VENUS LYRICS – DC THE DON

“VENUS” Lyrics by DC The Don is a latest English song in the voice of DC The Don. Its music too is composed by singer while brand new “VENUS” song lyrics are also written by DC The Don. This is a popular song among the people of United States of America. “VENUS” by DC The Don is a high-energy track where he flaunts his wild lifestyle and success. The song features him talking about living recklessly, popping pills, and driving around with confidence. He mentions his luxurious taste, from designer clothes to flashy cars, and brags about his party lifestyle and encounters with various women. The lyrics reflect a mix of bravado and hedonism, with DC The Don asserting his dominance and enjoying the high life while dismissing anyone who doubts him.

VENUS Lyrics

[Intro]
Woo

[Chorus]
Now what the fu*k you talking ’bout?
Off the meds, tryna swerve the wheel, I done lost it
Who that boy? They think I sold my soul, I got options
Tell yo’ friends I’m back in the city, get it popping (Woo)

[Verse 1]
Still moving in the sky, we ain’t got no layover
Riding ’round town with a b!tch and her hips don’t lie, body moving like J. Lo, yeah

Young n!gga move that fire, if you really wanna die, we can leave you a halo (Go)
I was in Atlanta last week, I was sipping on syrup, I ain’t seen SoFaygo
White flagging s*it, huh, pop out blasting s*it (Go)
Most of my n!ggas be packing s*it
I’m so booted, I pull up and crash the whip
High and I’m sipping on Actavis
Tell yo’ b!tch to pull up and don’t ask for s*it, yeah
Straight from the trap, Marilyn Manson s*it
To the Hollywood hills, Calabasas, b!tch, yeah

[Refrain]
She wanna go right now, shawty wanna go right now (She wanna go)
Smoking on dope right now, money on the floor right now (Ooh, floor)
Shawty wanna fiend right now, she wanna blow my loud (My loud)
Hit, then I’m kicking her out, hit, then I’m kicking her out

[Verse 2]
B!tch, Maison Margiella slides, yeah
Popping out hella fried, uh
Heard he was speaking on gang again, we ain’t gon’ let it slide, b!tch
We don’t even rock NUMBER (N)INE no more, I just rock LETTER 5, uh
Shorty, better watch yo’ tone ’round here, put ’em on channel 5, yeah
Do you wanna come out here?
Yo, do you wanna come out here?
Yo, do you wanna come out here?

Yo, do you wanna come out here?
Uh, I was on the Southside, smoking OG, Spanish b!tch tryna play in my hair
Uh, got this ho throwing up Eastside, she ain’t even from ’round here, no
You ain’t even from ’round here (No)
You ain’t even from ’round here (No)
You ain’t even from ’round here (Woo), no
You ain’t even from ’round here, no (Woo)
Bang on my mo’fu*king chest while I’m fu*king this b!tch from the back, I’m a mo’fu*king beast (Woo)
I smashed like I love her, she thinking it’s hate, I keep swerving this b!tch like a SRT
I don’t even know this ho for real, I just popped molly and said I loved her (Oh, yeah)
I don’t even know this ho for real, but I popped molly and said I loved her (Oh, yeah)
Huh, huh, hold up, I think the addy kicked in, so I’m geeked
Huh, huh (Venus), hold up, hold up, I think the addy kicked in, so I’m loaded, I’m geeked
Pull up and stunt for the week
Twenty-five hunnid the shirt and the mo’fu*king jeans, woah
My money standing so mo’fu*kin tall and, shawty, the s*it looking just like Shareef
N!ggas tryna speak on my name, uh
N!gga must snort coc*ine, uh
Riding with a shotgun shawty, b!tch, feeling like Kurt Cobain, uh
Do you wanna come out here?
Yo, do you wanna come out here?
Yo, do you wanna come out here?
Yo, do you wanna come out—? Yo, Pi’erre
N!ggas be talking like G’s but don’t got no cheese, this s*it looking hard to believe
Like, if you ain’t really police, then why is you calling my managers looking for beef?

[Verse 3]
Hold on, turn this s*it up to the max, blow up the city and bounce it (Huh, huh)
Shawty keep screaming the gang, but she don’t know how to pronounce it
And she fell in love with the drügs, ecstacy pill got her bouncing
And I’m riding ’round with the plug, he should just be my accountant, yeah
I’m sick of this b!tch, she a dub, tell her just stay from around me, yeah
Tell that lil’ ho to just wait on the flood
Pulled out two-three at the club (Two-three)
Pulled out a fifty and make this s*it work
Pulled out a fifty and make this s*it twerk
Phantom keep roaring, I just let it skrrt
No double B, Louis V on the shirt

[Refrain]
She wanna go right now, shawty wanna go right now (Fu*k)
Smoking on dope right now, money on the floor right now (Let’s go)
Shawty wanna fiend right now and she wanna blow my loud
Hit, then I’m kickin her out, hit, then I’m kickin her out, uh (Fah)

[Chorus]
Now what the fu*k you talking ’bout?, yeah
Off the meds, tryna swerve the wheel, I done lost it (Tryna swerve the wheel)
Who that boy? They think I sold my soul, I got options
Tell yo’ friends I’m back in the city, get it popping
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DC The Don Songs

VENUS Lyrics Meaning

[Intro]
The intro sets the stage for the track, introducing a lively and intense mood with a simple, energetic “Woo.” It’s an invitation to get ready for the high-energy, boastful content that follows.

[Chorus]
In the chorus, DC The Don addresses rumors and questions about his life. He mentions being off his meds, which hints at reckless behavior or a loss of control. He acknowledges that people think he’s made significant personal sacrifices for his success, but he asserts that he has plenty of options. He’s back in town and ready to stir things up, signaling a return to action and excitement. This part highlights his defiant attitude and readiness to reclaim his space in the city.

