Sherane Lyrics – Kendrick Lamar

“Sherane” Lyrics by Kendrick Lamar is a latest English song in the voice of Kendrick Lamar. Its music too is composed by singer while brand new “Sherane” song lyrics are also written by Kendrick Lamar. This is a popular song among the people of United States of America. “Sherane” is about a young Kendrick Lamar’s obsession with a girl named “Sherane”. He meets her at a party, and their summer romance grows through constant phone calls and flirting. Despite warnings about her rough background, Kendrick is too focused on his desires. One night, he drives to see her, fantasizing about what’s next, but as he arrives, he spots two men in hoodies—leaving the story on a tense cliffhanger.

Sherane Lyrics

[Intro]
Lord God, I come to you a sinner
And I humbly repent for my sins
I believe that Jesus is Lord
I believe that You raised him from the dead
I would ask that Jesus come to my life
And be my Lord and Savior
I receive Jesus to take control of my life
And that I may live for him from this day forth
Thank you, Lord Jesus, for saving me with your precious blood
In Jesus’ name, amen

[Verse]
I met her at this house party on El Segundo and Central
She had the credentials of strippers in Atlanta
Ass came with a hump, from the jump she was a camel
I want to ride like Arabians, push an ’04 Mercedes-Benz
“Hello, my name is Kendrick,” she said, “No, you’re handsome”
Whispered in my ear, disappeared, then found her dancing
Ciara had played in the background
The parade music we made had us all wearing shades now, cool
“Where you stay?” She said, “Down the street from Dominguez High”
Okay, I know that’s borderline Compton or Paramount
“Well, is it Compton?” “No,” she replied
Then quickly start batting her eyes
I strictly had wanted her thighs around me
Seventeen with nothing but pu*sy stuck on my mental
My motive was rather sinful, “What you tryna get into?”
She didn’t tell, just gave me her Nextel
Dropped the number, we chirped the whole summer and, well
The summer had passed and now I’m liking her
Conversation we having probably enticing her
Who can imagine? Maybe my actions’ll end up wifing her
Love or lust, regardless, we’ll fu*k ’cause the trife in us
It’s deep-rooted, the music of being young and dumb
Is never muted, in fact, it’s much louder where I’m from
We know a lot ’bout each other, her mother was a crack addict

She live with her granny and her younger two brothers
Her favorite cousin Demetrius is irrepetible
Family history of gangbanging did make me skeptical
But not enough to stop me from getting a nut
“I wanna come over, what’s up?”
That’s what I told her soon as this episode
Of Martin go off, I’m tryna get off
I was in heat like a cactus
My tactics of being thirsty probably could hurt me
But fu*k it, I got some heart
Grabbed my mama keys, hopped in the car, then, oh boy
So now I’m down Rosecrans in a Caravan
Passing Alameda, my gas meter in need of a pump
I got enough to get me through the traffic jam
At least I hope, ’cause my pockets broke as a promise, man
I’m thinking ’bout that s*x
Thinking ’bout her thighs or maybe kissing on her neck or maybe what position’s next
Sent a picture of her titties, blowing up my texts
I looked at ’em and almost ran my front bumper into Corvette
Enthused by the touch of a woman, she’s a masseuse
And I’m a professional pornstar when off the Goose
I had a fifth in the trunk like Curtis Jackson for ransom
I’m hoping to get her loose like an Uncle Luke anthem
I’m two blocks away, two hundred and fifty feet
And six steps from where she stay, she waving me ‘cross the street
I pulled up, a smile on my face and then I see
Two n!ggas, two black hoodies, I froze as my phone rang

[Outro]
Please leave your message for three-two-three
Record your message after the tone
Kendrick, where you at?
Damn, I’m sitting here waiting on my van
You told me you was gon’ be back in fifteen minutes
Man, I gotta go up to the county building, man, these kids ready to eat
I’m ready to eat, s*it
I gotta get them food stamps, come on now
You on your way or what?
I hope you ain’t out there messing with them damn hoodrats out there, s*it
‘Specially that lil’ crazy-ass girl Sherane
And plus you got school tomorrow
You keep fu*king around in them streets, you ain’t gon’ pass to the next grade
Eleventh grade
(Is that Kendrick on the phone?)
Your daddy calling about some damn dominoes (Let me holler at him)
He want to holler at you too, go ahead, Kenny, go’n, s*it
Hello? Yak, where my motherfu*king dominoes at?
(Kenny), What?
I’m on his voicemail, damn fool (Oh), s*it
Yak, where my motherfu*king dominoes at?
This the second time I asked you to bring my fu*king dominoes
Just give me the damn phone, s*it, don’t hang up, damn, let me
Kendrick, when you get this message, man, call me back (Keep losing my goddamn dominoes, we gon’ have to go in the backyard)
I need to know when you gon’ bring back my damn car (And squab, homie)
This man fussing ’bout some damn dominoes
It ain’t all that serious, fu*k, damn dominoes
S*it, I’ma miss my damn appointment, fu*k
Fu*k some damn dominoes, nobody wanna hear that
Nobody wanna hear your ass
Matter fact, cut my motherfu*king oldies back on
You killing my motherfu*king vibe

Kendrick Lamar Songs

Sherane Lyrics Meaning

[Intro]
The intro is a prayer where Kendrick Lamar asks for forgiveness and guidance from God. He acknowledges that he is a sinner and wants to change his ways. He expresses his belief in Jesus and asks Him to take control of his life. This prayer sets the stage for the song, showing a contrast between his spiritual side and the reckless actions he describes later. It also hints at the religious themes present throughout his *good kid, m.A.A.d city* album, where faith and temptation constantly battle. The prayer feels sincere, but as the song unfolds, we see Kendrick still struggling with his desires.

