Christopher Columbus Lyrics – Kodak Black

Christopher Columbus Lyrics Meaning

[Intro]
Kodak starts by shouting out Haiti’s fight for independence, bringing up the years 1791 and 1804 when Haiti broke free from colonial rule. He’s proud of that history and connects it to a broader sense of freedom, not just for Haitians but for everyone. It’s like he’s saying, “That struggle was for all of us, not just them.”

[Chorus]
Here, Kodak calls himself “Christopher Columbus,” flipping the idea of discovery into something about hustle and information—he’s out here moving secret knowledge. He mocks others, saying he’s ahead of them and making noise like a Russian. He compares himself to Willy Lynch to highlight how twisted power dynamics work, but he won’t be broken unless there’s money in it. He also questions religious stories like Jesus rising on Sunday after dying Friday, hinting at disbelief or confusion. He talks about being up for days, living wild with his friend Djay. Then he mentions how everyone’s chasing the same woman, but he’s not getting caught up. And he points out that many people out here pretending, but he sees through it—they’re not really eating or doing well.

[Verse 1]
Kodak says he’s bouncing around like it’s Easter, not for the holiday but for how active and sneaky he is. A girl wants a baby with him, but he’s not interested. He talks about driving around aimlessly, doing stuff just to do it, still feeling like he’s running from something. Even though he’s not out in the streets as much, he’s still mentally in that struggle, like Harriet Tubman crossing danger zones. People stereotype him, but he’s out here dating a white girl. He doesn’t even trust her with his money or life. In fact, he doesn’t trust anyone—not even himself—because he admits he’s got that crooked side. He says working regular jobs isn’t for him, and he’s fine firing shots in public if needed. He jokes the gun’s like a private part, ready to go off any time.

[Chorus]
Again, he calls himself a modern-day Columbus, not discovering land but running game with information. He’s feeling untouchable, disrespecting haters like they’re nothing. He connects himself to historical and symbolic figures to express power and resistance. He refuses to be taken down unless there’s something in it for him. He questions religious stories and shares how he and his crew go without sleep, living rough but laughing through it. While others chase the same girl, he drifts away, uninterested. And he knows people pretending like they’re winning in life, but he sees the truth—they’re silent because they’re not really making it.

[Verse 2]
Kodak gets more personal and intense here. He calls out people who pretend to be loyal but wouldn’t die or fight for him. He leans into his “sniper” mentality—being strategic and dangerous. He’s serious about living that life, comparing himself to Master P, and while he’s on magazines, he still carries actual ammo. He says he grew up loving dangerous women and living wild. That wild side sometimes makes him feel like giving up rap altogether. He compares his struggles to Kunta Kinte, saying he’s been through a lot. He runs with energy and purpose, like an athlete. He reflects on how tough it is to escape the hood, unless you make it in music or sports. His uncle believed in him early, letting him gamble with older guys who saw his talent even as a kid. He grew up fast, living like a grown man young. His uncle gave him a gun, and now, no one can try to diss him in a song. He admits he’s mentally different, unpredictable. He pushes people to handle their own problems like he did. Kodak doesn’t talk much—he just acts. When he dies, he’s going out solo, just like he lived. And though he can be reckless, he also knows how to get deep and wise, dropping insight through his lyrics.

[Chorus]
He brings the same vibe back in the chorus. Calling himself “Christopher Columbus” again, he’s making moves in secret, staying ahead of the game. He’s bold, mocking his rivals, feeling powerful. That line about hanging on a tree flips a painful history, saying he won’t be a victim unless money’s involved. He still questions religious timelines. With his friend Djay, they’ve been up for days, hustling and laughing. He doesn’t chase the same women as everyone else—he’s got his own lane. And finally, he keeps pointing out that most people aren’t really doing well, even if they act like they are.