Sidequest Lyrics – Kollegah

Sidequest Lyrics Meaning

[Intro]
In the intro, Kollegah is having a conversation about creating a beat. He asks for a basic hi-hat and rhythm first, setting the stage for a collaboration. The other person suggests a grimy style reminiscent of Ice-T and Tupac, but Kollegah prefers a New York-style, akin to B.I.G. and Puff Daddy. The collaborator then proposes a rougher sound, using a sample from an old 90s jazz live band record, which is chopped and shuffled into the beat. Kollegah wants the beat to be accompanied by a strong kick drum, likened to a bodyguard’s presence, and a snare that claps like Thai hands. He also suggests adding a sliding bass to complete the mix, and they agree that the intro will hit hard. This dialogue sets up the collaborative and creative process behind the track, emphasizing the importance of the beat and the specific sound they want to achieve.

[Part]
In this part, Kollegah talks about his prowess and achievements in the rap game. He delivers his lines with precision, comparing them to the sharpness of a circular saw blade. He boasts about performing live in various cities, achieving triple gold and platinum status. Now, having completed his main missions, he focuses on side quests, smaller tasks that still showcase his talent. He refers to himself as T-O-N-I, wielding his words like a submachine gun with the finesse of Beethoven. Kollegah compares his opponents to lifeless cattle, implying that they are insignificant side quests. His appearance signals game over for them. He continues by flaunting his dominance, likening his style to that of an art lover returning to old patterns. The imagery of him walking Michi on a leash on the red carpet underlines his control and superiority, mixing humor with bravado.

[Klar?]
In this section, Kollegah goes deeper into his personal life and his approach to rap. He enjoys his leisure time, often listening to Shindy’s music to unwind. He mocks a smaller rapper from Bietigheim, saying he falls asleep quickly during his interviews due to their lack of substance. Kollegah then talks about dissing weaker rappers, describing them with humorous metaphors like toothpick arms and likening them to a small, unimpressive figure. He points out that he can win beef without even releasing diss tracks, simply by laughing at their failures, damaging their image. The reference to Laas Unltd. highlights how he views these rappers as outdated and irrelevant. He dismisses their attempts to join the upper class, stating their careers are laughable and born in debt. Kollegah critiques their fake personas, drawing a parallel with the lies since the NWA era. He uses clever wordplay to turn “Shindy” into “Shwindy,” emphasizing deceit. He threatens to rain shots like in trenches and mocks them for not being on his level. Kollegah claims his rap career is now a hobby, with streaming and playlists being insignificant compared to his real estate investments. He criticizes the rap scene’s toxic energy, mentioning Shirin and Helene as examples. Annoyed by fans pestering him for selfies, he describes the artificial nature of TikTok promo beefs. His last year’s Deutsche Vita album was mellow, but this year he’s taking a more aggressive tone. He likens his new style to a strict, disciplined life, like monks in a Capuchin monastery. With a masculine swagger and a grin like the Joker, he avoids drügs but spits venomous lines. Each punchline hits hard like lightning strikes, and his aura stands out. Despite the ups and downs everyone faces, he acknowledges the struggles, including fitting his heavy frame into a Lamborghini. He takes a jab at Ufo and his boyfriend, humorously depicting them as running away when he shows up. Unbothered by their antics, Kollegah says he doesn’t care about their drama and focuses on his own success, having experienced everything from cancellations to platinum and gold records. He plans to stay fresh, continue with side quests, and produce high-tech tracks. This album is his last, and he dismisses the critics, ending the childish drama and taking his legacy back to the underground, reminiscent of 8 Mile, as the last real artist in a world dominated by AI.

[Pre-Hook]
Kollegah compares his return to the underground scene to the movie “8 Mile,” emphasizing his authenticity in a world increasingly influenced by artificial intelligence. He positions himself as the last true rapper, staying real amidst the industry’s changes.

[Hook]
In the hook, Kollegah reflects on his journey from a small-time criminal to an accomplished rapper. He mentions looking beyond immediate opportunities, always aiming higher. Now, he focuses on side quests, indicating he’s taking on less crucial but still significant challenges. He labels lesser opponents as mere side quests in his path.

[Post-Hook]
The post-hook highlights the life of a determined and ambitious person, a “Go Getta.” It’s a brief affirmation of the hustler’s mentality, striving for success and overcoming challenges.

[Outro]
In the outro, Kollegah tells Asche to build the beat like an opera, grand and intricate. He envisions himself crowned as a king, standing tall and resilient like Homo sapiens in biological charts. Despite facing the whirlpool of success, he stays grounded, leading like a wolf pack. His skillset is a goldmine, and he marks August 2nd as his last public audience amid cheers. He remains the “Still King,” emphasizing his enduring reign in the rap world.