP

BEEHAVE Lyrics - CHIP

“BEEHAVE” Lyrics by CHIP is a latest English song in the voice of CHIP. Its music too is composed by singer while brand new “BEEHAVE” song lyrics are also written by CHIP.

The song “BEEHAVE” by Chip is a hard-hitting track where he calls out fake people, clout chasers, and rivals in the music scene. He talks about loyalty, respect, and street credibility while criticizing those who pretend to be real but chase fame or lie about their actions. Chip mixes humor, personal stories, and sharp disses, showing he’s not afraid to defend himself or expose hypocrisy in both music and life.

BEEHAVE Lyrics

They swarmed around me like bees,
But they were consumed as quickly as burning thorns.
In the name of the Lord, I cut them down. Now.

Oh no.
Yo.

Oi, you live with your mom, you little (??).
I paid off mom’s yard. You’re getting mad,
Borrowing watches, teeth, and clothes.
Run your baby mom back her bags
Before I have to listen and spill.

I know where your son goes.
Football still profiting off a young G and a hearse.
But when you saw RV, you was chatting about church.
Is it your young G or a kid from your area?
The street say you’re looking weird,
And I said it’s your young G, not a kid from your area.

Hold on, it’s getting scarier.
Naming everybody that’s done well
But can’t say the same about yourself.
Sen, I’ll give him hell.
Zimi, hit the drawer and pick your belt.

Friendly fire was your gimmick.
This was never about lyrics.
This is about a nasty (??) (??),
Needing clout from people dying and killings.
I can’t believe you’re still writing lyrics.

These times, you know where artists spinning it.
These times, you know where farm is spinning it.
You ride too slow, bro, could have got birthday beats.
You can’t chat to man about rhythms.
Fake musician, punk on a one-way mission.

Street ready. Ain’t you on what?
Filming yourself doing crimes.

What are you going to do if they play your lyrics in court
And ask about packs in my house?
What’s your stance on what you’re rapping about?
Or just admit it’s cat from your mouth, joke.

The word-for-word thing—I’ve mastered it.
You don’t stand for (??) or know half of it.
These times, Bugsy called me a snitch,
And you asked me to do your remix after it.
Begging and breading and geminate after it.
Drop them out, then they want a problem after it.

It was fun when you was going shell in it.
It’s not fun when you’re holding shells in it.
It’s not fun when you’re taking L’s.

Is it Lambush? I never been jacked in Camden.
Big up to CH and Ramps, them.
Word on road—you ain’t gang them, phone them, or man them,
‘Cause you can’t keep your hand off.

Can’t believe that I’m clashing—this clap with the rap.
Spray that in the name of black justice.
You know your name’s that expert trust chip.
They know I back d!ck-riding stiff chocolate.

But when it comes to bars, you ain’t got this.
About show me 100 foul.
You ain’t show Mom’s kitchen all now.
Trying to give a (??) for the road man stuff.

If you’re chatting about music,
I’m licking him down for an unclear sample.
Pay—I’m not an idiot.
Let them run they feeling.
Got too many bangers that one got deleted.
When I say legend, they wheel it.

Why (??) hating on my ends
When they got problems in their own bar?
It’s where that tweet pie is having a mar.
Swear I heard you got stripped round.
Yeah, you’re the Lulu world. You ch my girl.

I’m a virgin. I don’t kiss and tell.
You busting any gal because you’re scum.
Baby mothers wish you wore a dump.
When it comes to music, I’m your father.
Your mother can’t be proud to call you son.

If everything you really say, you mean it.
Click that Jumpy remix and delete it.
I don’t give a (??) about your cosigns.
I’m not with the stamping s*xual deviants.
Me? I’d rather stamp on s*xual deviants.

Chatting about you—why you chatting about Chris?
Ray Black. Now it’s s*xual gestures, that sis.
You creep. You should be on the list.

Oh, Ray, man. Ray, man, don’t do me like this, man.
I’m sorry. I apologize, man. You know me.
I’m just flirty, man. I was (??) about it, man.
Your brush was out. I’m sorry. I didn’t mean it.
I didn’t mean it, man.

Don’t do me like that, man.
You don’t have to think like that, man.
You know me, ’cause I just vibe.

Why you starting on Chippy? I just vibe.
Why you touching titties? Why you sleeping with knees?
I’m stupid. That’s not grim, that’s greedy.
Why you snake? Who helps?
Why did you come for my belts?
That’s why you’re getting this belt. Why?

Keep your hands to yourself.
I touched her. I touched that breast, bro.
You know me, man. I’m stupid.

BEEHAVE Video

CHIP Songs

BEEHAVE Lyrics Meaning

The opening lines show that the artist is surrounded by people trying to mess with him or compete with him, kind of like bees swarming. But he handles it quickly, showing he’s in control and not afraid to confront problems directly. He’s saying that anyone who challenges him gets dealt with fast and decisively, almost like a warning to stay out of his way.

Next, he talks about someone who lives at home with their mom, pointing out that they’re not really independent. He mocks them for borrowing things like watches, clothes, and even dental work, which makes them look insecure or fake. He’s also saying that before he has to get more involved, this person should fix their own mess, like helping their child’s mother with bags or responsibilities. It’s a mix of calling someone out and showing he sees through their facade.