[Verse]
The verse starts with Kendrick meeting Sherane at a house party. Right away, he describes her as attractive, comparing her curves to a camel’s hump. He is drawn to her and tries to impress her, even fantasizing about riding in a fancy car. Their initial conversation is short, but Sherane flirts with him, showing early signs of mutual attraction. They dance to music by Ciara, a popular R&B singer at the time, setting a youthful and carefree atmosphere.

As they talk more, Kendrick learns she lives near Dominguez High, close to Compton but not exactly in it. He asks if she’s from Compton, but she avoids giving a direct answer. This small detail hints that she might be hiding something or trying to shape how Kendrick sees her. Despite this, Kendrick is mostly focused on physical attraction rather than getting to know her deeply.

He admits that at 17, his thoughts are consumed by lust. He isn’t thinking about love or long-term relationships—just hooking up. When she gives him her Nextel number, they start talking all summer, and Kendrick grows more attached. He starts to wonder if he might actually want a relationship with her, but at the same time, he knows their connection is mostly built on physical desire. He describes this as something natural for young people like him, growing up in an environment where making reckless decisions is common.

Kendrick then shares more about Sherane’s difficult background. Her mother was a drug addict, and she lives with her grandmother and two younger brothers. Her cousin Demetrius is involved in gang activity, which makes Kendrick cautious. He knows being close to her could bring danger, but his desire outweighs his common sense. He brushes aside his concerns and focuses on getting with her.

One night, while watching TV, he texts Sherane, telling her he wants to come over. He describes himself as “in heat,” emphasizing how badly he wants to be with her. Even though he realizes his desperation might backfire, he ignores the risks. He grabs his mom’s car keys and starts driving.

As Kendrick drives down Rosecrans Avenue, he paints a picture of his situation. He’s broke and low on gas but still determined to reach Sherane. His mind is filled with fantasies about their night together, making him distracted while driving. She even sends him an explicit picture, which nearly causes him to crash. His excitement is overwhelming, and he feels unstoppable, comparing himself to a professional in adult films when he drinks.

As he gets closer to her house, everything seems perfect. He sees Sherane waving at him, but before he can fully process the moment, he notices two men in black hoodies. Immediately, the mood shifts from excitement to fear. The verse ends on a cliffhanger, suggesting that Kendrick might be in danger. This sudden shift shows how quickly lust-driven decisions can lead to real-life consequences, especially in a rough environment like Compton.

[Outro]
The outro consists of a voicemail from a family member who is frustrated that Kendrick hasn’t returned home. The caller is waiting for Kendrick with the family van, needing to go to the county building for food stamps. This highlights the struggles of Kendrick’s home life—his family depends on government assistance, and there’s a sense of urgency to their daily survival.

The family member also warns him about Sherane, calling her “crazy” and suggesting she is bad news. This shows that people around Kendrick recognize the dangers of his choices, even if he doesn’t fully realize them himself. The caller also reminds Kendrick about school, urging him to stay focused. This adds another layer to the story—Kendrick isn’t just a reckless teenager; he’s also a student trying to navigate responsibilities while getting caught up in street life.

In the middle of the voicemail, another family member interrupts, asking about a game of dominoes. The conversation turns into a comedic but chaotic moment where someone is angrily asking Kendrick about missing pieces from the game. While it seems random, it serves a purpose—it shows the everyday reality of Kendrick’s home. His family is struggling but also dealing with normal, trivial arguments. The mix of serious concerns and casual frustrations makes the scene feel real and relatable.

As the voicemail continues, frustration grows. The caller is upset about missing an important appointment, showing how small inconveniences can feel like big problems when life is already difficult. Eventually, they give up and ask someone to put music back on, expressing their irritation with Kendrick for not answering.

This outro is a sharp contrast to the intense moment at the end of the verse. While Kendrick is possibly in danger, his family is waiting for him, completely unaware of what’s happening. It highlights how disconnected his two worlds are—one moment he’s chasing Sherane, the next he’s facing real-life responsibilities. This ending leaves the listener wondering what happens next, making it a powerful conclusion to the song.

FAQs

Q. Who has sung Sherane song?
A. Sherane song is sung by Kendrick Lamar.

Q. Who wrote Sherane lyrics?
A. Sherane lyrics are penned by Kendrick Lamar.

Q. Who has given the music of Sherane song?
A. Sherane music is composed and produced by Kendrick Lamar.

“This concludes the lyrics of Sherane” by Kendrick Lamar. If you like this song please share it with your friends and family in USA. If you find any errors in it, please feel free to submit the correct version via the Contact Us section.