[Verse 1]
In this verse, DC The Don boasts about his carefree and luxurious lifestyle. He describes moving “in the sky,” which suggests he’s living large and enjoying a high status without any breaks. He talks about cruising around town with a woman whose body is described as captivating, likening her to J.Lo. He’s confident and ready to defend himself if necessary, showing a willingness to engage in violence if challenged. He reflects on a recent trip to Atlanta, where he indulged in syrup (a reference to lean) and didn’t see a specific person, SoFaygo. He contrasts this with his current lavish lifestyle, moving from rough beginnings to glamorous Hollywood Hills. His description of partying, crashing his car, and showing off his wealth illustrates a life of excess and high stakes.

[Refrain]
The refrain focuses on a woman eager to party and indulge in drügs and money. DC The Don mentions she wants to engage in these activities immediately and emphasizes his casual, no-commitment approach. After their brief encounter, he kicks her out, underscoring a transient and uncommitted attitude towards relationships.

[Verse 2]
In this extended verse, DC The Don continues to flaunt his wealth and extravagant lifestyle. He starts by mentioning high-fashion brands like Maison Margiela, showcasing his style and status. He’s unapologetically high, and his aggressive stance is evident when he says they won’t tolerate any disrespect towards his crew. He also mentions his change in fashion preferences, moving from NUMBER (N)INE to LETTER 5, reflecting his evolving style. He warns people to be cautious around him and his crew, hinting at potential conflict or retribution. He recounts personal experiences from the Southside, describing interactions with women and emphasizing his dominance. He’s explicit about his feelings, describing violent and explicit s*xual imagery, highlighting his reckless and hedonistic behavior. He mentions using drügs and making grand, expensive gestures, which symbolize his wealth and influence. The verse wraps up with a dismissal of people who talk big but don’t have real power, showing his disdain for pretenders and asserting his own status.

[Verse 3]
In this verse, DC The Don is all about making a big impact and enjoying his success. He describes turning up the energy and making a statement in the city. He mocks a woman who keeps shouting about his gang but doesn’t understand it, showing his frustration with people who don’t get his world. He describes a woman who’s deeply into drügs, emphasizing her wild behavior and how it contrasts with his own successful, controlled image. He rides with his “plug” (a reference to someone who supplies him with drügs), implying his high level of connections. He expresses frustration with a woman he finds annoying, telling her to stay away. The verse highlights his financial success and how he uses his wealth to make a statement, pulling out large sums of money and showing off his luxury lifestyle. This reinforces his dominance and the lavish nature of his life.

[Refrain]
The refrain repeats the idea of a woman who wants to party right away, emphasizing the immediacy of her desires for drügs and money. DC The Don remains consistent in his approach, focusing on casual encounters and dismissing any emotional attachments after the fact.

[Chorus]
The final chorus reiterates the earlier themes of questioning and defiance. DC The Don continues to deal with the repercussions of his wild lifestyle and the rumors surrounding him. He emphasizes his options and choices, confidently asserting his return to the city and his readiness to make things happen. The chorus captures his attitude of self-assuredness and his commitment to maintaining his high-profile lifestyle.

Famous Phrases with Explanation

1. “Off the meds, tryna swerve the wheel, I done lost it
This phrase refers to someone being off their medication and driving recklessly, indicating a state of confusion or losing control. It’s a way of saying they’re not in their right mind and are acting unpredictably.

2. “Who that boy? They think I sold my soul, I got options
Here, the speaker addresses people questioning his actions, suggesting that some believe he sacrificed his principles for success. Despite these perceptions, he confidently claims he has plenty of choices and opportunities.

3. “Riding ’round town with a b!tch and her hips don’t lie, body moving like J. Lo
The speaker describes cruising around town with a woman who has an attractive, confident presence, comparing her to Jennifer Lopez. It highlights her captivating and undeniable appeal.

4. “Young n!gga move that fire, if you really wanna die, we can leave you a halo
This line refers to someone being prepared to defend themselves or retaliate with force. “Moving fire” implies using weapons, and “leaving a halo” suggests that their actions could be fatal.

5. “Smoking on dope right now, money on the floor right now
This phrase describes a current scene of indulgence, where the speaker is using drügs and has money scattered around. It conveys a high-spending, carefree lifestyle.

6. “Heard he was speaking on gang again, we ain’t gon’ let it slide
The speaker is addressing someone who talked negatively about his crew or gang. The phrase means they’re not going to ignore the disrespect and are ready to take action.

7. “I was on the Southside, smoking OG, Spanish b!tch tryna play in my hair
This line recounts a personal experience where the speaker was on the Southside, using high-quality mar!juana, and dealing with a woman who was interacting with him in a flirtatious or annoying way.

8. “Bang on my mo’fu*king chest while I’m fu*king this b!tch from the back, I’m a mo’fu*king beast
The speaker describes assertively showing off his strength and dominance, both physically and s*xually. It’s a boastful statement about his power and prowess.

9. “Pull up and stunt for the week, twenty-five hunnid the shirt and the mo’fu*king jeans
This phrase highlights the speaker’s extravagant lifestyle, showcasing his wealth by describing expensive clothing and his intention to flaunt it for an entire week.

10. “N!ggas be talking like G’s but don’t got no cheese, this s*it looking hard to believe
The speaker is criticizing people who claim to be tough or successful (“G’s”) but lack the money (“cheese”) to back it up. It expresses doubt about their authenticity and credibility.

FAQs

Q. Who has sung VENUS song?
A. VENUS song is sung by DC The Don.

Q. Who wrote VENUS lyrics?
A. VENUS lyrics are penned by DC The Don.

Q. Who has given the music of VENUS song?
A. VENUS music is composed and produced by DC The Don.

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