2TONE Lyrics – Yeat, Don Toliver

2TONE Lyrics Meaning

[Chorus: Don Toliver]
He’s talking about a girl who’s got a unique vibe—nobody else can match her cool energy. He’s flexing with his jewelry, showing off his success, but he’s also feeling hurt and betrayed because she’s with someone else. There was a time they shared deep moments together, even hooking up in his truck, which made him believe it was real love. But now he’s realizing maybe it wasn’t. The “grind” lines show how intense and physical their connection was. There’s still lust and attraction there, but it’s complicated. He calls her “My Victoria,” probably a personal nickname or reference to her being special. He wants to keep their past a secret, holding on to the intimacy they once shared. There’s pain in his voice—he’s trying to hold on to something that’s slipping away, unsure if it was ever really what he thought it was.

[Post-Chorus: Yeat]
He’s fed up with someone’s fake behavior. He’s clearly catching on to the lies and nonsense the other person is trying to hide. No matter how they try to act, he’s not fooled—he sees through it all, and he’s over it.

[Verse 1: Yeat]
He’s bragging a bit here—saying the other guy doesn’t even have a flashy weapon like his “two-tone blick,” while he’s decked out with expensive clothes and a fancy watch. He also talks about a complicated relationship with a woman who’s always moody, yet he still cares for her. There’s a wild, s*xual side to it too—he’s being pretty explicit about what goes on in the backseat, showing that while it’s messy and chaotic, there’s still real affection in the mix.

[Verse 2: Don Toliver]
He doesn’t want things to end with this girl, even though it seems like they’re falling apart. He picked her, believed in her, and saw her as someone powerful who could’ve been everything to him. Losing her feels like a huge deal, and he knows it’ll hurt.

[Chorus: Don Toliver]
He’s still hung up on this girl—nobody matches her energy or coolness. He’s out showing off his jewelry, trying to look unbothered, but deep down, he’s hurting because she’s with someone else. He’s shocked and feeling played, since he thought what they had was real. They had passionate moments, like making love in his truck and sneaking around, sharing wild, private memories. There’s a lot of physical attraction still there, but there’s also emotional confusion—he’s torn between wanting to keep her close and realizing she might’ve been faking it all along. He brings up their secret moments again, wanting to protect what they had, but also not ready to accept that it’s over. He doesn’t want her to break things off for good, because he knows both of them will be hurt if it ends.

[Post-Chorus: Yeat]
He’s repeating the same message: he sees right through the lies and games. He’s tired of being misled and isn’t pretending anymore. It’s like a warning—he’s not blind to what’s really going on.

[Verse 3: Yeat]
This part’s a mix of flexing and vulnerability. He’s showing off—talking about his flashy lifestyle, like his “two-tone” gun, outfit, and expensive flooded watch. He even calls his girl “two-tone,” hinting that she’s flashy or moody herself. Their relationship is rocky, full of mood swings and drama, but he still feels something for her. There’s a lot of raw s*xual references that show how wild their connection is. He shifts into talking about himself as “King Tonka,” pulling up in a big luxury ride with confidence, surrounded by success. But he’s also calling out fake energy—asking if people’s words really match how they live. He wonders if someone would actually put him first, or just pretend. When he says “big body living,” he’s hyping up his larger-than-life lifestyle, showing he’s made it. It’s about money, power, and having only the baddest girls around. Underneath all that bragging, there’s a message that this lifestyle takes effort, and not everyone can handle it.

[Outro: Yeat]
He’s celebrating where he’s at in life. Surrounded by attractive, confident women, living big, and feeling grateful. He used to dream of moments like this and now that it’s real, he’s thankful. It’s a mix of flexing and recognizing that he worked to get here.