Berserker Lyrics (English Translation) – Kid Yugi

Berserker (English Translation) Lyrics Meaning

[Intro]
This opening sound works like a raw vocal cue. It sets the mood immediately, like a grunt before a fight. It tells you the artist is stepping into a heightened mental state, aggressive, alert, and unfiltered, without needing to explain anything yet.

[Verse]
In this long verse, Kid Yugi opens a window into a mind that never really rests. He jumps straight into habits of escape and numbness, talking about substances and sleep not as pleasure but as survival tools. Rest comes in short, artificial bursts, suggesting exhaustion rather than peace. When he talks about being in the game with sharks and name‑drops a legendary label, he’s placing himself in a dangerous industry where only predators thrive. It’s confidence mixed with awareness that this world eats people alive.

He quickly shifts into crude, self‑degrading humor, using s*xual imagery to show boredom, loneliness, and regression. It feels intentionally uncomfortable, like he’s mocking himself for slipping into empty routines. There’s also a sense of emotional numbness, where even physical sensations feel distant. Small amounts of dr�gs knocking him out hint at a fragile mental balance. When he mentions the sound engineer crying, it’s half a joke and half a flex, suggesting his recording sessions are chaotic, intense, and emotionally heavy.

Death shows up early and casually. Instead of fear, he treats it like a dance partner, which makes it more disturbing. Violence and terror are exaggerated through pop culture references, turning him into a mythic figure spreading fear across regions. When he talks about hanging himself if things go wrong, it’s not framed as a cry for help but as a brutal, nihilistic thought pattern, showing how casually suicidal ideas pass through his head. The zombie image reinforces this idea of dying and coming back, stuck in cycles, unable to reset life like a game.

He contrasts a miserable birth with current success, framing his rise as almost unnatural. Calling himself the voice of the slums while referencing a legendary Italian songwriter ties street realism to poetic tradition. Alcohol turns him into a monster, suggesting loss of control and shame. He’s very clear about his background, emphasizing that where he comes from is nothing like glamorous, TV‑style wealth. The mention of celebrities being torn down reflects paranoia and distrust, a feeling that people want to see him fail or humiliated.

There’s a sharp social critique when he says dr�gs sell better than books. It’s frustration with a broken system, followed by a class statement through clothing brands, rejecting fast fashion identity and aligning himself with authenticity and durability. Wanting a powerful woman shows admiration for strength, not submission. Calling on a creepy fictional character when he has problems hints at dealing with conflict through intimidation rather than conversation.

He insists his pain is real, not staged like entertainment violence. Food becomes another coping mechanism, replacing emotional release with excess. When he talks about seeing more dr�gs than an addict, it paints a bleak picture of his environment. Fighting with hands like beasts brings things back to primal survival. He questions critics, challenging their singerity to judge his art.

Geographic references stretch across Italy, building the idea of loyalty, protection, and networks. He then undercuts it by calling it a lie, suggesting paranoia and mistrust even within those alliances. People don’t truly listen, they just grow resentful, which deepens his isolation. Suicidal thoughts return, now paired with images of confinement, like windows barred, reinforcing mental imprisonment.

S*xual thoughts return in a childish way, showing emotional stagnation. Unprescribed medication points to self‑medication and neglect. He admits to creating endlessly while being deeply dissatisfied with himself, revealing perfectionism mixed with self‑loathing. Rage becomes his dominant fuel, the berserker state where control is replaced by destruction.

Luck feels cursed, success tied to pain. Guns are normalized, especially in the south, showing how violence blends into daily life. He declares no competition, framing himself as an inquisitor burning rivals. The arrest of his brother grounds everything in reality, showing how crime and law enforcement directly affect his family. Passion turning into obsession explains the cost of his grind. The final lines compare life to endless battle, where warriors don’t retire and heroes don’t survive, only fall.