Then, he brings up someone profiting off others, especially younger people, while pretending to be moral or connected to church. He’s questioning whether this person really cares about their own community or is just using appearances. The street knows the truth, he points out—this person is not genuine. It’s about exposing hypocrisy, showing that actions speak louder than words, and that pretending to be righteous doesn’t hide exploitation.

The next part gets darker and more personal. He’s talking about people who name-drop or act successful but haven’t actually done anything themselves. He’s calling out someone who pretends to be impressive but really isn’t. There’s a warning here: he’s ready to confront them and make them face consequences. This is about accountability and not letting fake bravado go unnoticed.

He continues by pointing out that some people pretend to be tough or involved in serious matters just to gain attention or “clout.” He criticizes people who exploit dangerous situations, like crime or deaths, for popularity. This isn’t about lyrics or art—it’s about morality and being real. He’s shocked that some people are still focused on writing music while lacking any genuine experience or respect for the realities they rap about.

Then he talks about artists who are out of touch or slow in their craft. They can’t produce music at the right pace or connect with real street energy. He calls them fake musicians, highlighting that some people are performing crime for attention, filming themselves doing bad things instead of genuinely being part of a community. It’s a critique of inauthenticity—people trying to act like they’re tough without understanding the consequences.

The next lines are about accountability in the real world. He points out that if someone raps about crime, they have to take responsibility for it if it’s ever questioned in court. You can’t just joke about serious things or pretend they don’t exist. He’s emphasizing honesty and being careful with what you say, because words can have real consequences.

Then he talks about mastering the art of wordplay and knowing the streets. He mocks people who claim knowledge but clearly don’t understand what they’re talking about. He brings up incidents where someone called him a snitch, yet still asked him for collaboration. He’s highlighting hypocrisy and how some people try to manipulate situations for personal gain while acting innocent.

He then reflects on the difference between being involved in crime casually versus actually carrying responsibility for it. It’s easy to play around or be violent in theory, but when you hold the weight of real actions, it’s not fun anymore. Taking losses or dealing with consequences changes everything. This shows the contrast between fantasy and reality in street life.

He makes a shout-out to real people from his life and area, emphasizing loyalty. He criticizes people who pretend to be part of the gang or community but can’t handle trust or responsibilities. It’s about authenticity, knowing who really has your back, and calling out fake friends.

Next, he talks about clashing with other rappers, using his skills to stand out. He connects it to a sense of justice in the streets and in the culture of rap. He positions himself as someone who backs himself and his values strongly, contrasting with those who rely on weak support or fake loyalty. He also points out that when it comes to actual skill, some people don’t measure up.

He continues to highlight the gap between him and others in terms of skill, knowledge, and respect for the craft. He calls out people who try to gain recognition without putting in real work or understanding music deeply. He’s also addressing haters who complain about his success while ignoring their own failures. This is a mix of pride in his skill and exposing others’ lack of credibility.

Then he talks about personal reputation and morality. He says he doesn’t gossip or expose people in relationships, unlike others who behave poorly. He positions himself as someone principled and cautious, while criticizing those who disrespect women or act shamefully. He also implies that some people’s families wouldn’t even be proud of their behavior, showing the depth of his disdain for irresponsibility.

He then brings up the importance of being honest in words and actions. If someone truly believes what they say, it should be clear. He criticizes people who delete collaborations or try to erase evidence when they’re exposed. He also refuses to associate with immoral or abusive behavior, showing he has boundaries and ethics.

Next, he targets someone who behaves inappropriately with women and misuses power or influence. He calls out their actions as creepy or predatory. Even when apologizing, the behavior is unacceptable, and he makes it clear that such conduct is noticed and criticized. He emphasizes accountability and maintaining respect, not just for public image but as a moral principle.

He then describes frustration with being misinterpreted or attacked for minor or misunderstood actions. He insists that he’s mostly harmless, just “vibing,” but others escalate situations unnecessarily. There’s a point about how rumors or small actions can get blown out of proportion and create conflict when there’s no real threat.

Finally, he circles back to personal interactions and boundaries. He talks about respect, mistakes, and accountability, pointing out that even minor misconduct can have consequences. He admits to being careless sometimes but stresses the importance of keeping behavior in check. It’s a mixture of self-awareness and warning others not to push limits or provoke conflict unnecessarily.

Altogether, the song is a mix of street storytelling, personal ethics, and calling out hypocrisy. It critiques fake bravado, manipulative behavior, and disrespect in both music and real life. At the same time, it asserts confidence, mastery, and accountability, blending personal reflection with sharp observations about people around him.

The song paints a vivid picture of a world where appearances, loyalty, and actions collide, emphasizing the need to be real, responsible, and aware of the consequences of words and deeds. It’s like a raw diary of street life, music culture, and personal principles, delivered with energy and uncompromising honesty.

BEEHAVE Song Detail

Song Title BEEHAVE
Singer(s) CHIP
Musician(s) CHIP
Lyricist(s) CHIP
Release Date January 9, 2026
Language English

FAQs

Q. Who has sung BEEHAVE song?
A. BEEHAVE song is sung by CHIP.

Q. Who wrote BEEHAVE lyrics?
A. BEEHAVE lyrics are penned by CHIP.

Q. Who has given the music of BEEHAVE song?
A. BEEHAVE music is composed and produced by CHIP.

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